Theater Review: Arthur Miller’s “The Price”
In Roundabout Theatre Company’s revival of Arthur Miller’s The Price, the first striking element...
Read MorePosted by Rachel E. Diken | 29th Apr 2017 | New York, Review, United States of America
In Roundabout Theatre Company’s revival of Arthur Miller’s The Price, the first striking element...
Read MorePosted by KaiChieh Tu | 27th Apr 2017 | Dramaturgy, Netherlands, New York, Transcultural Collaborations
Intimacy burns. A couple pummels each other in an endlessly repetitive cycle from which there is...
Read MorePosted by Jessica Rizzo | 26th Apr 2017 | New York, Review, United States of America
In the closing moments of Richard Maxwell’s Samara, the audience is plunged into near-total...
Read MorePosted by Izumi Ashizawa | 19th Apr 2017 | Directing, Immersive Theatre, United States of America
“From now on, you answer me ‘yes, sir, or no sir.’ Do you understand?” The actor in the attire of...
Read MorePosted by Marcina Zaccaria | 19th Apr 2017 | New York, Theatre and Opera, United States of America
Creators of The (R)evolution of Steve Jobs appeared at the Guggenheim to discuss the creation of...
Read MorePosted by Kathleen Dimmick | 13th Apr 2017 | New York, United States of America
1000 yellow seats, tier upon tier — a sea of bright yellow rising to the rafters: this is the...
Read MorePosted by Jonathan Kalb | 2nd Apr 2017 | New York, Review, United States of America
As I sat in my $95 seat applauding the elegant and very smart production of Eugene O’Neill’s The...
Read MorePosted by Jessica Rizzo | 31st Mar 2017 | Chile, New York, Review, Theatre and Politics, United States of America
Trauma affects everyone differently. Survivors may become fragile or embittered, depressed or...
Read MorePosted by Jonathan Kalb | 26th Mar 2017 | New York, Review, Theatre and Disability, United States of America
Audacious risk-taking in the theater comes in many colors, most of them loud. You can defy a...
Read MorePosted by Jessica Rizzo | 21st Mar 2017 | Devised Theatre, Directing, Interview, New York, United States of America
An originator of the Viewpoints system of training for actors and founder of SITI company,...
Read MorePosted by Jessica Rizzo | 17th Mar 2017 | New York, Review, Theatre and Politics, United States of America
Commitment is hard. Even within the well-defined parameters of traditional monogamy, balancing the...
Read MorePosted by Lauren Deutsch | 16th Mar 2017 | Hawaii, Participatory Theatre, Review, Russia, Theatre and Art, Transcultural Collaborations, United States of America
Internationally acclaimed Japanese-American visual artist Masami Teraoka invited Pussy Riot...
Read MorePosted by Jonathan Kalb | 6th Mar 2017 | New York, Review, Theatre and Politics, United States of America
Is it a good or bad thing for a dyed-in-the-wool dystopian like Wallace Shawn when real life...
Read MorePosted by Adrien Smith | 3rd Mar 2017 | Directing, Festivals, Interview, New York, Russia, United States of America
On March 24, The Russian Arts Theater and Studio will launch its first annual New York Chekhov...
Read MorePosted by Jessica Rizzo | 2nd Mar 2017 | New York, Review, Theatre and Age, United States of America
In an 1896 essay on “The Tragic in Daily Life,” the Symbolist playwright Maurice Maeterlinck...
Read MorePosted by Nigel Ward | 21st Feb 2017 | Musical Theatre, United States of America
The death of the film musical has regularly been announced, for almost as long as there have been...
Read MorePosted by Jack Wernick | 17th Feb 2017 | New York, Review, Theatre and Opera, United States of America
In an inviting, Frank Lloyd Wright-designed venue, New Yorkers finally got a sampling of Champion,...
Read MorePosted by Jessica Rizzo | 16th Feb 2017 | New York, Review, United States of America
As goes the theater, so goes civilization. In Wallace Shawn’s Evening at the Talk House the demise...
Read MorePosted by Laurent Carpentier | 11th Feb 2017 | Collaborating Across Cultures, France, New York, United States of America
Following the U.S. premiere of Oh Boy! on Broadway, at the Duke on 42nd Street presented by the...
Read MorePosted by Jessica Rizzo | 10th Feb 2017 | Immersive Theatre, New York, Review, United States of America
“Do your things spark joy?” That (to some, risibly) simple question, and her runaway 2014...
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