Creativity on the Edge, Communication with the Centre, and Conversations about the Future
Being on the edge is the place where I like to be no matter in what domain it is…and the edge is a...
Read MorePosted by Miriam Haughton and Patricia O’Beirne | 27th Jan 2024 | Design, Essay, Ireland, Producing
Being on the edge is the place where I like to be no matter in what domain it is…and the edge is a...
Read MorePosted by Tonderai Chiyindiko | 1st Jan 2022 | Review, South Africa, Theatre and Dance
Metsi, staged at the State Theatre is a daring and brave production in how it includes elements of...
Read MorePosted by Oliver Farry | 15th Apr 2021 | Festivals, Hong Kong, News, Theatre and Disability
In a year when a previously unknown virus spread like wildfire across the globe, theatre was...
Read MorePosted by Aleks Sierz | 23rd Feb 2021 | Covid-19, Review, Theatre and Art, United Kingdom
Film is the new theatre — this we know, but does the distance imposed by the change of medium...
Read MorePosted by Armando Rotondi | 14th Nov 2020 | Adaptation, Ireland, Review
In his very famous book The Castle of the Crossed Destinies (Il castello dei destini incrociati,...
Read MorePosted by Sarah Bay-Cheng | 12th Oct 2020 | Covid-19, Essay, Participatory Theatre, United States of America
“I’m so glad I saw it live!” That’s what I said after the nerve-wracking Game 6 of the NBA...
Read MorePosted by Armando Rotondi | 11th Sep 2020 | Devised Theatre, Germany, Interview
Led by artistic directors Hajo Schüler and Michael Vogel, Berlin-based “Familie Flöz” is one of...
Read MorePosted by Julian Meyrick, Julianne Schultz, and Justin O'Connor | 19th Aug 2020 | Australia, Covid-19, News
Written by Julian Meyrick, Julianne Schultz, and Justin O’Connor National crises, like the...
Read MorePosted by Ahram Online | 16th Jul 2020 | Covid-19, Egypt, Review, Theatre and Dance
Qassem Amin, a dance performance staged by the Egyptian Modern Dance Theatre Company, has been...
Read MorePosted by Helen W. Kennedy and Sarah Atkinson | 6th Jul 2020 | Covid-19, Immersive Theatre, News, United Kingdom
Pubs and cinemas may be opening in the UK, but the performing arts sector remains languishing...
Read MorePosted by Emily Cordes | 30th Apr 2020 | Immersive Theatre, New York, Review, Transmedia, United States of America
Individual tastes notwithstanding, it can be argued that the best theatre is that which connects...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 


Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026 
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026