Between Life And Death: A Festival’s Journey Through Tragedy [Part I]
We each owe a Death Johannes von Tepl, Death and the Ploughman [ Der Ackermann und der Tod, 1401 ]...
Read MorePosted by Savas Patsalidis | 1st Aug 2025 | Bulgaria, Festivals, Transcultural Collaborations
We each owe a Death Johannes von Tepl, Death and the Ploughman [ Der Ackermann und der Tod, 1401 ]...
Read MorePosted by Maria Delgado | 15th Aug 2024 | Festivals, Finland, Portugal, Review, Tampere Theatre Festival 2024
In my humble view, Tiago Rodrigues is one of the most important theatre makers at work today. His...
Read MorePosted by Ivanka Apostolova Baskar | 24th May 2019 | Design, Germany, Interview
Jan Pappelbaum is one of the most inventive and internationally renowned set designers, from the...
Read MorePosted by Matthew McMahan | 21st Mar 2019 | London, Review, United Kingdom
In the theatre, it is rare to see a dramatist get second billing to a director. Usually,...
Read MorePosted by Katalin Trencsényi | 25th Feb 2019 | Directing, Review, Russia, Russian Theatre Abroad, Transcultural Collaborations
It was long overdue for a British audience to be given the opportunity to see another work by the...
Read MorePosted by Praggnaparamita Biswas | 1st Feb 2019 | Essay, India, Theatre and Gender
Impact of Street-Theatre on the Formation of Indian Feminist Theatre The introduction of feminist...
Read MorePosted by Ágnes Bakk | 23rd Nov 2018 | Interview, New York, Participatory Theatre, Transmedia, United States of America
Clara Fernandez-Vara is an Associate Arts Professor at New York University. Her background is in...
Read MorePosted by Grigory Zaslavsky | 14th Jun 2018 | News, Russia
Russia Beyond asked a theater critic—who is also the president of a major drama school, the...
Read MorePosted by Jack Wernick | 31st May 2018 | New York, Review, United States of America
The East Village Playhouse, a recently created storefront venue in a defunct music shop, is home...
Read MorePosted by Duška Radosavljević | 24th Oct 2017 | Adaptation, London, Review, United Kingdom
How do you bring a 10th-century Old English epic closer to a 21st-century audience? And, more...
Read MorePosted by Baharak Sahami | 14th Apr 2017 | Iran, Theatre and Politics
To the Steel-Helmet Wearers, written and directed by Pejmān Abdi, is a tragi-comic fantasy about...
Read MorePosted by Mark O'Thomas | 4th Apr 2017 | Documentary Theatre, London, Review, Theatre and Politics, United Kingdom
Much has been written over recent months about the apparent bubble in which we are all now living,...
Read MorePosted by Cleo Jay | 13th Mar 2017 | Egypt, Morocco, Theatre and Politics, Tunisia
In the two years since the beginning of the ‘Arab Spring,’ North African theatre...
Read MorePosted by William Gregory | 1st Jan 2017 | News, Translation, United Kingdom
As the London Eye fireworks die down and 2016 segues bleary-eyed in to 2017, one of the most...
Read MorePosted by Marina Shimadina | 9th Dec 2016 | Review, Russia
Yury Butusov premiered his new production of Brecht at the Pushkin Theater, which is fated to...
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