Try Again. Fail Again. Fail Better.
Milo Rau was to receive an honorary doctorate from the UGent in March. Corona decided differently,...
Read MorePosted by Milo Rau | 30th Apr 2020 | Belgium, Essay, Theatre and Film, Translation, Transmedia
Milo Rau was to receive an honorary doctorate from the UGent in March. Corona decided differently,...
Read MorePosted by Emiliia Dementsova | 2nd Nov 2019 | Festivals, Poland, Review, Russia, Theatre Olympics 2019
King Lear by William Shakespeare. Text adaptation and music scoring by Jan Klata. Translation:...
Read MorePosted by Klaudia Święcicka (Klaudiusz Święcicki) | 27th Mar 2018 | Acting, Poland, Review, Theatre and Politics
The Theatre of the Eighth Day’s Paragraph 196 (exercises on terror) (Paragraf 196 kk (ćwiczenia z...
Read MorePosted by Yana Meerzon | 6th Jan 2018 | Adaptation, Germany, Review
A Production of the Munich Kammerspiele winner of XIV Europe Prize Theatrical Realities, 2017...
Read MorePosted by Piotr Gruszczynski | 22nd Jan 2012 | Poland, Review, Theatre and Politics
Artur Żmijewski did something seemingly simple, something which should’ve been done a long time...
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David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
Maxim Sukhanov – About The “Brew”… by Sergey Elkin 1st May 2026
“Broken Melody” at MITEM: A Music That Finds Its Way Home by Emiliia Dementsova 13th May 2026
Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 


Theatre – Creating Conditions For What Has… by Ivanka Apostolova Baskar 16th May 2026 
Michael Frayn’s “Copenhagen” at the Hampstead… by Aleks Sierz 14th April 2026