Sacrament of the Sea: Houseworld’s “Bottom of the Ocean”
Whispering the word BOTO into the speakeasy-style window of a door, I felt a sense of trepidation,...
Read MorePosted by Andrew Agress | 9th Aug 2022 | Directing, Immersive Theatre, New York, Review, United States of America
Whispering the word BOTO into the speakeasy-style window of a door, I felt a sense of trepidation,...
Read MorePosted by Aleks Sierz | 1st Mar 2017 | Immersive Theatre, London, Review, United Kingdom
One of the reasons that Philip Ridley is the crown prince of imaginative playwriting is that he...
Read MorePosted by Aleks Sierz | 24th Jan 2017 | Essay, United Kingdom
Whether or not it really is a foreign country, the past has a tendency to feel like it’s a long...
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