Tag: chelfitsch

Building Bridges To Bangkok Through Stage

Posted by Nobuko Tanaka | 1st Aug 2019 | Adaptation, Directing, Japan, News, Thailand, Transcultural Collaborations

Never at risk of being run of the mill, Chelfitsch — which took its name from a baby’s...

Read More

Chelfitsch’s “Current Location” – A Mirror To Reality After The March 2011 Earthquake

Posted by Ramona Taranu | 28th Jan 2017 | Japan, Review

Current Location (Genzaichi in Japanese), written and directed by Okada Toshiki, founder of the...

Read More

“In What Time Do We Live?” Time and Distance in the Work of Toshiki Okada

Posted by Sara Jansen | 20th Jan 2017 | Essay, Japan, Playwriting

In May 2016, Japanese writer and director Toshiki Okada presented his latest production, Time’s...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Awards

Most Popular Posts

Santiago’s Teatro a Mil 2026: theatre, democracy and… by Maria Delgado 4th February 2026
NYC’s Under The Radar Festival Uses Lessons From The… by Victoria Zavyalova 9th February 2026
Raising Fists and Sharing Bread: Tiziano Cruz’s… by Yizhou Zhang 5th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
In Oldenburg’s “The Tempest,” Trusting… by Daniel Meyer-Dinkgräfe 6th February 2026
Sharing Crafts, Or Laboratory Space by Kiki Selioni 12th January 2026
Martin Crimp’s Version Of “The Seagull”… by Daniel Meyer-Dinkgräfe 26th January 2026
The Theater of Metaverse by Hayel Ali Al-Mathabi 10th May 2025
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026
Edinburgh Festival Fringe 2025: Provisional Futures… by Duška Radosavljević 25th August 2025

Recent Posts

The Trans Excellence of Faggotica 13th February 2026
“Between.Europe: Theatre In Romania.” Conversations And Visual Theatrical Exchanges Between Romania And Poland 10th February 2026
NYC’s Under The Radar Festival Uses Lessons From The Past To Shape The Future 9th February 2026
Frantic Assembly’s “Lost Atoms” at the Lyric Hammersmith: 30th Anniversary Show Is About Love But Its Story Is Predictable And Bland 9th February 2026
“The Devil Wears Prada” and Other Musicals by Sir Elton John. 8th February 2026
The “Screen / Stage” Programme At The Between.Pomiędzy Festival 2025 6th February 2026
In Oldenburg’s “The Tempest,” Trusting The Text Pays Off 6th February 2026
Enzo Moscato. “I Can’t Tell The Story Of My Life” (“Non Posso Narrare La Mia Vita”) 6th February 2026
Raising Fists and Sharing Bread: Tiziano Cruz’s “Wayqeycuna” (Argentina) 5th February 2026
Bad Data 4th February 2026

SEARCH OUR ARCHIVES

Pin It on Pinterest