Zoom became the tool-de-jour for work meetings and social interaction with family and friends – and its potential for creating Lockdown Theatre was immediately explored, using either Facebook Live or YouTube as platforms for the recorded shows.
There are very few silver linings that have developed from the current catastrophic health crisis,...
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Being close to others is intrinsically associated with theatre. In Shakespeare’s London, theatre...
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Some years ago, I traveled to Israel for a conference on dramaturgy. Losing my way at the train...
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Review: Dance Nation, directed by Imara Savage. State Theatre Company South Australia and Belvoir...
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If this year’s Sydney Festival is any indication, the monologue is back. So far, I have seen...
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The newest play from Australia’s most prolific playwright sees David Williamson in vintage form....
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Review: Bran Nue Dae, by Jimmy Chi and Kuckles and directed by Andrew Ross for Sydney Festival....
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Review: Lady Tabouli, directed by Dino Dimitriadis, National Theatre of Parramatta for Sydney...
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Review: Black Drop Effect, directed by Felix Cross for Sydney Festival Aboriginal and Torres...
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We tell ourselves stories in order to live. – Joan Didion, The White Album Theatre can be many...
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Seven senior lawmen discuss what to do about approaching ships in Frederick Copperwaite’s...
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Review: The Dark Master and Totes Adorbs ♥ Hurricane, OzAsia Festival, Adelaide, 22 October...
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Orpheus and Eurydice, directed by Yaron Lifschitz, Queensland Performing Arts Centre. The story of...
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To perform an exit is not as simple as it sounds. In fact, exiting a situation can be almost...
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From Darkness is a story about the aftermath of sorry business – Aboriginal rituals that are...
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The Dangers of Optical Illusionary Performative Activism 7th June 2020 
“XXX Neon Sign” Review: Embodied… 31st October 2019 
Dramaturgy in Action: How the Stratford… 5th June 2020 
Oedipus Zoom: Remaking Tragedy, Now Via Video Conference 8th June 2020 
#TeatroConfinado: Spanish Theater’s Answer to the Pandemic 2nd June 2020 
The WaxFactory’s “Lulu XX” 28th September 2019 
Ethiopian Theater: A Brief Introduction 6th July 2019 
Boris Yukhananov On The Pandemic And Post-Pandemic Theatre 20th June 2020 
Jonathan Pitches on Physical Theatre’s Ability to… 31st May 2020 
“A Little Life”: Adaptation and Mixed Reality 20th April 2020 
