Big hART’s “Hipbone Sticking Out”: Truthful And Ambitious Theatre
Hipbone Sticking Out, the Big hART production now playing at the Melbourne Festival, begins in...
Read MorePosted by Diana Bossio | 20th Oct 2014 | Australia, Review, Theatre and Politics
Hipbone Sticking Out, the Big hART production now playing at the Melbourne Festival, begins in...
Read MorePosted by Jay Brinker | 9th Oct 2014 | Australia, Festivals, Review
I’ve often lamented that choosing to study the most complex organisms on Earth was the dumbest...
Read MorePosted by Sandra Phillips | 28th Sep 2014 | Australia, Review, Theatre and Politics
The performance space in which Wesley Enoch‘s play Black Diggers is being performed at the...
Read MorePosted by Marcina Zaccaria | 25th Sep 2014 | Australia, Festivals, Japan, New York, News, United States of America
In 2014, Marcina Zaccaria wrote about The Lincoln Center Festival, including productions of...
Read MorePosted by The Theatre Times | 19th Sep 2014 | Australia, Management, News, Sydney
Australian playwright and Fulbright scholar, Lachlan Philpott, writes about the socio-cultural...
Read MorePosted by The Theatre Times | 19th Sep 2014 | Australia, News, Playwriting, Sydney
Amanda Macri, General Manager at Playwriting Australia, writes about the broad range of resilient...
Read MorePosted by The Theatre Times | 19th Sep 2014 | Australia, Dramaturgy, News, Sydney
Anthea Williams, Associate Director-Literary at the Belvoir Street Theatre in Sydney, writes about...
Read MorePosted by The Theatre Times | 18th Sep 2014 | Australia, News, Sydney
American dramaturg, Cristin Kelly, reflects on her personal project, 100 Aussie Plays in 100 Days,...
Read MorePosted by The Theatre Times | 17th Sep 2014 | Australia, Dramaturgy, News, Sydney
Freelance theatre critic and dramaturg, Glenn Saunders, writes about the unique energy of...
Read MorePosted by Alastair Blanshard | 15th Sep 2014 | Australia, Review, Theatre and Dance
Traditionally soap is made by rendering down lard. But in this tight show, Soap, playing at the...
Read MorePosted by Eloise Brook | 11th Sep 2014 | Australia, Essay, Playwriting
Here are two opposing definitions of rape: Rape: a violent, criminal act almost exclusively...
Read MorePosted by Leslie Barnes | 19th Aug 2014 | Australia, Interview, Theatre and Politics
Peta Brady’s Ugly Mugs, which I saw in Sydney last week, opens with a gurney being wheeled onto...
Read MorePosted by Mark Steven | 31st Jul 2014 | Australia, Review, Theatre and Politics
“I’m a poet. That’s what makes me interesting.” So begins the autobiography of Vladimir...
Read MorePosted by Claire Hansen | 29th Jul 2014 | Adaptation, Australia, Review
Sydney Theatre Company’s new production of Macbeth may draw attention for its star, Hugo Weaving,...
Read MorePosted by Claire Hansen | 16th Jun 2014 | Australia, Review, Theatre and Politics
Bell Shakespeare’s new production of William Shakespeare’s Henry V–which opened in Canberra on...
Read MorePosted by Rob Pensalfini | 20th May 2014 | Australia, Essay, Theatre and Politics
Since 2006, I have led the Shakespeare Prison Project, an initiative by the Queensland Shakespeare...
Read MorePosted by Julian Meyrick | 14th May 2014 | Adaptation, Australia, Essay
Last year in Australian theatre a rare event took place: a sector-wide debate about the role of...
Read MorePosted by Jana Perkovic | 2nd Apr 2014 | Australia, Essay, Theatre and Gender
Two performance artists in this year’s Melbourne International Comedy Festival (MICF)–the...
Read MorePosted by Claire Hansen | 31st Mar 2014 | Australia, Directing, Review
Love is a battlefield. While Pat Benatar might have made this line her own in the 1980s,...
Read MorePosted by Anna Teresa Scheer | 11th Mar 2014 | Australia, Review, Sydney, Theatre and Disability
This week, Back to Back Theatre‘s 2012 production Ganesh Versus The Third Reich will open at...
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