Julia Leigh Continues to Explore Definitions of Womanhood in New Adaptation of Her Memoir
Review: Avalanche: A Love Story, directed by Anne-Louise Sarks, Sydney Theatre Company Maxine...
Read More
Australia
Contemporary and Medieval Women’s Voices Collide in “My Dearworthy Darling”
My Dearworthy Darling is a collaboration between playwright, fantasy novelist, poet, and theatre...
Read More
A Radical New Adaptation Eviscerates the Dominance of Male Voices in Wake in Fright
Australian literary classics are currently enjoying a comeback at our major theatre companies....
Read More
Why Revive A Forgotten Australian Classic? Oriel Gray’s “The Torrents” Remains Relevant Today
Set in a regional Australian newsroom in the 1890s, Oriel Gray’s The Torrents is a play about...
Read More
In Suzie Miller’s “Prima Facie,” Theatre Finds a Voice of Reckoning on Sexual Assault and The Law
Suzie Miller’s one-woman play Prima Facie is an unsparing study of the Australian legal system’s...
Read More
In Black Swan’s “Water,” Three Vignettes Explore The Politics of Immigration, Drought, and Family Dynamics
Water, written by Jane Bodie and directed by Emily McLean, was commissioned by Clare Watson,...
Read More
In “Cloudstreet,” Nostalgia All Too Easily Redeems Australia’s Colonial Past
Set in a rambling and ageing house haunted by a colonial past, Cloudstreet is a theatrical...
Read More
The Immigrant Dragons, Part IV: Generations United in Bendigo
Back home in Australia, the world’s largest imperial dragon joins his predecessors – and so...
Read More
Hidden Women Of History: Eliza Winstanley, Colonial Stage Star And Our First Female Richard III
In this series, we look at under-acknowledged women through the ages. In December 1882, Eliza...
Read More
Samara Hersch: Theatre For The People, By The People
Samara Hersch is a theatre-maker, director, and teaching artist from Australia. She received her...
Read More
“La Reprise”: Startling Theatre And A Call To The Dead To Speak
Review: La Reprise: Histoire(s) du théâtre, Adelaide Festival By chance, I happened to overhear a...
Read More
“The Cursed Child” Is The Latest In A Line Of Big Shows That Date Back To The Romans
“This,” the Chicago Tribune critic reminds us on the billboard of seemingly every tram stop in...
Read More
“Mary, Queen Of Scots” Is Newly Relevant In The Age Of #MeToo
The dramatic life of Mary Stuart, Queen of Scots is a hot topic in popular culture. Josie Rourke’s...
Read More
In “Kwongkan,” Indian And Australian Performers Convey An Urgent Climate Change Message
Review: Kwongkan, Perth Festival 2019 “Kwongkan” means sand in the language of the Nyoongar...
Read More
“How To Rule The World” Is A Biting And Urgent Satire Of Australian Politics–That Feels All Too Real
How To Rule The World is Indigenous playwright Nakkiah Lui’s critical riposte to the intellectual...
Read More
“KING” – An Interview With Shaun Parker
For Mardi Gras 2019, Shaun Parker & Company will present the world premiere of KING, an...
Read More
“Beware Of Pity” Is Beautiful To Watch, But Clashes With Modern Sensibilities
Review: Beware Of Pity, Sydney Festival 2019 Performances in the Roslyn Packer Theatre typically...
Read More
Decoding The Music Masterpieces: Alban Berg’s “Wozzeck,” An Apocalyptic Descent Into Madness
Alban Berg’s Wozzeck is arguably the most important opera composed in the first half of the 20th...
Read More
Interview with Festival Director Sarah Purdue: Short + Sweet Sydney Launches 18th Season
The biggest little theatre festival in the world is all grown up! The popular staple of the Sydney...
Read More
Dancenorth’s “Dust” Is Ambitious Theatre In An Age Of Uncertainty
What kind of world are we leaving for our children? So goes our conversation everywhere these...
Read MoreLike Us On Facebook
Featured Writers
Most Popular Posts
How “Six” Became The Biggest New Musical… 23rd January 2019 
“Super Vocal,” Chinese TV Talent Contest For Opera… 17th February 2019 
Ian McKellen Tour 2019: Tickets, Dates, And Venues… 3rd December 2018 
“Medea” By Simon Stone, The New Stage Sensation 14th February 2019 
“Hadestown,” The Cult Album That Went To… 27th November 2018 
PQ 2019: A New Reality 9th June 2019 
Seven Ways Fight Directing Made Me a Better Real… 6th August 2019 
In Memoriam: Robert Blacker Looks at the Past And… 6th September 2019 
“Death of a Salesman” at The Ruskin… 8th July 2019 
PQ 2019: A Taboo Collection From Budapest 15th June 2019