Updated “Three Sisters” Opens At London’s Young Vic
Dark comedy and psychological breakdown are never far from the surface in Benedict Andrews’ bleak...
Read MorePosted by Phoebe Taplin | 28th Sep 2012 | London, Review, Russia, United Kingdom
Dark comedy and psychological breakdown are never far from the surface in Benedict Andrews’ bleak...
Read MorePosted by Valentina Bonelli | 15th Sep 2012 | Interview, Russia, Theatre and Dance
From the Mariinsky to the Bolshoi to La Scala, Svetlana Zakharova is the face of Russian ballet...
Read MorePosted by Roman Dolzhansky | 13th Sep 2012 | News, Russia, Theatre and Politics
A production by the Moscow’s Teatr.doc has not just soared to popularity as a cultural event, but...
Read MorePosted by Agnieszka Kochanowska | 21st Jun 2012 | Festivals, Poland, Review, Theatre and Politics
This year, the plays staged at the festival spoke about distrust of authority and suspicion of the...
Read MorePosted by Emmanuel Grynszpan | 31st May 2012 | Directing, Review, Russia
For the first time, Mikhail Baryshnikov acts in Russian for one of Russia’s most innovative...
Read MorePosted by Iryna Chuzhynova | 12th Apr 2012 | Festivals, News, Russia
Modern and avant-guard as an extreme attempt of national revival. Large-scale international...
Read MorePosted by Iryna Chuzhynova | 29th Mar 2012 | Festivals, News, Ukraine
Unfortunately, the 20th anniversary of Ukraine’s only professional theater award failed to become...
Read MorePosted by Magda Romanska | 19th Feb 2012 | Essay, Poland, Transmedia
Polish theatre has gained world renown thanks to its innovative and bold experimental style. In...
Read MorePosted by biweekly.pl | 14th Aug 2010 | Acting, Interview, Poland
I’m an outsider everywhere. I was an outsider in my family. I was an outsider where I grew up. I’m...
Read MorePosted by Conceptualised and directed by William Kentridge, based on texts by Franz Kafka, Vladimir Mayakovsky, and William Shakespeare, Centre for the Less Good Idea (2020), South Africa | 16th May 2000 | IOTF 2020: Extended
“Programme 2” of The Centre for the Less Good Idea’s online offering introduces audiences to the hybrid analogue and digital technologies of the Pepper’s Ghost, playing with illusion through live performance and projected recordings. A mystery creature from the mind of Franz Kafka, an avant-garde verse drama by a Soviet playwright, and experimental takes on the Shakespearean soliloquy all occupy the world of the Pepper’s Ghost. Designed by co-curators Phala Ookeditse Phala and William Kentridge, this is physical theatre, performance poetry, short-form fiction, musical improvisation, and pre-recorded installation coming together in an exploration of theatrical performance as a mode of critical enquiry and a form of artistic experimentation.
Read MorePosted by Written and directed by Mariano Pensotti, HAU Hebbel am Ufer, Complejo Teatral de Buenos Aires, Kunstenfestivaldesarts (Brussels), Maria Matos Teatro Municipal / House on Fire (2017), Argentina | 10th May 2000 | IOTF 2020: Extended
The 100th anniversary of the Russian Revolution offers a brilliant window into an exploration of identity formation in leading Argentine dramatist-director Mariano Pensotti’s “Arde brillante en los bosques de la noche / Burning bright in the forest of the night”. Divided into three parts, this bold, innovative work examines how progressive ideas circulated between Latin-America and Europe and how they shaped different generations in both continents. Part 1 has puppets (replicas of the actors who manipulate them) enacting the tale of a University lecturer, Estela, who finds the disparity between the ideas that shape her teaching and the realities of her domestic situation difficult to deal with. Part 2 enacts a play that Estela and her family and friends go to see about a European revolutionary struggling to adapt to life back home in Germany following time spent in Colombia. ONE WEEK ONLY! MAY 21 – MAY 30.
Read MorePosted by Directed by Milo Rau, Schaubühne (2017), Germany | 21st Apr 2000 | IOTF 2020
In 1917 Russia is shaken by the October Revolution. Just a few years later, socialism has been implemented. Lenin, the ringleader of the revolution, is in a dacha near Moscow battling physical and mental decay. Surrounded by a depleted inner circle, cut off from the Central Committee, he fights to retain his political influence. His companion Trotsky, cultural politician Lunacharsky and others who visit Lenin’s dacha conjure up recollections of the brief moment in history when everything seemed possible. But scheming to become his successor, his opponent Stalin is already waiting in the wings. Milo Rau and the Schaubühne Ensemble provide a unique examination of a society caught between awakening and apathy, revolutionary longing and reactionary opposition – a labyrinth of hope and fear, of political ideals and the collective experience of violence. ONE DAY ONLY! This production plays on 25 April 2020. Available from 6.30pm CET until midnight.
Read MorePosted by Directed by Boris Yukhananov, composed by Dmitri Kourliandski, Stanislavsky Electrotheatre (2017), Russia | 20th Apr 2000 | IOTF 2020
Featuring a libretto based on a 1924 essay by Leon Trotsky about Lenin and fragments of a play, Octavia, attributed to Seneca about the Roman emperor Nero, this is a thrilling new opera staged with verve and ambition by one of Russia’s most acclaimed directors. An opera about the possible and the probable, about the recent and not so recent past, about tyranny and its discontents that allow Lenin, Trotsky, and Nero to enter into a poetic, interdisciplinary dialogue on what power means and how it is executed. ONE DAY ONLY! From 3 May 2020 at 6.30pm CET for 24 hours.
Read MorePosted by Directed by Alexander Zeldovic based on the play by Sarah Kane, Stanislavsky Electrotheatre (2016), Russia | 17th Apr 2000 | IOTF 2020
Directed by Alexander Zeldovic with art group AES+F, Psychosis offers a unique take on Sarah Kane’s iconic play 4.48 Psychosis. Written as a monologue that captures the borderline psychological state of a patient suffering from clinical depression in a psychiatric clinic, the production reenvisages Kane’s single voice as a chorus of internal voices invoked by the nineteen actresses of the Stanislavsky Electrotheatre. This is a highly original reading of a contemporary classic realized with imagination, verve and a dynamic understanding of the moods and intonations of Kane’s distinctive language. ONE DAY ONLY! From 8 May 2020 at 6.30pm CET for 24 hours.
Read MorePosted by Directed by Boris Yukhananov, based on a play by Maurice Maeterlinck, Stanislavsky Electrotheatre, Stage Russia HD (2015), Russia | 14th Dec 1999 | IOTF 2019
The third and final part of Boris Yukhananov’s The Blue Bird trilogy sees Tyltyl and Mytyl conclude their search for the Blue Bird of happiness. This production was captured by the Stanislavsky Electrotheatre in Moscow and presented in partnership with Stage Russia HD, and features the reminiscences of Russian actors Vladimir Korenev and Aleftina Konstantinova.
Read MorePosted by Directed by Boris Yukhananov, based on a play by Maurice Maeterlinck, Stanislavsky Electrotheatre, Stage Russia HD (2015), Russia | 14th Dec 1999 | IOTF 2019
Part two of Boris Yukhananov’s dazzling trilogy sees actors Vladimir Korenev and Aleftina Konstantinova weaving in and out of character as Tyltyl and Mytyl on the search for the Blue Bird of happiness. This production was captured by the Stanislavsky Electrotheatre in Moscow and presented in partnership with Stage Russia HD.
Read MorePosted by Directed by Boris Yukhananov, based on a play by Maurice Maeterlinck, Stanislavsky Electrotheatre, Stage Russia HD (2015), Russia | 13th Dec 1999 | IOTF 2019
Two children embark on a whirlwind adventure to find the Blue Bird of happiness in part one of Boris Yukhananov’s epic trilogy, based on Maurice Maeterlinck’s mystical play. This production was captured by the Stanislavsky Electrotheatre in Moscow and presented in partnership with Stage Russia HD, and features the reminiscences of Russian actors Vladimir Korenev and Aleftina Konstantinova.
Read MorePosted by Directed by Oksana Mysina, Free Flight Films (2020), Russia | 18th May 1999 | IOTF 2021
“Insulted. Belarus” draws from the controversy surrounding Alexander Lukashenko’s highly contested presidential victory in August 2020 against opponent Sviatlana Tikhanovskaya. Statements by Lukashenko and Tikhanovskaya are here interwoven with the interjections of fictional characters, portraying how citizens from all walks of life imagine the future of Belarusian society.
Read MorePosted by The Theatre Times | 15th Apr 1999
The IOTF: The International Online Theatre Festival is back! This year’s festival, Future Directions: R3, showcases 33 global productions made and/or captured during lockdown as artists, theatres and audience adapted to the...
Read MorePosted by Tygr v tisní (2017), Czech Republic | 3rd Apr 1999 | IOTF 2019 Fringe
Day of the Oprichnik is a staging of an anti-utopia, sci-fi novel by Russian writer Vladimir Sorokin. The oprichnina was secret state police founded by Tsar Ivan the Terrible in Russia between 1565 and 1572. Oprichniks were engaged in mass repression, terror, public executions, killings, rape, confiscation of land and property and were above the law. (in Czech)
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