Mark Ravenhill’s “Angela” on The Sound Stage
Does a subjective theatre piece encourage a subjective critical response? I think it might,...
Read MorePosted by Aleks Sierz | 24th Apr 2021 | Review, Scotland, Theatre and Age, Transmedia, United Kingdom
Does a subjective theatre piece encourage a subjective critical response? I think it might,...
Read MorePosted by Fu Beimeng | 10th Dec 2020 | China, Directing, Interview, Puppetry, Theatre and Opera
Filmmaker Sun Yang discusses his recent documentary about visual artist Ma Liang, also known as...
Read MorePosted by Aleks Sierz | 11th Sep 2017 | London, Review, United Kingdom
Some legendary plays are a disappointment when you see them again — they don’t live up to the...
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Waking Up in the Spotlight with “The Unusual… by Alexander Fatouros 24th March 2026 


David Yazbek: The Master of Adapting Films into… by Lisa Monde 2nd April 2026
From Shakespeare To Contemporary Montenegrin… by Ivanka Apostolova Baskar 25th March 2026 
The 2026 International Ibsen Award: A Reflection On… by International Ibsen Award Committee 2026 27th March 2026 
