“Skin Tight” Stays Tense
Irish theatre company Restless Ecstasy’s production of New Zealand modern classic Skin Tight retains its tension in Dublin showing.
Oceania
Australia
Julia Leigh Continues to Explore Definitions of Womanhood in New Adaptation of Her Memoir
Review: Avalanche: A Love Story, directed by Anne-Louise Sarks, Sydney Theatre Company Maxine...
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Contemporary and Medieval Women’s Voices Collide in “My Dearworthy Darling”
My Dearworthy Darling is a collaboration between playwright, fantasy novelist, poet, and theatre...
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A Radical New Adaptation Eviscerates the Dominance of Male Voices in Wake in Fright
Australian literary classics are currently enjoying a comeback at our major theatre companies....
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Why Revive A Forgotten Australian Classic? Oriel Gray’s “The Torrents” Remains Relevant Today
Set in a regional Australian newsroom in the 1890s, Oriel Gray’s The Torrents is a play about...
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In Suzie Miller’s “Prima Facie,” Theatre Finds a Voice of Reckoning on Sexual Assault and The Law
Suzie Miller’s one-woman play Prima Facie is an unsparing study of the Australian legal system’s...
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In Black Swan’s “Water,” Three Vignettes Explore The Politics of Immigration, Drought, and Family Dynamics
Water, written by Jane Bodie and directed by Emily McLean, was commissioned by Clare Watson,...
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In “Cloudstreet,” Nostalgia All Too Easily Redeems Australia’s Colonial Past
Set in a rambling and ageing house haunted by a colonial past, Cloudstreet is a theatrical...
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The Immigrant Dragons, Part IV: Generations United in Bendigo
Back home in Australia, the world’s largest imperial dragon joins his predecessors – and so...
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Hidden Women Of History: Eliza Winstanley, Colonial Stage Star And Our First Female Richard III
In this series, we look at under-acknowledged women through the ages. In December 1882, Eliza...
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Samara Hersch: Theatre For The People, By The People
Samara Hersch is a theatre-maker, director, and teaching artist from Australia. She received her...
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“La Reprise”: Startling Theatre And A Call To The Dead To Speak
Review: La Reprise: Histoire(s) du théâtre, Adelaide Festival By chance, I happened to overhear a...
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“The Cursed Child” Is The Latest In A Line Of Big Shows That Date Back To The Romans
“This,” the Chicago Tribune critic reminds us on the billboard of seemingly every tram stop in...
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“Mary, Queen Of Scots” Is Newly Relevant In The Age Of #MeToo
The dramatic life of Mary Stuart, Queen of Scots is a hot topic in popular culture. Josie Rourke’s...
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In “Kwongkan,” Indian And Australian Performers Convey An Urgent Climate Change Message
Review: Kwongkan, Perth Festival 2019 “Kwongkan” means sand in the language of the Nyoongar...
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“How To Rule The World” Is A Biting And Urgent Satire Of Australian Politics–That Feels All Too Real
How To Rule The World is Indigenous playwright Nakkiah Lui’s critical riposte to the intellectual...
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