Conor McPherson’s “The Weir” at the Harold Pinter Theatre: Beautifully Acted Revival Of A 1990s New Writing Classic
Perhaps it’s an indicator of the feebleness of new writing after the pandemic that so many of the...
Read MorePosted by Aleks Sierz | 26th Sep 2025 | Acting, Dramaturgy, London, Review, United Kingdom
Perhaps it’s an indicator of the feebleness of new writing after the pandemic that so many of the...
Read MorePosted by Aleks Sierz | 29th Apr 2025 | Ireland, Playwriting, Review, United Kingdom
Theatre needs mystery. In the darkened auditorium, with a crowd of strangers sharing your...
Read MorePosted by Andrew Agress | 17th Nov 2021 | Musical Theatre, New York, Review, United States of America
People say that trains often make interesting settings for drama since you have people from...
Read MorePosted by Mert Dilek | 1st Feb 2020 | Adaptation, London, Review, United Kingdom
The wilting characters of Uncle Vanya would like us to believe that their scenes from country life...
Read MorePosted by Christine Deitner | 26th Oct 2017 | Adaptation, Los Angeles, Review, United States of America
Trapped in an atmosphere rife with the air of past punishment and with no concrete tasks to take up their time, Alice [Lizzy Kimball] and The Captain [Darrell Larson] play cards, say they will allow themselves one drink then pour three or more over the course of an evening, and argue with an off-stage cook about a dinner that never arrives. They wonder whether they should take on another lover and recall how the last threesome went. If this doesn’t sound like Strindberg to you, you’ve been missing out for not only is the play as sexually explicit as one could get in its time, it is also brutally funny and Ms. Kimball and Mr. Larson know exactly how to use both elements to their most effective ends as they engage in a slowly building battle for supremacy over the other.
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