V4 Improv Connect: Empowering Cross-Border Collaboration And Growth (Project And Network) [Part I]
Collective Interview with V4 Improv Connect Team (Hon Chong (actor, director – Slovakia),...
Read MorePosted by Ivanka Apostolova Baskar | 2nd Feb 2025 | Acting, Interview, Transcultural Collaborations
Collective Interview with V4 Improv Connect Team (Hon Chong (actor, director – Slovakia),...
Read MorePosted by Eylül Fidan Akıncı | 20th Jun 2023 | Belgium, LGBTQ+ Theatre, Review, Theatre and Dance
A transpersonal and transcultural desire to dance together EXÓTICA is a journey that sets off even...
Read MorePosted by Associated Press | 22nd Nov 2021 | Musical Theatre, New York, News, United States of America
Diversity in film is important, but in animation, it carries an even heavier, different message....
Read MorePosted by Associated Press | 23rd Sep 2021 | New York, News, Theatre and Politics, United States of America
Following a summit of industry leaders organized by Black Theatre United earlier this year, a...
Read MorePosted by European Theater Convention Board | 29th Apr 2021 | Europe, News, Theatre and Gender
Men continue to outnumber women and hold the most prestigious positions in theatre programmes, a...
Read MorePosted by Taiwo Afolabi | 8th Jan 2021 | Canada, News, Transcultural Collaborations
As we bid the pandemic year goodbye and herald the new year, it’s worth asking about the kind of...
Read MorePosted by Holly Rosen Fink | 14th Jun 2019 | New York, News, Theatre and Disability, Theatre and Gender, United States of America, Women on Broadway and Beyond
When Rachel Chavkin walked into the Tony Awards media room, she continued the conversation she had...
Read MorePosted by Taylor L. Ciambra | 11th Jun 2019 | Review, Theatre and Gender, United States of America
To take the title of dramaturg Amrita Ramanan’s program note, As You Like It is “a comedy that...
Read MorePosted by Taylor L. Ciambra | 10th Jun 2019 | Musical Theatre, Review, United States of America
John Waters called Hairspray “the only radical movie I ever made” (from Dawn Monique Williams’s...
Read MorePosted by Jamie Potter | 30th Apr 2019 | Essay, United Kingdom
This series of articles, commissioned together with HowlRound in the framework of IETM Hull,...
Read MorePosted by Goran Toka | 29th Apr 2019 | Essay, Europe, Participatory Theatre
This series of articles, commissioned together with HowlRound in the framework of IETM Hull,...
Read MorePosted by Lyn Gardner | 21st Apr 2019 | Essay, London, Participatory Theatre, United Kingdom
You can read this article in French here. This series of articles, commissioned together...
Read MorePosted by Nobuko Tanaka | 8th Mar 2019 | Japan, Review, Theatre and Disability, United Kingdom
“I believe people with almost any kind of physique can do contemporary dance. Yet though...
Read MorePosted by Abigail Weil | 6th Mar 2019 | New York, Puppetry, Review, Theatre for Young Audiences, Transcultural Collaborations, United States of America
On a recent Sunday afternoon, at the New Victory Theater, timelines collided. The New Vic, founded...
Read MorePosted by Alexander Nderitu | 21st Feb 2019 | Festivals, News, Zimbabwe
One of the first indications of the change in political temperatures was the production of the hilarious stage play ‘Operation Restore Legacy’ which re-imagines the military takeover in Harare that ended one of Africa’s longest and most controversial presidential tenures.
Read MorePosted by Aleks Sierz | 5th Jan 2019 | London, Review, United Kingdom
Actor Ellie Kendrick is a familiar face on television, but it’s as a writer that she reveals the...
Read MorePosted by Aleks Sierz | 14th Nov 2018 | Adaptation, London, Review, United Kingdom
You can see why artistic director Indhu Rubasingham chose to stage this version of Zadie Smith’s...
Read MorePosted by Emma Kantor | 31st Oct 2018 | Chicago, Devised Theatre, Directing, Interview, New York, United States of America
Ellenor Riley-Condit is an actor, producer, creator, and artistic director of The Syndicate. She...
Read MorePosted by Gary Raymond | 7th Sep 2018 | Essay, Theatre and Politics, United Kingdom
If Wales is known throughout the world it is most likely for its singing. The Welsh have often...
Read MorePosted by Jessica Barrett | 28th May 2018 | Interview, London, Musical Theatre, United Kingdom
Giles Terera has won armies of fans and an Olivier award for his performance as Aaron Burr in the...
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Chess The Musical: About Human Nature, Not Politics.… by Lisa Monde 20th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026
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Writing On An Empty Page: An Interview with… by Kuan-Ting Lin 9th July 2026 

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