Zoom became the tool-de-jour for work meetings and social interaction with family and friends – and its potential for creating Lockdown Theatre was immediately explored, using either Facebook Live or YouTube as platforms for the recorded shows.
Read More
Princess Boy Wonder, performed by George Fowler (aka Hugo Grrrl), Directed by Lori Leigh, BATS...
Read More
Uma Lava by Victor Rodger, Circa Theatre, Wellington. 23 November – 7 December 2019. Directed by...
Read More
TAHI Fess’s: New Zealand Festival of Solo Performance, Artistic Director: Sally Richards....
Read More
Dream The Black Friars Theatre Company, Mangere Arts Centre, Auckland, 18-21 September 2019 Where...
Read MoreIrish theatre company Restless Ecstasy’s production of New Zealand modern classic Skin Tight retains its tension in Dublin showing.
Read More
Vladimir and Estragon, who nickname each other Didi and Gogo, languish nowhere in particular and...
Read More
As New Zealand has lost two of its longest-running professional theatres in the last seven years,...
Read More
I am not Margaret Mahy by Jane Waddell, based on Notes of a Bag Lady by Margaret Mahy, BATS...
Read More
Despite being dead for 400 years and having lived and worked on the far side of Planet Earth,...
Read More
Would you go and see a bilingual or multilingual show if you only spoke one of the languages...
Read More
After a thirteen-hour flight from Auckland, New Zealand, I am in Jim Morrison country–or so I...
Read More
In Welcome to the Murder House, Alfred’s story is told, in the popular vaudeville style of the day, by a group of prison inmates. For them, Southwick is a hero, given their shared belief that execution by electrocution will be more humane than hanging. And, as with the development of all high quality theatre, it takes a lot of trial and error to get it right.
Read More
Samoan playwright David Fa’auliuli Mamea’s Still Life With Chickens won the 2017 Adam Award for...
Read More
The mid-morning phone call I receive from a colleague brings bad news. The Fortune Theatre–the...
Read More
The Naked Samoans Do Magic Commissioned by the Auckland Arts Festival and co-produced with The...
Read More
An audience assembles on the grassy margins of Prospect Park in Ōtepoti/Dunedin, New Zealand, on a...
Read More
Bless the Child by Hone Kouka. Co-produced by the New Zealand Festival, Auckland Arts Festival and...
Read More
The newest theatre company to emerge from Dunedin, New Zealand’s funky, eclectic arts scene is...
Read More
Wellington, a portside city famed for its turbulent seas and hurricane-force winds, turned on a...
Read More
The Dangers of Optical Illusionary Performative Activism 7th June 2020 
“XXX Neon Sign” Review: Embodied… 31st October 2019 
Dramaturgy in Action: How the Stratford… 5th June 2020 
Oedipus Zoom: Remaking Tragedy, Now Via Video Conference 8th June 2020 
#TeatroConfinado: Spanish Theater’s Answer to the Pandemic 2nd June 2020 
The WaxFactory’s “Lulu XX” 28th September 2019 
Ethiopian Theater: A Brief Introduction 6th July 2019 
Boris Yukhananov On The Pandemic And Post-Pandemic Theatre 20th June 2020 
Jonathan Pitches on Physical Theatre’s Ability to… 31st May 2020 
“A Little Life”: Adaptation and Mixed Reality 20th April 2020 
