The Fundamental Profanation
Stabat Mater is the most recent work by Brazilian actress, playwright, and director Janaina Leite,...
Read MorePosted by Daniele Avila Small | 6th Mar 2020 | Brazil, Documentary Theatre, Essay, Festivals, Theatre and Gender
Stabat Mater is the most recent work by Brazilian actress, playwright, and director Janaina Leite,...
Read MorePosted by Anna Galayda - Russia Beyond Headlines | 4th Mar 2020 | Brazil, Interview, Russia, Theatre and Dance
Twenty years ago, the school’s founders included leading Moscow ballet masters and today, a...
Read MorePosted by Christiane Jatahy | 31st Dec 2019 | Brazil, Interview, Theatre and Film
Created and directed by Christiane Jatahy, E se elas fossem para Moscou? is comprised of two...
Read MorePosted by Augusta Motta | 13th Aug 2019 | Acting, Brazil, News, Theatre and Politics, United States of America
Evoé Collective was born a year ago founded by four Brazilian actresses based in NYC. Bárbara...
Read MorePosted by Yana Meerzon | 23rd Jul 2019 | Avignon 2019, Brazil, France, Review, Transcultural Collaborations
Exile, migration, refugee crisis, loss of home and family, and death are among many realities and...
Read MorePosted by Daniel Schenker | 19th May 2019 | Brazil, Festivals, News, Portugal, Theatre and Dance, Theatre and Politics
FITEI – International Festival of Iberian Expression Theater, taking place in Porto, Portugal,...
Read MorePosted by Clarisse Zarvos | 12th May 2019 | Brazil, Documentary Theatre, Portugal, Review, Theatre and Gender
In the early twentieth century, Virginia Woolf published the essay Room of One’s Own, based...
Read MorePosted by Andre Carreira | 27th Dec 2018 | Brazil, Essay, Transmedia
Performance Between the Real and the Virtual: The Odiseo.com Project I will focus here on the...
Read MorePosted by Aldri Anunciação | 30th Sep 2018 | Brazil, Dramaturgy, Review, South America, Theatre and Art
In times of cognitive arrogance in contemporary reception, Quaseilhas is guided by the language of...
Read MorePosted by Francis Wilker, Giselle Rodrigues, and Glauber Coradesqui | 13th Sep 2018 | Brazil, Essay, Portugal, Transcultural Collaborations
It was Southern summer, but winter up North when Brazilian artist collective Aisthesis traveled to...
Read MoreThe Kunstenfestivaldesarts (KFDA)’s commitment to promoting “cosmopolitan vision as an...
Read MorePosted by William Gregory | 26th May 2018 | Adaptation, Brazil, Dramaturgy, Immersive Theatre, News, United Kingdom
Translator and theatre scholar Dr. Jozefina Komporaly reflects on a day of exchange between the...
Read MorePosted by Michele Rolim | 31st Jan 2018 | Brazil, Festivals, Review, Theatre and Dance, Theatre and Gender
The show Between The Lines is a manifesto about the barbarity that women suffer from an oppressive...
Read MorePosted by Edélcio Mostaço | 13th Oct 2017 | Brazil, Theatre and Politics, Uruguay
Uruguayan playwright Sérgio Blanco is well known in Latin America and other countries. He is one...
Read MorePosted by Danilo Castro | 14th Sep 2017 | Brazil, Festivals
Although Brazil is known throughout the world as a country with bare bodies, its population is...
Read MorePosted by Gustavo Guenzburger | 6th Jul 2017 | Brazil, Theatre and Politics
The city of Rio de Janeiro has been historically acclaimed as one of the main hubs of theatre...
Read MorePosted by The Theatre Times | 5th Jul 2017 | Brazil, Germany, Playwriting
For the first time, The Ridiculous Darkness by Wolfram Lotz will be staged twice in Brazil. For...
Read MorePosted by Raphael Cassou | 2nd May 2017 | Brazil
“I have a horror of reality. That’s why I’m a fiction writer” – RF Lucchetti...
Read MorePosted by Diogo Spinelli | 13th Apr 2017 | Brazil, Uruguay
From February 20th to 24th this year, I had the opportunity, along with Fernando Yamamoto and...
Read MorePosted by Francisco Mallmann | 7th Apr 2017 | Brazil, Festivals
The Curitiba Festival, which runs from March 28 through April 9, celebrates its 26th edition in...
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