The Language Of Secrecy In Brazilian Performance “Quaseilhas”
In times of cognitive arrogance in contemporary reception, Quaseilhas is guided by the language of...
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On Vera Mantero’s Residency Program For Brazilian Theater Troop Aisthesis
It was Southern summer, but winter up North when Brazilian artist collective Aisthesis traveled to...
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The Tiger And The Anus: How KFDA Decolonises Cosmopolitanism
The Kunstenfestivaldesarts (KFDA)’s commitment to promoting “cosmopolitan vision as an...
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Adaptation, Participation, Risk-taking: Creative Interventions In Contemporary Performance
Translator and theatre scholar Dr. Jozefina Komporaly reflects on a day of exchange between the...
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“Between The Lines” (Entrelinhas): What Women Do to Survive Oppressive Regimes
The show Between The Lines is a manifesto about the barbarity that women suffer from an oppressive...
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“Thebes Land. Kassandra” – Migrant Myth
Uruguayan playwright Sérgio Blanco is well known in Latin America and other countries. He is one...
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Nudity, Art and Political Violence in Brazil
Although Brazil is known throughout the world as a country with bare bodies, its population is...
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Rio 2017 – Theatre Jeopardized
The city of Rio de Janeiro has been historically acclaimed as one of the main hubs of theatre...
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“The Ridiculous Darkness” Is An Instruction Manual For Reality
For the first time, The Ridiculous Darkness by Wolfram Lotz will be staged twice in Brazil. For...
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Vigor Mortis Visits Dr. Lucchetti’s Grisly Universe
“I have a horror of reality. That’s why I’m a fiction writer” – RF Lucchetti...
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Kick-off: The Opening Shots of Clowns de Shakespeare (BR) and El Galpón (UY)’s Coproduction of Fútbol a gol y sobras
From February 20th to 24th this year, I had the opportunity, along with Fernando Yamamoto and...
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The Many Festivals in the Festival of Curitiba
The Curitiba Festival, which runs from March 28 through April 9, celebrates its 26th edition in...
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MITsp 2017 – To Provoke Theatre, Politics, and Reflection
One can be surprised to see the brief life of MITsp (Mostra Internacional de Teatro de São Paulo)...
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A Brief Overview of The Theatrical Scene in Natal, Brazil
I was born and currently live in Natal, the capital of Rio Grande do Norte, one of the states of...
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“Bacantes” (The Bacchae) In The Best Theater In the World
The first time I saw a play by Oficina Uzyna Uzona, at Teatro Oficina, was in 1994. Better said,...
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Romeo Castellucci: Theatre’s Childhood Rediscovered
The Socìetas Raffaello Sanzio is well known by its iconoclastic profile that renovates the...
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On Festivals: Curatorial Thought in Process
The curator’s role in the performing arts area seems to be, for many—including the curators...
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The Yellow Book by Eleonora Fabião
Everything started to me in 2007. Since then it is me and her work, through her work, from her...
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Idiomas: Ibero-American Critics Meet in Brazil
Theatre criticism has been going through significant changes since the Internet gave young critics...
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The Life and Death of Maria Alice Vergueiro
When someone asked Maria Alice Vergueiro what would people talk about her after her death, she...
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