Josep Maria Pou Excels In a Minimalist Catalan-language Production of Florian Zeller’s “The Father”
Florian Zeller’s The Father, first produced in 2012, remains a timely play for various reasons. It...
Read MorePosted by Maria Delgado | 15th Feb 2023 | Directing, Review, Spain
Florian Zeller’s The Father, first produced in 2012, remains a timely play for various reasons. It...
Read MorePosted by Aleks Sierz | 18th Mar 2022 | Acting, Directing, London, Review, United Kingdom
Let’s start with stereotypes: British theater is naturalistic, down-to-earth and explains...
Read MorePosted by Nobuko Tanaka | 28th Sep 2021 | Interview, Japan, Translation
When Keito Okamoto was offered the title role in French dramatist Florian Zeller’s latest work,...
Read MorePosted by Aleks Sierz | 9th Mar 2019 | France, London, Review, United Kingdom
Well, you have to hand it to French playwright Florian Zeller — he’s certainly cracked the problem...
Read MorePosted by Akarsh Khurana | 30th Jan 2019 | India, Review
I begin 2019 with the same paragraph I ended 2017 with. Over the last few years, it has become...
Read MorePosted by Vikram Phukan | 31st Dec 2018 | India, Review, Translation
The irreverent stage persona of Naseeruddin Shah, cocking a snook at societal mores and...
Read MorePosted by Aleks Sierz | 28th Sep 2018 | London, Review, Theatre and Politics, United Kingdom
Is appearing in the West End a rite of passage for Game Of Thrones stars? In the past couple of...
Read MorePosted by William Gregory | 24th Mar 2018 | Festivals, LGBTQ+ Theatre, London, News, Producing, Translation, United Kingdom
On March 3 and 4 2018, the Arcola Theatre in East London presented Global Queer Plays, a series of...
Read MorePosted by Christopher Harris | 10th Mar 2018 | Adaptation, Review, Transcultural Collaborations, Translation, United Kingdom
Terry Eagleton reminds us that in order for tragedy to occur, then the protagonist must be in...
Read MorePosted by Christopher Harris | 15th Feb 2018 | Adaptation, Review, Transcultural Collaborations, Translation, United Kingdom
The universality of Florian Zeller’s undiminished modern masterpiece The Father has ceased...
Read MorePosted by Elinor Fuchs | 4th Feb 2017 | New York, Review, Theatre and Age, United States of America
Last spring, dementia made it to Broadway! Let me be clear: I am an Avant-garde type and I am wary...
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