Post-Colonial B-Horror: “The Visitors” at Volksbühne Berlin
This summer, Berlin’s Volksbühne presented The Visitors, a new work by the choreographer Constanza...
Read MorePosted by Yizhou Zhang | 5th Jul 2024 | Germany, South Africa, Theatre and Dance, Theatre and Decolonization
This summer, Berlin’s Volksbühne presented The Visitors, a new work by the choreographer Constanza...
Read MorePosted by Kopano Maroga | 1st Oct 2023 | Dramaturgy, Essay, South Africa, Theatre and Decolonization
South African performance artist, writer and cultural worker Kopano Maroga interrogates the...
Read MorePosted by Tonderai Chiyindiko | 19th Jan 2022 | Review, South Africa, Theatre and Politics
Blood Knot, by legendary South African playwright Athol Fugard, which ran at the Market Theatre in...
Read MorePosted by Lungile Sojini | 7th Aug 2019 | Adaptation, Review, South Africa
It’s natural to see apes living in the wild and climbing trees and other things. Unfathomable,...
Read MorePosted by Isaiah Lopaz | 31st May 2019 | Finland, Review, Theatre and Dance
In Cosmic Latte, Sonya Lindfors projects the audience into a Black future, while underscoring just...
Read MorePosted by Christine Skinner | 8th Apr 2019 | Review, South Africa
Powerful co-production of the Athol Fugard classic, Statements After An Arrest Under The...
Read MorePosted by William Charlton-Perkins | 21st Jul 2018 | Festivals, News, South Africa, Theatre and Gender
The Playhouse Company, an Agency of the Department of Arts and Culture, presents its annual South...
Read MorePosted by Tracey Saunders | 29th Oct 2017 | Adaptation, Review, South Africa, Theatre and Politics
We are surrounded by violence and our country is beset by an ongoing cycle with little ebb and...
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