In Finucane & Smith’s “Future. Joy. Club.” the Joy is Much More Than the Sum of Its Parts
Review: Future. Joy. Club., Finucane & Smith The theatre of the occasion starts with a...
Read MorePosted by Chris Thompson | 3rd Aug 2022 | Acting, Australia, Melbourne, Musical Theatre, Review
Review: Future. Joy. Club., Finucane & Smith The theatre of the occasion starts with a...
Read MorePosted by Sarah Balkin | 16th Jul 2022 | Australia, LGBTQ Theatre, Melbourne, Review, Transmedia
Review: Set Piece, by Nat Randall and Anna Breckon, for Rising. Nat Randall and Anna Breckon’s Set...
Read MorePosted by Sandra D'urso | 29th Dec 2019 | Australia, Melbourne, Review
To perform an exit is not as simple as it sounds. In fact, exiting a situation can be almost...
Read MorePosted by Denise Varney | 18th Jul 2019 | Adaptation, Australia, Melbourne, Review
Australian literary classics are currently enjoying a comeback at our major theatre companies....
Read MorePosted by Julian Meyrick | 10th Mar 2019 | Australia, Essay, Melbourne
“This,” the Chicago Tribune critic reminds us on the billboard of seemingly every tram stop in...
Read MorePosted by Sandra D'urso | 24th Oct 2018 | Australia, Belarus, Festivals, Melbourne, Participatory Theatre, Review, Theatre and Politics, Transcultural Collaborations
The Belarus Free Theatre, exiled from their home nation, has returned to Australia to collaborate...
Read MorePosted by Sarah Balkin | 20th Oct 2018 | Adaptation, Festivals, Ireland, Melbourne, Review
It resembled a pot, it was almost a pot, but it was not a pot of which one could say, Pot, pot,...
Read MorePosted by Sandra D'urso | 21st Jan 2018 | Adaptation, Australia, Melbourne, Review
The National Theatre’s production of The Curious Incident Of The Dog In The Night-Time, currently...
Read MorePosted by Barbara Hatley | 15th Nov 2017 | Australia, Festivals, Indonesia, Melbourne, News, Participatory Theatre, Theatre and Politics, Transcultural Collaborations
This is the second in a two-part series by Barbara Hatley. Read Part 1 here. Reflections on...
Read MorePosted by Barbara Hatley | 14th Nov 2017 | Asia, Australia, Festivals, Indonesia, Melbourne, News, Transcultural Collaborations
This is the first in a two-part series by Barbara Hatley. Read Part 2 here. Indonesian...
Read MorePosted by Jana Perkovic | 1st Nov 2017 | Australia, Festivals, Melbourne, Playwriting, Review
In theatre-making, we often talk about world creation. “What is the world of the play?” teachers...
Read MorePosted by Julian Meyrick | 12th Jul 2017 | Australia, Management, Melbourne
This year Melbourne’s La Mama Theatre celebrates its 50th year of operation. In an interview for...
Read MorePosted by Denise Varney | 12th Jul 2017 | Australia, Melbourne
When Betty Burstall returned to Australia in 1967 after two years in New York with her husband,...
Read MorePosted by Leigh Boucher | 7th Jun 2017 | Australia, LGBTQ Theatre, Melbourne, Musical Theatre
Only Heaven Knows, a musical about a young Melbourne man who discovers the queer delights of...
Read MorePosted by Sarah Balkin | 6th Jun 2017 | Adaptation, Australia, Melbourne, Theatre for Young Audiences
Retelling the Biblical Book of Exodus through the eyes of children The biblical Book of Exodus...
Read MorePosted by Christian Griffiths | 8th May 2017 | Australia, Melbourne, Theatre and Disability
As we all know, the first line of Shakespeare’s Richard 3 reads, “Now is the winter of our...
Read MorePosted by Alexandra Crosby | 15th Aug 2016 | Australia, Melbourne, Participatory Theatre, Review
As the ethics of punishment are debated in mainstream media, statistics, images and unanswerable...
Read MorePosted by Robert Hassan | 14th Oct 2015 | Adaptation, Australia, Melbourne, Review
The blurb for Robert Icke and Duncan Macmillan’s stage adaption of George Orwell’s 1984 for the...
Read MorePosted by Anny Mokotow | 13th Oct 2015 | Australia, Festivals, Melbourne, News, Transcultural Collaborations
Last week, Melbourne Festival opened with a production from the Belgian dance theatre...
Read MorePosted by Yoni Prior | 29th Sep 2015 | Australia, Melbourne, Review, Theatre and Disability
When I first travelled overseas, fresh out of university in the early 1980s, I found myself in the...
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