The Picture of Dorian Grey review: Eryn Jean Norvill Stuns in all 26 Roles
Review: Sydney Theatre Company’s The Picture of Dorian Gray, directed by Kip Williams Australian...
Read MorePosted by Huw Griffiths | 24th Dec 2020 | Australia, LGBTQ Theatre, Review, Sydney
Review: Sydney Theatre Company’s The Picture of Dorian Gray, directed by Kip Williams Australian...
Read MorePosted by Anthony Uhlmann | 13th Nov 2020 | Australia, Review, Sydney, Theatre and Age
Review: Cursed! by Kodie Bedford, directed by Jason Klarwein Tucked away at the back of the...
Read MorePosted by Jacinthe Flore, Averyl Gaylor, and Natalie Hendry | 11th Nov 2020 | Australia, Covid-19, Essay
The arts industry is among the most devastated by the pandemic. Artists and arts workers often...
Read MorePosted by Leigh Boucher | 9th Nov 2020 | Australia, Playwriting, Review, Sydney
Review: Wonnangatta by Angus Cerini, directed by Jessica Arthur, Sydney Theatre Company Theatre is...
Read MorePosted by Leigh Boucher | 14th Oct 2020 | Australia, Review, Sydney, Theatre and Politics
Review: Wonnangatta by Angus Cerini, directed by Jessica Arthur, Sydney Theatre Company Theatre is...
Read MorePosted by Peter Tregear | 6th Oct 2020 | Australia, Covid-19, Theatre and Opera
Anyone looking for evidence of just how devastating the COVID-19 pandemic has been to Australia’s...
Read MorePosted by International Online Theatre Festival | 27th Aug 2020 | Australia, Covid-19, Interview, IOTF 2020: Archives, Theatre and Pandemic: Asynchronous Discussion Panel at IOTF2020
The Yirra Yaakin Theatre Company is the Australia’s biggest Aboriginal-led theatre company. Yirra...
Read MorePosted by Julian Meyrick, Julianne Schultz, and Justin O'Connor | 19th Aug 2020 | Australia, Covid-19, News
Written by Julian Meyrick, Julianne Schultz, and Justin O’Connor National crises, like the...
Read MorePosted by Melanie Walters | 6th May 2020 | Australia, News, Sydney, Theatre and Gender, Theatre and Opera
There are very few silver linings that have developed from the current catastrophic health crisis,...
Read MorePosted by Daniel Johnston | 18th Apr 2020 | Essay, Immersive Theatre, Sydney
Being close to others is intrinsically associated with theatre. In Shakespeare’s London, theatre...
Read MorePosted by Julian Meyrick | 16th Apr 2020 | Australia, Essay, Theatre and Art
Some years ago, I traveled to Israel for a conference on dramaturgy. Losing my way at the train...
Read MorePosted by Maggie Tonkin | 13th Apr 2020 | Australia, Review, Theatre and Age
Review: Dance Nation, directed by Imara Savage. State Theatre Company South Australia and Belvoir...
Read MorePosted by Caroline Wake | 24th Feb 2020 | Australia, Festivals, Review
If this year’s Sydney Festival is any indication, the monologue is back. So far, I have seen...
Read MorePosted by Ian Maxwell | 18th Feb 2020 | Australia, Review, Theatre and Politics
The newest play from Australia’s most prolific playwright sees David Williamson in vintage form....
Read MorePosted by Bronwyn Carlson | 10th Feb 2020 | Australia, Review, Sydney, Theatre and Politics
Review: Bran Nue Dae, by Jimmy Chi and Kuckles and directed by Andrew Ross for Sydney Festival....
Read MorePosted by Cherine Fahd | 3rd Feb 2020 | Australia, Review, Sydney, Theatre and Age
Review: Lady Tabouli, directed by Dino Dimitriadis, National Theatre of Parramatta for Sydney...
Read MorePosted by Amanda Harris | 29th Jan 2020 | Australia, Review, Sydney
Review: Black Drop Effect, directed by Felix Cross for Sydney Festival Aboriginal and Torres...
Read MorePosted by Karen Cummings | 29th Jan 2020 | Australia, Review, Sydney
We tell ourselves stories in order to live. – Joan Didion, The White Album Theatre can be many...
Read MorePosted by Bronwyn Carlson | 25th Jan 2020 | Australia, Festivals, Review
Seven senior lawmen discuss what to do about approaching ships in Frederick Copperwaite’s...
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