Visionary director Ivo van Hove has descended on the evocatively retro Park Avenue Armory with the venerated Comédie-Française troupe in tow to present The Damned. The production is an adaptation…
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…opportunity to touch the very first version of Molière’s text, becoming spectators of Ivo van Hove’s performance at the Comédie Française, Molière’s home. Of course, this is not quite the…
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…she had intended. In 2022 she took part in many performances at the Rallye Moi(s) Theatre festival at Antananarivo’s Ivokolo Analakely Malagasy Cultural Centre. Even though they self-produce each show,…
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…in the financial hub that is the economic capital of Côte d’Ivoire, embraces an expressly commercial function; since its first edition in 1993, the event has provided artists with the…
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…Optics of Art” symposium. It brought contemporary media and performance artists Benjamin Vandewalle, Julien Maire, and Sarah Vanagt into dialogue with scholars from theatre studies, history of science, and cognitive…
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…Soul, it will be echoed by the language of overcoming censorship in Ivo van Hove’s production of the Three-act version, censored by Louis XIV Tartuffe or the Hypocrite by Molière,…
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…pages in the east of Ukraine, in Severodonetsk. She wrote the last hundred pages with her own blood in a tent, at the front. Then she burned all the pages….
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Vanya is alive; Vanya is alive and healthy; Vanya is alive and healthy and totally free. And we are safe because we keep silent. On 27 July a small group…
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In November 2024, the world premiere of a new musical by composer Iván Macías, The Pillars of the Earth, took place at the Teatro EDP Gran Vía in Madrid. The…
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…gloomy feeling of memories waking up from a long sleep – this is the atmosphere of the performance. These are the unburied, unmourned pages of memory, the pages of history….
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…Salomão. The influence of Pinter and Shepard on the script is evident, though the directorial style, with echoes of Ivo van Hove, makes it feel distinctly contemporary. At over two…
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…actorly vanity and insecurity up against the quirky vanities and insecurities of Chekhov’s characters and holds the result up to us as a fabulously silly mirror that’s also profoundly illuminating….
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…– as symbols of consumer society and as representatives of consumerism in their gardens. The title of the novel by Jurica Pavičić, as well as the dramatization by Ivor Martinić,…
Read More![“Language Is Leaving Me: A Cinematic AI Opera Of The Skin” [Part I]](https://thetheatretimes.com/wp-content/uploads/2025/01/WK2023-10-07_0075-627x376.jpg.webp)
Ellen Pearlman interviewed by Ivo Marais Ivo: These questions are crafted to reflect the solemnity of the AI biometric cinematic opera “Language Is Leaving Me” with its themes of…
Read MoreEllen Pearlman interviewed by Ivo Marais To read PART I of this interview, go to this link. I: Visual AI is at the heart of this piece, almost like…
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…avoidance, on the majority of his pages, of conventional panel divisions.” More frequently, De Luca works with the “large, undivided single picture and finds inspired solutions to apportioning the page…
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Dedicated to the 145th anniversary of Gilbert and Sullivan’s comic opera “The Pirates of Penzance; or, The Slave of Duty.” The creative duo of librettist William S. Gilbert and composer…
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…actors and directors, among others, made discoveries and grew – to further understand themselves through texts by others, often out of time. Their Vanya, became, after four years’ work, Vanya…
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…effortlessly cultivated sense of style. Pagès fusses and hovers, maternal in her dealings with Pou’s Roald. Indeed, Pou’s characterisation is that of an adult child. It’s clear that he likes…
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The Queen of Versailles Musical or the Funeral of… 29th October 2025 
“Trilogia Cadela Força – Capítulo II:… 6th August 2025 
“Aşınma” (“Corrosion”): A… 23rd November 2025 
The Filmed Performance “Woodland Bird… 9th November 2025 
James Graham’s “Punch” at the Apollo Theatre:… 30th September 2025 
Nearly Finished 15th November 2025