Frantic Assembly’s “Lost Atoms” at the Lyric Hammersmith: 30th Anniversary Show Is About Love But Its Story Is Predictable And Bland
Some shows have great moments, but somehow just don’t work — the whole is less than the sum of its...
Read MorePosted by Aleks Sierz | 9th Feb 2026 | London, Playwriting, Review, Theatre and Gender, United Kingdom
Some shows have great moments, but somehow just don’t work — the whole is less than the sum of its...
Read MorePosted by Aleks Sierz | 5th Mar 2020 | London, Review, Theatre and Dance, United Kingdom
Once radical theatre companies are increasingly celebrating anniversaries, as if to say, hey,...
Read MorePosted by Aleks Sierz | 29th Jan 2019 | London, Review, Theatre and Gender, United Kingdom
Nadia Fall is a good thing. Her appointment as the artistic director of this venue, with her first...
Read MorePosted by Aleks Sierz | 12th Nov 2018 | London, Review, Theatre and Opera, United Kingdom
Sometimes, just sometimes, I see a show which makes me wish that all theatre could be like this. A...
Read MorePosted by Aleks Sierz | 12th Jun 2018 | Documentary Theatre, London, Review, Theatre and Gender, United Kingdom
Masculinity, whether toxic or in crisis (but never ever problem-free), is a hardy perennial...
Read MorePosted by Aleks Sierz | 25th Jan 2018 | London, Review, United Kingdom
The marvelous is a dangerous place. Especially in memory. Today I still remember seeing the first...
Read More
From Richard To Richard: MITEM 2026 And a Europe in… by Emiliia Dementsova 14th April 2026
David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026 
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026 
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
Chekhov’s “Uncle Vanja”, directed… by Duška Radosavljević 14th April 2026 
