Australia’s Settler and First Nations Histories Meet in The Wild of The Bush in “Dogged”
Review: Dogged, directed by Declan Greene. Griffin Theatre Company in association with Force...
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Australia
The Blurred Line Between Film and Theatre: An Experience of Simon Stone’s “Medea” at the Time of Pandemic
Simon Stone made a contemporary version of Medea by radically adapting Euripides’s Greek tragedy...
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Galup Theatrical Walking Tour Recalls the Dancing and Violence of the Colonial Encounter
Review: Galup, by Ian Wilkes and Poppy van Oorde-Grainger, Perth Festival with Same Drum and...
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Part Escape Room, Part Choose-Your-Own Adventure — The Whodunit Whistleblower has The Audience at its Heart
Review: Whistleblower, directed by Arielle Gray, Wyatt Nixon-Lloyd, and Tim Watts. The Last Great...
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“Playing Beatie Bow” is Brought to Thundering Life in a Joyous Stage Production
Playing Beatie Bow is the coming-of-age story of the teenage Abigail, who, from her home in...
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Pining for St Kilda Instead of Moscow: “The Cherry Orchard” Grapples With Our Cultural Inheritance
Review: The Cherry Orchard, directed by Clare Watson. Black Swan State Theatre Company for the...
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Perth Festival Review: “Whale Fall” is a Powerful Story About a Trans Boy, and the Life of a Whale
Review: Whale Fall, written by Ian Sinclair and directed by Melissa Cantwell for The Kabuki Drop....
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In Conversation with Yve Blake, Fangirling on the Fangirls
From Beatlemania in the sixties to 2010 boy band sensation One Direction, to today’s global...
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Drawing Inspiration in a Pandemic — Breath Has Always Been Central to Theatre
Wrapped in COVID-Safe vigilance, Australian theatre has cautiously begun to welcome back...
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Sydney Festival Review: “The Rise And Fall Of Saint George” Shows The Transformative Power Of Music
The Rise and Fall of Saint George is a story about place, belonging, and community that taps into...
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Sydney Festival Review: Circa’s “Humans 2.0” is a Visceral Delight
Review: Humans 2.0, directed by Yaron Lifschitz, Circa at Sydney Festival The black circular stage...
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Sydney Festival Review: Politics of Care in Force Majeure’s “The Last Season”
Review: The Last Season, directed and choreographed by Danielle Micich, Force Majeure at Sydney...
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The Picture of Dorian Grey review: Eryn Jean Norvill Stuns in all 26 Roles
Review: Sydney Theatre Company’s The Picture of Dorian Gray, directed by Kip Williams Australian...
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Review: “Cursed!” is a Play of Outrageous Wit and Deep Thought
Review: Cursed! by Kodie Bedford, directed by Jason Klarwein Tucked away at the back of the...
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“Parts of Life Will Be Damaged Forever” — Arts Workers Describe the Pandemic’s Impact on Their Mental Health
The arts industry is among the most devastated by the pandemic. Artists and arts workers often...
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“Wonnangatta” Review: Australian Theatre-Writing at its Provocative and Powerful Best
Review: Wonnangatta by Angus Cerini, directed by Jessica Arthur, Sydney Theatre Company Theatre is...
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“Wonnangatta” Review: Australian Theatre Writing At Its Provocative And Powerful Best
Review: Wonnangatta by Angus Cerini, directed by Jessica Arthur, Sydney Theatre Company Theatre is...
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As COVID Wreaks Havoc in the Performing Arts, Do We Still Need a National Opera Company?
Anyone looking for evidence of just how devastating the COVID-19 pandemic has been to Australia’s...
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Eva Mullaley On The Pandemic And Post-Pandemic Theatre
The Yirra Yaakin Theatre Company is the Australia’s biggest Aboriginal-led theatre company. Yirra...
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At Moments Like These, We Need a Cultural Policy
Written by Julian Meyrick, Julianne Schultz, and Justin O’Connor National crises, like the...
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