Clowning “On Beckett,” Irwin Delights at the Emerson Paramount Center
Bill Irwin greets the audience by conveying that the performance will be around 90 minutes (by way...
Read MorePosted by Matthew McMahan | 31st Oct 2022 | Adaptation, Boston, Directing, Ireland, Review, United States of America
Bill Irwin greets the audience by conveying that the performance will be around 90 minutes (by way...
Read MorePosted by Irina Yakubovskaya | 2nd Nov 2020 | Acting, Boston, Interview, United States of America
Michael Chekhov Actor Studio Boston, or MCASB, has been one of the leading New England acting...
Read MorePosted by James Montaño | 7th Mar 2020 | Boston, Review, Theatre and Dance, United States of America
From Stravinsky’s dissonant strings heralding the arrival of four black and white clad men in the...
Read MorePosted by Irina Yakubovskaya | 24th Jan 2020 | Boston, Immersive Theatre, Interview, Participatory Theatre, United States of America
This native Bostonian theatre production is listed in the Guinness Book of World Records as the...
Read MorePosted by James Montaño | 8th Jan 2020 | Adaptation, Boston, Review, United States of America
Moby-Dick at the American Repertory Theater in Cambridge, MA For those who are not familiar with...
Read MorePosted by James Montaño | 28th Dec 2019 | Boston, Musical Theatre, Review, United States of America
When the full company of the touring cast of Irving Berlin’s White Christmas bursts into the...
Read MorePosted by Jane Baldwin | 26th Nov 2019 | Boston, Review, Theatre and Politics, United States of America
Denis O’Hare and Lisa Peterson created Homer’s Coat, a theatre company that explores ancient...
Read MorePosted by Irina Yakubovskaya | 1st Nov 2019 | Boston, Interview, Musical Theatre, United States of America
It has been nearly 25 years since RENT opened on Broadway, redefining the landscape of American...
Read MorePosted by Matthew McMahan | 3rd Oct 2019 | Boston, Canada, Review, United States of America
ArtsEmerson has invited its perennial favorite, the circus company from Quebec Le Sept Doigt de la...
Read MorePosted by Irina Yakubovskaya | 24th Aug 2019 | Boston, Canada, Interview, Transcultural Collaborations, United States of America
A train may no longer be the most novel mode of transportation, and yet it remains a powerful...
Read MorePosted by Jane Baldwin | 30th May 2019 | Boston, Playwriting, Review, United States of America
Jocelyn Bioh’s School Girls; Or, the African Mean Girls Play now appearing at Boston’s SpeakEasy...
Read MorePosted by Matthew McMahan | 24th Jan 2019 | Puppetry, Review, Theatre and Film, United States of America
ArtsEmerson, Boston’s hub for international, experimental, and cutting-edge theatre, has invited...
Read MorePosted by Hannah Lund | 19th Jan 2019 | Adaptation, China, Immersive Theatre, Review
As we neared the elevator doors, a woman dressed in a beautiful 1930s-era gown directed us to keep...
Read MorePosted by Jane Baldwin | 19th Nov 2018 | Boston, LGBTQ+ Theatre, Musical Theatre, Review, United States of America
Fun Home, the multi-Tony award winning musical is making its Boston début at SpeakEasy and a fine...
Read MorePosted by Lorena Meeser | 30th Oct 2018 | Directing, Mexico, Musical Theatre, Review
Kiss Of The Spider Woman is splendidly directed by Miguel Septién, an excellent director who...
Read MorePosted by Walter Byongsok Chon | 16th Sep 2018 | Boston, Dramaturgy, Essay, United States of America
Since my own “debut” in the 2011 Dramaturgy Debut Panel with my dramaturgy work on Yale Repertory...
Read MorePosted by Trevor Boffone | 8th Aug 2018 | Boston, Playwriting, Review, Theatre and Gender, United Kingdom
“On Wednesdays, we wear pink,” affirms Regina George in the 2004 cult classic comedy Mean Girls....
Read MorePosted by Tass | 18th Feb 2016 | News, Russia, Russian Theatre Abroad, Theatre and Film, United States of America
Venues in the U.S. cities of New York, Washington, D.C., and Boston are set to screen some of the...
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