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The Queen of Versailles Musical or the Funeral of… by Lisa Monde 29th October 2025
“Trilogia Cadela Força – Capítulo II:… by Jenny Strataki 6th August 2025
3sisters at the Novi Sad Theatre by Emilija Kvočka 7th November 2025
“Aşınma” (“Corrosion”): A… by Seda Ilter 23rd November 2025
The Filmed Performance “Woodland Bird… by Martin Blaszk 9th November 2025
Tanika Gupta’s “Hedda” at the Orange… by Aleks Sierz 30th October 2025
Jack Holden’s The Line of Beauty at the Almeida… by Aleks Sierz 2nd November 2025
James Graham’s “Punch” at the Apollo Theatre:… by Aleks Sierz 30th September 2025
Rameau reinvented: Peter Sellars stages… by Maria Delgado 3rd February 2025
Nearly Finished by Jonathan Kalb 15th November 2025

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A Theatre Of Boredom And Theatrical Distrust (André Gregory, Chekhov And Beckett) 4th December 2025
Biography And Politics: “Der Zauberer Von Öz – Eine Fußballtragödie“ In Bremen 4th December 2025
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Adaptations On The German Stage (2): “Der Schimmelreiter” In Oldenburg 28th November 2025
“Aşınma” (“Corrosion”): A Solo Masterpiece About The Contemporary Human 23rd November 2025
Evil Can Appear Beautiful 23rd November 2025
#Me Too Oedipus 20th November 2025
“Liebe Mit Taktgefühl” By Barbara Raue-Flajs, At Piccolo Teatro Haventheater, Bremerhaven: Directorial Reflections 20th November 2025
Thriving in an Either-Or World: An Interview with Taiwan-based Pangcah Theatre Artist Ihot Sinlay Cihek 19th November 2025

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