Chopin Theatre: A World Meeting Place Amidst a Changing Chicago
I’m sprinting down Milwaukee Avenue in Chicago, Illinois. It’s nearly two o’clock on a sunny April...
Read MorePosted by Megan Geigner | 22nd Jun 2015 | Chicago, Interview, United States of America
I’m sprinting down Milwaukee Avenue in Chicago, Illinois. It’s nearly two o’clock on a sunny April...
Read MorePosted by Maria Pilatowicz | 18th Jun 2015 | Essay, Los Angeles, Poland, Polish Theatre Abroad
“Does anyone still read Jan Kott?” asked Michael Billington, theatre critic, in his article in The...
Read MorePosted by Amelia Parenteau | 19th May 2015 | Essay, New York, Theatre and Gender, Translation, United States of America
Our correspondent Amelia Parenteau attended a “consciousness-raising” discussion of...
Read MorePosted by Amelia Parenteau | 29th Apr 2015 | Essay, New York, Theatre and Politics, Transmedia, United States of America
The evening that I saw Red Wednesday by Built for Collapse at the LaGuardia Performing Arts...
Read MorePosted by Amelia Parenteau | 12th Feb 2015 | Dramaturgy, News, United States of America
Last year, on February 17, the online theater world exploded following candid remarks regarding...
Read MorePosted by Amelia Parenteau | 3rd Dec 2014 | Essay, France, Management, New York, United States of America
American playwright, translator, and journalist Amelia Parenteau is currently in residence in...
Read MorePosted by Marcina Zaccaria | 25th Sep 2014 | Festivals, New York, News, United States of America
Eastern and Non-Western theater performances are not to be missed. In terms of seeing Asian art, Heisei Nakamura-za features some of the most impressive Kabuki theater in the world. Heisei Nakamura-za’s current production, Kaidan Chibusa no Enoki (The Ghost Tale of the Wet Nurse Tree), was a revelation. The performance was held from July 7th – 12th at the Rose Theater at Lincoln Center.
Read MorePosted by Raphael Schklowsky | 25th Sep 2014 | New York, Review, Russia, United States of America
Raphael Schklowsky writes about Nicole Kontolefa, an American actress trained in Russia, who is...
Read MorePosted by Magda Romanska | 16th Jun 2014 | Interview, Theatre and Science, United States of America
Roald Hoffmann was born in 1937 in Złoczów, Poland. Having survived the German Nazi occupation, in...
Read MorePosted by Magda Romanska | 28th Jan 2014 | Dramaturgy, Interview, Theatre and Opera, United States of America
BLO: What is a dramaturg? MR: In its broadest and earliest definition, dramaturgy means a...
Read MorePosted by The Theatre Times | 18th Jan 2014 | News, United States of America
This winter, the Open Program team of the legendary Workcenter of Jerzy Grotowski and Thomas...
Read MorePosted by Magda Romanska | 6th May 2013 | Essay, Management, Theatre and Politics, United States of America
Mitt Romney’s offhanded crusade against Big Bird, announced in a presidential debate with...
Read MorePosted by Nora Fitzgerald | 12th Oct 2012 | Adaptation, News, Russia, United States of America
D.C.’s Shakespeare Theater Company presents its first Russian play in a quarter century and...
Read MorePosted by Magda Romanska | 2nd Oct 2012 | Review, Theatre and Disability, Theatre and Politics, United States of America
During the ten years of its run, when asked what I thought of Mabou Mines’s Dollhouse, I’ve always...
Read MorePosted by Nora Fitzgerald | 7th May 2012 | Acting, Interview, Russian Theatre Abroad, United States of America
Irina Koval, who was raised in St. Petersburg, brings her training from Lenfilm Studios and a...
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