South America
The Power Of “La Pilarcita”: María Marull’s Opera Prima Celebrates Its Fourth Season In Buenos Aires
Pilgrimages have long served as expressions of both collective and individual faith, as well as...
Tribute to 25 Years of Theatre of the Andes
The idea of celebrating the 25 years of Theatre of the Andes (Teatro de los Andes) was born from...
More Than 31,000 People Enjoy the Magic of the First International Festival of Live Arts Loja
On November 17–27, 2016, Loja, considered the cultural capital of Ecuador because of its long...
The Tiger And The Anus: How KFDA Decolonises Cosmopolitanism
The Kunstenfestivaldesarts (KFDA)’s commitment to promoting “cosmopolitan vision as an...
The Theatre of Carolina Virgüez
Carolina Virgüez Serrato arrived at Rio de Janeiro in the early 80’s and knew she wouldn’t be...
Interview With Sergio Blanco: “A Creator Must Know The Times In Which He Lives”
The acclaimed Franco-Uruguayan playwright Sergio Blanco was in Madrid to stage his play Ostia at...
SOUTH AMERICAN NEWS ARCHIVE
The Tiger And The Anus: How KFDA Decolonises Cosmopolitanism
The Kunstenfestivaldesarts (KFDA)’s commitment to promoting “cosmopolitan vision as an...
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The Power Of “La Pilarcita”: María Marull’s Opera Prima Celebrates Its Fourth Season In Buenos Aires
Pilgrimages have long served as expressions of both collective and individual faith, as well as...
Read More
Adaptation, Participation, Risk-taking: Creative Interventions In Contemporary Performance
Translator and theatre scholar Dr. Jozefina Komporaly reflects on a day of exchange between the...
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A Cyclical Tragedy: Poetry, Humor, Theatre, And Neoliberalism In Argentina
Remar, An Improper Destination, written and directed by Mariano Saba, premiered at the Sportivo...
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Interview With Sergio Blanco: “A Creator Must Know The Times In Which He Lives”
The acclaimed Franco-Uruguayan playwright Sergio Blanco was in Madrid to stage his play Ostia at...
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“Between The Lines” (Entrelinhas): What Women Do to Survive Oppressive Regimes
The show Between The Lines is a manifesto about the barbarity that women suffer from an oppressive...
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“Millions Of Seconds” by Diego Casado Rubio: On Being Transgender in Argentina
The desired body vis a vis tradition, and institutional normative sedimentation. ...
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“Thebes Land. Kassandra” – Migrant Myth
Uruguayan playwright Sérgio Blanco is well known in Latin America and other countries. He is one...
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The Words of The Plays
Continta me tienes, the Spanish publishing house, sent us the volume The Words of the Plays,...
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Nudity, Art and Political Violence in Brazil
Although Brazil is known throughout the world as a country with bare bodies, its population is...
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Fuerza Bruta Re-Interprets a Night Out at The Theater
Since Argentinian physical theater troupe Fuerza Bruta burst onto the scene in Buenos Aires in...
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The Work of a Poet: The Marull Sisters’ New Play “Hidalgo”
The Marull sisters do it again with their new play Hidalgo. From the minute Susana walks into the...
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“Fanny and the Admiral:” A Quasi-Metaphorical Scene of the Ideological Fissure in Argentine History and Politics
Fanny and the Admiral, written by Luis Longhi, premiered in 2016 at La Máscara Theatre, Buenos...
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Out of the Wings Brings Hispanic and Lusophone Theatre to London Audiences
Following its second annual week of play readings from the Spanish- and Portuguese-speaking world,...
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Metamorphosis And Free Associations In “Cimarrón”
“A work of art is good if it has arisen out of necessity. That is the only way one can judge it,”...
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“La Fiesta del Viejo”: A Fresh Perspective on a Classic Tale
It’s a beautiful Sunday morning in Buenos Aires, and while most tourists are rushing off to the...
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Rio 2017 – Theatre Jeopardized
The city of Rio de Janeiro has been historically acclaimed as one of the main hubs of theatre...
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“The Ridiculous Darkness” Is An Instruction Manual For Reality
For the first time, The Ridiculous Darkness by Wolfram Lotz will be staged twice in Brazil. For...
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“The Foundation” by Susana Torres Molina: A Mask Hiding Inside Other Masks
Susana Torres Molina, with her own dramatic text and very successful direction, is currently...
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Argentine Playwright Is Bold and Real in Two One-Acts
It’s good to be shaken off our predictable paths, and Ithaca’s Cherry Arts productions do that...
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Paula Marull’s “Yo no duermo la siesta” Delights Audiences at the Espacio Callejón
When Prince Charming shows up on a dilapidated motorcycle in the middle of the night, seemingly...
Read MoreWagner’s “Forbidden Love” (“Das Liebesverbot”) at the Teatro Colón in Buenos Aires
German composer’s Forbidden Love is premièred at the Teatro Colón The Colón hasn’t offered Richard Wagner’s The Mastersingers of Nuremberg (“Die Meistersinger von Nürnberg”) since 1980, though it is arguably the greatest German...
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Vigor Mortis Visits Dr. Lucchetti’s Grisly Universe
“I have a horror of reality. That’s why I’m a fiction writer” – RF Lucchetti...
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Polish Director, Michal Znaniecki, in Argentina, on Globalization of Art
Polish stage director on his version of Dallapiccola’s Volo di notte and Il Prigioniero at the...
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Conversation with Mauricio Kartún, Argentinian Playwright and Director
Born in San Martín, Buenos Aires province, Argentina in 1946. Plays: Sacco y Vanzetti (1992), El...
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