The “Dancer’s Body” Is Fat: Force Majeure’s “Nothing To Lose”
The fear and loathing of fat is such a ubiquitous part of contemporary Western culture that it...
Read MorePosted by Jackie Wykes and Cat Pausé | 10th Mar 2015 | Australia, Essay, Theatre and Politics
The fear and loathing of fat is such a ubiquitous part of contemporary Western culture that it...
Read MorePosted by Gabrielle Carey | 9th Mar 2015 | Adaptation, Australia, News
Seventy-five years after publication, James Joyce’s Finnegans Wake may finally be starting to make...
Read MorePosted by Julian Meyrick | 25th Feb 2015 | Australia, Essay, Management
Is there any job other than theatre critic where so little knowledge can carry so much weight? If...
Read MorePosted by Victoria Grieves | 23rd Feb 2015 | Australia, Playwriting, Review
Last week I went to the theatre. Unusual? No. But I say this because this event was real theatre...
Read MorePosted by Julian Meyrick | 17th Feb 2015 | Australia, Essay, Management
Sociologist Max Weber once called politics “the slow boring of hard boards”. If he had been in the...
Read MorePosted by Alix Bromley | 21st Jan 2015 | Adaptation, Australia, Interview
This week, as part of Sydney Festival’s Bankstown: Live program, Michael Mohammed Ahmad will...
Read MorePosted by Renée Köhler Ryan | 20th Jan 2015 | Australia, Review, Theatre and Art
During an artist talk just an hour before performing Wot? No Fish!! on Saturday at the Sydney...
Read MorePosted by David Rowe and Rodney Tiffen | 15th Dec 2014 | Australia, Review, Theatre and Politics
The Melbourne Theatre Company’s (MTC) production of David Williamson’s 2013 play Rupert has...
Read MorePosted by Michael Halliwell | 3rd Dec 2014 | Australia, Review, Theatre and Opera
In any Opera History 101 course, Christoph Willibald Gluck (1714-1787) is cited as one of the...
Read MorePosted by Robert Reid | 9th Nov 2014 | Australia, Review, Theatre and Politics
More than ten years after the last production by the Keene/Taylor Theatre Project (KTTP),...
Read MorePosted by Janine Forbes-Rolfe | 23rd Oct 2014 | Australia, Festivals, Review
When the Mountain Changed its Clothing, the Heiner Goebbels-directed show currently on at the...
Read MorePosted by Diana Bossio | 20th Oct 2014 | Australia, Review, Theatre and Politics
Hipbone Sticking Out, the Big hART production now playing at the Melbourne Festival, begins in...
Read MorePosted by Jay Brinker | 9th Oct 2014 | Australia, Festivals, Review
I’ve often lamented that choosing to study the most complex organisms on Earth was the dumbest...
Read MorePosted by Sandra Phillips | 28th Sep 2014 | Australia, Review, Theatre and Politics
The performance space in which Wesley Enoch‘s play Black Diggers is being performed at the...
Read MorePosted by Marcina Zaccaria | 25th Sep 2014 | Australia, Festivals, Japan, New York, News, United States of America
In 2014, Marcina Zaccaria wrote about The Lincoln Center Festival, including productions of...
Read MorePosted by The Theatre Times | 19th Sep 2014 | Australia, Management, News, Sydney
Australian playwright and Fulbright scholar, Lachlan Philpott, writes about the socio-cultural...
Read MorePosted by The Theatre Times | 19th Sep 2014 | Australia, News, Playwriting, Sydney
Amanda Macri, General Manager at Playwriting Australia, writes about the broad range of resilient...
Read MorePosted by The Theatre Times | 19th Sep 2014 | Australia, Dramaturgy, News, Sydney
Anthea Williams, Associate Director-Literary at the Belvoir Street Theatre in Sydney, writes about...
Read MoreAs NITEnews publishes our Spotlight: Sydney, we’ve created a field-guide to the...
Read MorePosted by The Theatre Times | 18th Sep 2014 | Australia, News, Sydney
American dramaturg, Cristin Kelly, reflects on her personal project, 100 Aussie Plays in 100 Days,...
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