Vanyamachine: Mallory Catlett’s “This Was The End”
An assemblage of intriguing aesthetic strategies, what Mallory Catlett’s This Was The End lacks in...
Read MorePosted by Jessica Rizzo | 15th Jun 2018 | New York, Review, Russian Theatre Abroad, Transmedia, United States of America
An assemblage of intriguing aesthetic strategies, what Mallory Catlett’s This Was The End lacks in...
Read MorePosted by Trevor Boffone | 15th Jun 2018 | Festivals, Interview, Playwriting, United States of America
Born and raised in Chicago by Dominican parents, Guadalís Del Carmen is a playwright, actress, and...
Read MorePosted by Katrina Holden-Buckley | 10th Jun 2018 | Boston, Review, Theatre and Opera, United States of America
Boston Lyric Opera truly transformed the North End’s DCR Steriti Ice Rink into a 1950s Cuban style...
Read MorePosted by John Smythe | 8th Jun 2018 | New Zealand, Review, United States of America
In Welcome to the Murder House, Alfred’s story is told, in the popular vaudeville style of the day, by a group of prison inmates. For them, Southwick is a hero, given their shared belief that execution by electrocution will be more humane than hanging. And, as with the development of all high quality theatre, it takes a lot of trial and error to get it right.
Read MorePosted by Jane Baldwin | 6th Jun 2018 | Boston, Musical Theatre, Review, United States of America
Jagged Little Pill, Alanis Morissette’s internationally famous alt-rock album released in 1995 has...
Read MorePosted by Trevor Boffone | 2nd Jun 2018 | Interview, New York, Playwriting, United States of America
New York City-based Puerto Rican playwright Nelson Diaz-Marcano first came to the world of...
Read MorePosted by Jack Wernick | 31st May 2018 | New York, Review, United States of America
The East Village Playhouse, a recently created storefront venue in a defunct music shop, is home...
Read MorePosted by The Theatre Times | 31st May 2018 | Devised Theatre, New York, Review, United States of America
In the world of New York theatre, it’s not uncommon to witness thematic ties across mediums and...
Read MorePosted by Marcina Zaccaria | 30th May 2018 | Acting, Applied Theatre, New York, Participatory Theatre, Philippines, Review, Transcultural Collaborations, United States of America
Atlantic Pacific Theatre challenged their regular audience with a diptych, part process theater,...
Read MorePosted by The Theatre Times | 29th May 2018 | Interview, LGBTQ+ Theatre, Playwriting, United States of America
Boston-based playwright Ken Urban has written the first major play about gay divorce, using the...
Read MorePosted by Janelle Lawrence | 24th May 2018 | New York, Review, South Africa, Theatre and Opera, United States of America
Experiencing any show at Brooklyn Academy of Music is as magical as seeing a show at LTC3, only I...
Read MorePosted by Janelle Lawrence | 19th May 2018 | New York, Review, Theatre and Opera, United States of America
Upon entering the theatre for Piramo E Tisbe, I was intrigued by the setup of the stage and the...
Read MorePosted by Ali Pour Issa | 19th May 2018 | Essay, Seattle, United States of America
When one wants to begin a career in theatre professionally, what tactic could they use? As an...
Read MorePosted by Janelle Lawrence | 17th May 2018 | Festivals, New York, Review, United States of America
Music At The Anthology, also known as MATA, is in its 22nd year of commissioning and presenting...
Read MorePosted by The Theatre Times | 15th May 2018 | Devised Theatre, New York, Review, Transmedia, United States of America
There is a rather iconic scene in The Devil Wears Prada where Miranda (played by Meryl Streep)...
Read MorePosted by Cristina Modreanu | 14th May 2018 | Interview, New York, Romania, United States of America
Interview by Cristina Modreanu with the occasion of the first edition of Bonnie Marranca’s essays...
Read MorePosted by Jane Baldwin | 13th May 2018 | Boston, Review, Theatre and Gender, Theatre and Science, United States of America
The Women Who Mapped the Stars is a new work by Joyce Van Dyke, a rising dramatist with several...
Read MorePosted by Martha Steketee | 12th May 2018 | Adaptation, Chicago, Dramaturgy, Interview, Theatre and Politics, Translation, United States of America
Goodman’s Resident Dramaturg on how her work gives texture and specificity to a production....
Read MorePosted by Kristin Tomecek | 11th May 2018 | Boston, Review, Theatre and Opera, United States of America
The Cambridge Chamber Ensemble debuted their reimagined production of Pauline Viardot-Garcia’s...
Read MorePosted by David Vernon | 11th May 2018 | Interview, LGBTQ+ Theatre, Theatre and Opera, United States of America
Clint Borzoni is the current Composer-in-Residence for Musica Marin, a non-profit organization...
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