The Fundamental Profanation
Stabat Mater is the most recent work by Brazilian actress, playwright, and director Janaina Leite,...
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Brazil
The Bolshoi Theater School: Only in Russia and… Brazil
Twenty years ago, the school’s founders included leading Moscow ballet masters and today, a...
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Bringing the Actor to the Brink of This Immense Abyss: An Interview with Christiane Jatahy
Created and directed by Christiane Jatahy, E se elas fossem para Moscou? is comprised of two...
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Four Brazilian Artists Choose New York as Headquarters of Their Resistance
Evoé Collective was born a year ago founded by four Brazilian actresses based in NYC. Bárbara...
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Avignon 2019: Staging the Impossible. On Exile, Community and Hope in Christiane Jatahy’s “Le Présent Qui Déborde – Notre Odyssée II”
Exile, migration, refugee crisis, loss of home and family, and death are among many realities and...
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Staging The Present Moment: International Festival of Iberian Expression Theatre
FITEI – International Festival of Iberian Expression Theater, taking place in Porto, Portugal,...
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“There Is More Future Than Past” And “A Room of One’s Own”: Documentary Play About Latin American Women Artists
In the early twentieth century, Virginia Woolf published the essay Room of One’s Own, based...
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Performance Entre Le Réel Et Le Virtuel: Le Projet “Odiseo.Com”
Performance Between the Real and the Virtual: The Odiseo.com Project I will focus here on the...
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The Language Of Secrecy In Brazilian Performance “Quaseilhas”
In times of cognitive arrogance in contemporary reception, Quaseilhas is guided by the language of...
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On Vera Mantero’s Residency Program For Brazilian Theater Troop Aisthesis
It was Southern summer, but winter up North when Brazilian artist collective Aisthesis traveled to...
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The Tiger And The Anus: How KFDA Decolonises Cosmopolitanism
The Kunstenfestivaldesarts (KFDA)’s commitment to promoting “cosmopolitan vision as an...
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Adaptation, Participation, Risk-taking: Creative Interventions In Contemporary Performance
Translator and theatre scholar Dr. Jozefina Komporaly reflects on a day of exchange between the...
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“Between The Lines” (Entrelinhas): What Women Do to Survive Oppressive Regimes
The show Between The Lines is a manifesto about the barbarity that women suffer from an oppressive...
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“Thebes Land. Kassandra” – Migrant Myth
Uruguayan playwright Sérgio Blanco is well known in Latin America and other countries. He is one...
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Nudity, Art and Political Violence in Brazil
Although Brazil is known throughout the world as a country with bare bodies, its population is...
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Rio 2017 – Theatre Jeopardized
The city of Rio de Janeiro has been historically acclaimed as one of the main hubs of theatre...
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“The Ridiculous Darkness” Is An Instruction Manual For Reality
For the first time, The Ridiculous Darkness by Wolfram Lotz will be staged twice in Brazil. For...
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Vigor Mortis Visits Dr. Lucchetti’s Grisly Universe
“I have a horror of reality. That’s why I’m a fiction writer” – RF Lucchetti...
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Kick-off: The Opening Shots of Clowns de Shakespeare (BR) and El Galpón (UY)’s Coproduction of Fútbol a gol y sobras
From February 20th to 24th this year, I had the opportunity, along with Fernando Yamamoto and...
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The Many Festivals in the Festival of Curitiba
The Curitiba Festival, which runs from March 28 through April 9, celebrates its 26th edition in...
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