Brazil

Four Brazilian Artists Choose New York as Headquarters of Their Resistance

Posted by Augusta Motta | 13th Aug 2019 | Acting, Brazil, News, Theatre and Politics, United States of America

Evoé Collective was born a year ago founded by four Brazilian actresses based in NYC. Bárbara...

Read More

Avignon 2019: Staging the Impossible. On Exile, Community and Hope in Christiane Jatahy’s “Le Présent Qui Déborde – Notre Odyssée II”

Posted by Yana Meerzon | 23rd Jul 2019 | Avignon 2019, Brazil, France, Review, Transcultural Collaborations

Exile, migration, refugee crisis, loss of home and family, and death are among many realities and...

Read More

Staging The Present Moment: International Festival of Iberian Expression Theatre

Posted by Daniel Schenker | 19th May 2019 | Brazil, Festivals, News, Portugal, Theatre and Dance, Theatre and Politics

FITEI – International Festival of Iberian Expression Theater, taking place in Porto, Portugal,...

Read More

“There Is More Future Than Past” And “A Room of One’s Own”: Documentary Play About Latin American Women Artists

Posted by Clarisse Zarvos | 12th May 2019 | Brazil, Documentary Theatre, Portugal, Review, Theatre and Gender

In the early twentieth century, Virginia Woolf published the essay Room of One’s Own, based...

Read More

Performance Entre Le Réel Et Le Virtuel: Le Projet “Odiseo.Com”

Posted by Andre Carreira | 27th Dec 2018 | Brazil, Essay, Transmedia

Performance Between the Real and the Virtual: The Odiseo.com Project I will focus here on the...

Read More

The Language Of Secrecy In Brazilian Performance “Quaseilhas”

Posted by Aldri Anunciação | 30th Sep 2018 | Brazil, Dramaturgy, Review, South America, Theatre and Art

In times of cognitive arrogance in contemporary reception, Quaseilhas is guided by the language of...

Read More

On Vera Mantero’s Residency Program For Brazilian Theater Troop Aisthesis

Posted by Francis Wilker, Giselle Rodrigues, and Glauber Coradesqui | 13th Sep 2018 | Brazil, Essay, Portugal, Transcultural Collaborations

It was Southern summer, but winter up North when Brazilian artist collective Aisthesis traveled to...

Read More

The Tiger And The Anus: How KFDA Decolonises Cosmopolitanism

Posted by Rathsaran Sireekan | 18th Jun 2018 | Belgium, Brazil, Festivals, Review, Singapore

The Kunstenfestivaldesarts (KFDA)’s commitment to promoting “cosmopolitan vision as an...

Read More

Adaptation, Participation, Risk-taking: Creative Interventions In Contemporary Performance

Posted by William Gregory | 26th May 2018 | Adaptation, Brazil, Dramaturgy, Immersive Theatre, News, United Kingdom

Translator and theatre scholar Dr. Jozefina Komporaly reflects on a day of exchange between the...

Read More

“Between The Lines” (Entrelinhas): What Women Do to Survive Oppressive Regimes

Posted by Michele Rolim | 31st Jan 2018 | Brazil, Festivals, Review, Theatre and Dance, Theatre and Gender

The show Between The Lines is a manifesto about the barbarity that women suffer from an oppressive...

Read More

“Thebes Land. Kassandra” – Migrant Myth

Posted by Edélcio Mostaço | 13th Oct 2017 | Brazil, Theatre and Politics, Uruguay

Uruguayan playwright Sérgio Blanco is well known in Latin America and other countries. He is one...

Read More

Nudity, Art and Political Violence in Brazil

Posted by Danilo Castro | 14th Sep 2017 | Brazil, Festivals

Although Brazil is known throughout the world as a country with bare bodies, its population is...

Read More

Rio 2017 – Theatre Jeopardized

Posted by Gustavo Guenzburger | 6th Jul 2017 | Brazil, Theatre and Politics

The city of Rio de Janeiro has been historically acclaimed as one of the main hubs of theatre...

Read More

“The Ridiculous Darkness” Is An Instruction Manual For Reality

Posted by The Theatre Times | 5th Jul 2017 | Brazil, Germany, Playwriting

For the first time, The Ridiculous Darkness by Wolfram Lotz will be staged twice in Brazil. For...

Read More

Vigor Mortis Visits Dr. Lucchetti’s Grisly Universe

Posted by Raphael Cassou | 2nd May 2017 | Brazil

“I have a horror of reality. That’s why I’m a fiction writer” – RF Lucchetti...

Read More

Kick-off: The Opening Shots of Clowns de Shakespeare (BR) and El Galpón (UY)’s Coproduction of Fútbol a gol y sobras

Posted by Diogo Spinelli | 13th Apr 2017 | Brazil, Uruguay

From February 20th to 24th this year, I had the opportunity, along with Fernando Yamamoto and...

Read More

The Many Festivals in the Festival of Curitiba

Posted by Francisco Mallmann | 7th Apr 2017 | Brazil, Festivals

The Curitiba Festival, which runs from March 28 through April 9, celebrates its 26th edition in...

Read More

MITsp 2017 – To Provoke Theatre, Politics, and Reflection

Posted by Renan Ji | 12th Mar 2017 | Brazil, Festivals, Theatre and Politics

One can be surprised to see the brief life of MITsp (Mostra Internacional de Teatro de São Paulo)...

Read More

A Brief Overview of The Theatrical Scene in Natal, Brazil

Posted by George Holanda | 3rd Mar 2017 | Brazil

I was born and currently live in Natal, the capital of Rio Grande do Norte, one of the states of...

Read More

“Bacantes” (The Bacchae) In The Best Theater In the World

Posted by Felipe Vidal | 25th Feb 2017 | Brazil, Immersive Theatre

The first time I saw a play by Oficina Uzyna Uzona, at Teatro Oficina, was in 1994. Better said,...

Read More

1
2

Like Us On Facebook

Facebook Pagelike Widget

Featured Writers

Recent Posts

“Go Bang Your Tambourine” at The Finborough Theatre 22nd August 2019
My Mother, My Self. A Son Becomes His Mother Becomingly in “Ni Mi Madre” at New York’s Rave Festival 22nd August 2019
The Power of a Collective: Playwright Groups at Centre 42 21st August 2019
“Macbeth” at Oregon Shakespeare Festival 21st August 2019
Strands of Sisterhood 20th August 2019
2019 Kenya International Theatre Festival Call For Applications 20th August 2019
Perceptions of Each Other’s Cultures: Open Letter to an American Theater Critic 19th August 2019
Interview with Plasticiens Volants 19th August 2019
“Black Hole”: Experiments with Female Representation 19th August 2019
Edinburgh Fringe 2019: Gig Theatre 18th August 2019

Most Popular Posts

“Super Vocal,” Chinese TV Talent Contest For Opera… by Jinnie Wei 17th February 2019
Ian McKellen Tour 2019: Tickets, Dates, And Venues… by Simon Rushton 3rd December 2018
How “Six” Became The Biggest New Musical… by Sarah Carson 23rd January 2019
“Hadestown,” The Cult Album That Went To… by Holly Williams 27th November 2018
PQ 2019: A Taboo Collection From Budapest by Abigail Weil 15th June 2019
PQ 2019: A New Reality by Abigail Weil 9th June 2019
Herta Müller’s “Niederungen” and The… by Jozefina Komporaly 25th May 2019
“Medea” By Simon Stone, The New Stage Sensation by Antonio Hernández 14th February 2019
Seven Ways Fight Directing Made Me a Better Real… by Meron Langsner 6th August 2019
“Death of a Salesman” at The Ruskin… by Christine Deitner 8th July 2019

SEARCH OUR ARCHIVES

Pin It on Pinterest