Sarah Kane’s “4.48 Psychosis” at New Diorama Theatre
It’s all about the casting. The paradox of playwright Sarah Kane’s short career is that while her...
Read MorePosted by Aleks Sierz | 9th Oct 2018 | London, Playwriting, Review, Theatre and Disability, Theatre and Gender, United Kingdom
It’s all about the casting. The paradox of playwright Sarah Kane’s short career is that while her...
Read MorePosted by Taurie Kinoshita | 18th Jan 2018 | Essay, Hawaii, Transcultural Collaborations
Though I never met my great-grandfather, I was told he was fond of saying “Lucky we come...
Read MorePosted by Julia Prest | 9th Nov 2017 | Essay, Theatre and Politics
When news of Rapture Theatre’s 2017 production of Tennessee Williams’ classic play A Streetcar...
Read MorePosted by Megan McClain | 6th Nov 2017 | Interview, New York, Theatre and Disability, United States of America
On September 15, 2017, over 60 artists, administrators, educators, and other various stakeholders...
Read MorePosted by Trevor Boffone | 8th Sep 2017 | Musical Theatre, United States of America
How many major Latinx or Latin American characters can you name from mainstream musical theatre...
Read MorePosted by Sallie Bieterman | 9th Dec 2016 | Millennial Perspectives
Being a white actor means actively challenging and refusing to participate in the whitewashed casting of shows that exists at all levels of theatre, show business, and media.
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