Edinburgh Festival Fringe 2025 in 22 Shows
This year’s Edinburgh Festival Fringe was as sprawling and invigorating as ever, and expectedly...
Read MorePosted by Mert Dilek | 28th Aug 2025 | Edinburgh 2025, Review, United Kingdom
This year’s Edinburgh Festival Fringe was as sprawling and invigorating as ever, and expectedly...
Read MorePosted by Yizhou Zhang | 21st Aug 2021 | Festivals, Review, Theatre and Film, Transmedia, Turkey, United Kingdom
Abandoned Shores / Negative Photographs (Turkish: Terk Edilmiş Kıyılar // Negatif Fotoğraflar) by...
Read MorePosted by Mert Dilek | 6th Sep 2019 | Edinburgh 2019, Festivals, Review, United Kingdom
Stalkers, heroes, and cult leaders. Depression, maternity, and citizenship. Edinburgh Festival...
Read MorePosted by Mert Dilek | 5th Sep 2019 | Edinburgh 2019, Festivals, Review, United Kingdom
Facts can be stranger than fiction. Every year, this truism gets demonstrated afresh—and with an...
Read MorePosted by Malavika Balasubramanian | 3rd Sep 2019 | Edinburgh 2019, Essay, India, United Kingdom
For years, the Edinburgh Fringe Festival, those three performance-packed weeks in August, has been...
Read MorePosted by Mert Dilek | 1st Sep 2019 | Edinburgh 2019, Festivals, Review, United Kingdom
Sisterhood and female companionship were at the heart of some of the most popular plays at the...
Read MorePosted by Mert Dilek | 30th Aug 2019 | Edinburgh 2019, Festivals, Review, United Kingdom
It should be not at all surprising that climate change was one of the hot topics of this year’s...
Read MorePosted by Ivanka Apostolova Baskar | 17th Aug 2019 | Directing, Hungary, Interview, Macedonia, Transcultural Collaborations
Oliver Micevski (b. Skopje, Macedonia, 1980) is one of the most creative and intelligently...
Read MorePosted by Duška Radosavljević | 16th Aug 2019 | Belgium, Edinburgh 2019, Festivals, Immersive Theatre, Review, United Kingdom
Since their first understated but instantly successful visit to Edinburgh in 2008 with their...
Read MorePosted by Aleks Sierz | 20th Jul 2019 | London, Review, Theatre and Politics, United Kingdom
In the middle of the current decade, there was a mild vogue for reviving a handful of the great...
Read MorePosted by Laura Kressly | 3rd Jul 2019 | The Play's The Thing UK
In the programme notes, director Graham Watts states, “there are hundreds of astonishing plays...
Read MorePosted by Armando Rotondi | 3rd Oct 2018 | Adaptation, Playwriting, Review, Theatre and Art, United Kingdom
The relation between identity and performance is one of the strongest topics in the field of...
Read MorePosted by Emily Jupp | 12th Sep 2018 | Festivals, Review, United Kingdom
Charley Miles’s brilliant debut play is as interwoven as the thorny bush of its title Blackthorn...
Read MorePosted by Alice Jones | 4th Sep 2018 | Festivals, Review, United Kingdom
From shows you control with your phone to tap-dancing economics lessons, these comedians do things...
Read MorePosted by Emily Jupp | 27th Aug 2018 | Festivals, Playwriting, Review, Theatre and Gender, United Kingdom
Angry Alan Underbelly Cowgate, Edinburgh ★★★★★ Playwright Penelope Skinner’s new work, Angry Alan,...
Read MorePosted by Alice Jones | 25th Aug 2018 | Festivals, Review, United Kingdom
Jayde Adams Pleasance Courtyard, Edinburgh ★★★ Jayde Adams is playing the Edinburgh Fringe in a...
Read MorePosted by Kasia Lech | 14th Jul 2018 | Festivals, News, Poland, Polish Theatre Abroad
The 2018 Edinburgh Fringe will be particularly exciting for those interested in Polish theatre....
Read MorePosted by Omar Aladin and Mariam Barakat | 11th Jul 2018 | Egypt, Festivals, France, News
Managed by Ahmed El-Attar, the Arab Arts Focus program features artists from across the Arab...
Read MorePosted by Aida Rocci | 18th Oct 2017 | Iran, Playwriting, Review
Seven years ago, a new play challenged the role of the actor, the playwright, the audience, and the capacity of one individual to travel. The play was White Rabbit Red Rabbit, written by the mysterious Nassim Soleimanpour, an Iranian writer who encouraged the audience to email him with impressions about his play.
Read MorePosted by Aida Rocci | 2nd Sep 2017 | Canada, Immersive Theatre, Transmedia
Please, take your laptops out of the suitcase. Liquids in a plastic bag. No belts. No shoes....
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