Performance Entre Le Réel Et Le Virtuel: Le Projet “Odiseo.Com”
Performance Between the Real and the Virtual: The Odiseo.com Project I will focus here on the...
Read MorePosted by Andre Carreira | 27th Dec 2018 | Brazil, Essay, Transmedia
Performance Between the Real and the Virtual: The Odiseo.com Project I will focus here on the...
Read MorePosted by Aldri Anunciação | 30th Sep 2018 | Brazil, Dramaturgy, Review, South America, Theatre and Art
In times of cognitive arrogance in contemporary reception, Quaseilhas is guided by the language of...
Read MorePosted by Francis Wilker, Giselle Rodrigues, and Glauber Coradesqui | 13th Sep 2018 | Brazil, Essay, Portugal, Transcultural Collaborations
It was Southern summer, but winter up North when Brazilian artist collective Aisthesis traveled to...
Read MoreThe Kunstenfestivaldesarts (KFDA)’s commitment to promoting “cosmopolitan vision as an...
Read MorePosted by William Gregory | 26th May 2018 | Adaptation, Brazil, Dramaturgy, Immersive Theatre, News, United Kingdom
Translator and theatre scholar Dr. Jozefina Komporaly reflects on a day of exchange between the...
Read MorePosted by Michele Rolim | 31st Jan 2018 | Brazil, Festivals, Review, Theatre and Dance, Theatre and Gender
The show Between The Lines is a manifesto about the barbarity that women suffer from an oppressive...
Read MorePosted by Edélcio Mostaço | 13th Oct 2017 | Brazil, Theatre and Politics, Uruguay
Uruguayan playwright Sérgio Blanco is well known in Latin America and other countries. He is one...
Read MorePosted by Danilo Castro | 14th Sep 2017 | Brazil, Festivals
Although Brazil is known throughout the world as a country with bare bodies, its population is...
Read MorePosted by Gustavo Guenzburger | 6th Jul 2017 | Brazil, Theatre and Politics
The city of Rio de Janeiro has been historically acclaimed as one of the main hubs of theatre...
Read MorePosted by The Theatre Times | 5th Jul 2017 | Brazil, Germany, Playwriting
For the first time, The Ridiculous Darkness by Wolfram Lotz will be staged twice in Brazil. For...
Read MorePosted by Raphael Cassou | 2nd May 2017 | Brazil
“I have a horror of reality. That’s why I’m a fiction writer” – RF Lucchetti...
Read MorePosted by Diogo Spinelli | 13th Apr 2017 | Brazil, Uruguay
From February 20th to 24th this year, I had the opportunity, along with Fernando Yamamoto and...
Read MorePosted by Francisco Mallmann | 7th Apr 2017 | Brazil, Festivals
The Curitiba Festival, which runs from March 28 through April 9, celebrates its 26th edition in...
Read MorePosted by Renan Ji | 12th Mar 2017 | Brazil, Festivals, Theatre and Politics
One can be surprised to see the brief life of MITsp (Mostra Internacional de Teatro de São Paulo)...
Read MorePosted by George Holanda | 3rd Mar 2017 | Brazil
I was born and currently live in Natal, the capital of Rio Grande do Norte, one of the states of...
Read MorePosted by Felipe Vidal | 25th Feb 2017 | Brazil, Immersive Theatre
The first time I saw a play by Oficina Uzyna Uzona, at Teatro Oficina, was in 1994. Better said,...
Read MorePosted by Edélcio Mostaço | 4th Jan 2017 | Brazil, Directing, Essay, Italy
The Socìetas Raffaello Sanzio is well known by its iconoclastic profile that renovates the...
Read MorePosted by Michele Rolim | 6th Dec 2016 | Brazil, Dramaturgy, Essay, Festivals, Producing
The curator’s role in the performing arts area seems to be, for many—including the curators...
Read MorePosted by Diogo Liberano | 16th Nov 2016 | Brazil, Dramaturgy, Essay
Everything started to me in 2007. Since then it is me and her work, through her work, from her...
Read MorePosted by Felipe Vidal | 5th Nov 2016 | Brazil, News, Transcultural Collaborations
Theatre criticism has been going through significant changes since the Internet gave young critics...
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