“Rhinoceros”, The Almeida Theatre
This Guardian pick of the year 2025 recently closed at London’s Almeida theatre, but it is...
Read MorePosted by Duška Radosavljević | 14th May 2025 | Review, Theatre and Politics, United Kingdom
This Guardian pick of the year 2025 recently closed at London’s Almeida theatre, but it is...
Read MorePosted by Aleks Sierz | 18th Apr 2024 | Acting, Review, United Kingdom
I’ve never been one for school reunions, but even if I had kept in touch with former classmates I...
Read MorePosted by Mert Dilek | 4th Feb 2024 | London, Review, Theatre and Politics, United Kingdom
“This play is a lie,” boldly declares the poster of Sam Holcroft’s new play A Mirror, now playing...
Read MorePosted by Aleks Sierz | 3rd Sep 2023 | Acting, London, Review, United Kingdom
This is a play about censorship in a totalitarian state — but, no, I’m not reviewing The...
Read MorePosted by Duška Radosavljević | 3rd Mar 2022 | Acting, London, Review, Translation, United Kingdom
Eugene Ionesco’s 1952 play The Chairs belongs to the moment of post-second world war European...
Read MorePosted by Aleks Sierz | 2nd Nov 2021 | Adaptation, Review, United Kingdom
Remembering the months of lockdown, I can’t be the only person to thrill to this play’s opening...
Read MorePosted by Mert Dilek | 28th Oct 2021 | Adaptation, London, Review, United Kingdom
What does it take to stretch Shakespeare’s shortest tragedy to a runtime of over three hours? Not,...
Read MorePosted by Mert Dilek | 15th Dec 2019 | London, Review, Theatre and Gender, United Kingdom
This Duchess of Malfi is a cool one. It is so cool that it has lost its gripping temper and, with...
Read MorePosted by Mert Dilek | 25th Oct 2019 | Adaptation, London, Review, United Kingdom
“Our family doesn’t get on,” sneers the eponymous matriarch of Maxim Gorky’s Vassa, now playing at...
Read MorePosted by Mert Dilek | 5th Sep 2019 | Adaptation, London, Review, United Kingdom
“Crystal clear.” The adjective, repeated like a mantra in Robert Icke’s The Doctor, is charged...
Read MorePosted by Aleks Sierz | 4th Sep 2019 | Adaptation, London, Review, United Kingdom
After six years, associate director Robert Icke bids farewell to the Almeida Theatre. In this...
Read MorePosted by Aleks Sierz | 26th Jul 2019 | London, Review, Theatre and Age, United Kingdom
For a while, child abuse was banished from our stages. After all, there is a limit, surely, to how...
Read MorePosted by Mert Dilek | 24th May 2019 | Adaptation, London, Review, Russian Theatre Abroad, United Kingdom
“I’m bored, bored, bored.” The refrain, occasionally spoken but frequently felt, is at the heart...
Read MorePosted by Aleks Sierz | 14th May 2019 | London, Review, United Kingdom
About a year ago, director Rebecca Frecknall electrified this venue with an award-winning revival...
Read MorePosted by Aleks Sierz | 17th May 2018 | Acting, London, Review, Theatre and Gender, Theatre and Politics, United Kingdom
Is there such a thing as female writing? In the 1980s, a group of women writers emerged who...
Read MorePosted by Aleks Sierz | 31st Oct 2017 | London, Playwriting, Review, United Kingdom
Prolific writer Mike Bartlett is the most impressive penman to have emerged in British theatre in...
Read MorePosted by Aleks Sierz | 3rd Jul 2017 | Documentary Theatre, London, Review, Theatre and Politics, United Kingdom
The recent general election result proves that the power of the rightwing press has diminished...
Read MorePosted by Aleks Sierz | 1st May 2017 | London, Review, United Kingdom
Playwright Martin Crimp’s 1993 satirical epic, The Treatment, is a fabulous work, but it’s rarely...
Read MorePosted by Sam Solnick | 23rd Oct 2016 | Essay, United Kingdom
Oil, Ella Hickson’s new play at the Almeida, begins in a bitingly cold Cornwall in 1889 when a...
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