anger Archives - The Theatre Times

Williams and Dyer’s “Death of England,” National Theatre

Posted by Aleks Sierz | 20th Feb 2020 | London, Review, Theatre and Politics, United Kingdom

Is this an angry island? Although the British national character (if there is such a thing) has...

“The Half God Of Rainfall” at The Kiln Theatre: A Galaxy-Hopping Mythological Mash-up

Posted by Aleks Sierz | 8th May 2019 | London, Review, Theatre and Gender, United Kingdom

If British theatre often seems to lack ambition, the same cannot be said of The Half God Of...

“The Shape Of The Pain” at Wilton’s Music Hall

Posted by Aleks Sierz | 3rd Apr 2019 | London, Review, United Kingdom

Pain. A world of pain. Pain. For anyone suffering from a rare condition called Complex Regional...

Mark Ravenhill’s “The Cane” at The Royal Court

Posted by Aleks Sierz | 23rd Jan 2019 | London, Review, United Kingdom

Playwright Mark Ravenhill, who shot to fame in 1996 with his in-yer-face shocker Shopping And...

Ellie Kendrick’s “Hole” at The Royal Court

Posted by Aleks Sierz | 5th Jan 2019 | London, Review, United Kingdom

Actor Ellie Kendrick is a familiar face on television, but it’s as a writer that she reveals the...

“Fatherland” at The Lyric Hammersmith: Masculinity in Crisis

Posted by Aleks Sierz | 12th Jun 2018 | Documentary Theatre, London, Review, Theatre and Gender, United Kingdom

Masculinity, whether toxic or in crisis (but never ever problem-free), is a hardy perennial...

Ella Hickson’s “The Writer” at The Almeida Theatre

Posted by Aleks Sierz | 17th May 2018 | Acting, London, Review, Theatre and Gender, Theatre and Politics, United Kingdom

Is there such a thing as female writing? In the 1980s, a group of women writers emerged who...

“Betroffenheit” Corporeal Exchange As Innovative Now As The Work Of Pina Bausch In The 1970’s

Posted by Alvina Ruprecht | 12th Apr 2018 | Canada, Review

Betroffenheit (consternation, a state of shock, dismay) a co-production by Kidd Pivot Company and...

Men, The Internet, and Politics: “The Believers Are But Brothers” at The Bush Theatre

Posted by Aleks Sierz | 18th Feb 2018 | London, Review, Theatre and Gender, Theatre and Politics, United Kingdom

Do boys never leave the playground? Just when I was reasonably sure that the crisis of masculinity...

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Tag: anger

Williams and Dyer’s “Death of England,” National Theatre

“The Half God Of Rainfall” at The Kiln Theatre: A Galaxy-Hopping Mythological Mash-up

“The Shape Of The Pain” at Wilton’s Music Hall

Mark Ravenhill’s “The Cane” at The Royal Court

Ellie Kendrick’s “Hole” at The Royal Court

“Fatherland” at The Lyric Hammersmith: Masculinity in Crisis

Ella Hickson’s “The Writer” at The Almeida Theatre

“Betroffenheit” Corporeal Exchange As Innovative Now As The Work Of Pina Bausch In The 1970’s

Men, The Internet, and Politics: “The Believers Are But Brothers” at The Bush Theatre

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