Sitting Down with Emerging Artist Thalia Ranjbar
The work of Thalia Ranjbar may be challenging– pushing beyond norms and expectations, but at its...
Read MorePosted by Morgan Skolnik | 27th Feb 2023 | Directing, Interview, New York, United States of America
The work of Thalia Ranjbar may be challenging– pushing beyond norms and expectations, but at its...
Read MorePosted by Rhiannon Ling | 22nd Feb 2023 | Devised Theatre, New York, Review, Theatre and Politics, United States of America
Entering the theatre at HERE Arts, there is already a sense of broken ground. My companion and I...
Read MorePosted by Lisa Monde | 17th Feb 2023 | Interview, Musical Theatre, New York, Producing, United States of America
Dedicated to the 35th anniversary of the Broadway musical “The Phantom of the Opera.” It is known...
Read MorePosted by S.E. Gontarski | 13th Feb 2023 | Adaptation, Directing, New York, Review, United States of America
Much of my approach to theatre, to performance, especially, consists in locating and assessing a...
Read MorePosted by Rhiannon Ling | 13th Feb 2023 | Devised Theatre, New York, Review, Theatre and Gender, Theatre and Politics, United States of America
Only a week after the invasion of Ukraine, three creatives found themselves nestled around a...
Read MorePosted by Susanna Sun | 26th Jan 2023 | Directing, Review, United States of America
Located at the end of a long, narrow corridor, seating the audience near the stage and close to...
Read MorePosted by Jingyi Zhang | 23rd Jan 2023 | Festivals, New York, Prototype 2023, Theatre and Gender, Theatre and Opera, United States of America
A double bill by Irish composer Emma O’Halloran and her uncle, librettist Mark O’Halloran,...
Read MorePosted by Jingyi Zhang | 21st Jan 2023 | Festivals, New York, Prototype 2023, Review, Theatre and Opera, Transmedia, United States of America
Undine is a three-act animated opera composed by Stefanie Janssen and Michaël Brijs. The pandemic...
Read MorePosted by Jingyi Zhang | 20th Jan 2023 | Festivals, New York, Prototype 2023, Review, Theatre and Opera, United States of America
In Our Daughter’s Eyes, composed by Pulitzer prize winning composer Du Yun and librettist Michael...
Read MorePosted by Jingyi Zhang | 18th Jan 2023 | Festivals, Japan, Prototype 2023, Review, Theatre and Opera, United States of America
note to a friend, composed by Pulitzer prize-winning composer David Lang, is a chamber opera...
Read MorePosted by Jingyi Zhang | 17th Jan 2023 | Festivals, New York, Prototype 2023, Review, Theatre and Opera, United States of America
Gelsey Bell’s Morning//Mourning is a quirky, experimental opera that defies categorization. It is...
Read MorePosted by Lydia Cochran | 14th Jan 2023 | Dramaturgy, Essay, United States of America
During a summer of uncertainty and anxiety for American theatres and artists alike, a cohort of...
Read MorePosted by Clare Cioffero | 12th Jan 2023 | Adaptation, New York, Review, Theatre and Politics, United States of America
On a cold November, New York Friday night, when temperatures approached freezing, the shivering audience waiting to experience Albert Camus’ The Fall at the Soho Playhouse checked in at the box office on the upper floor, then...
Read MorePosted by Clare Cioffero | 10th Jan 2023 | Design, New York, Puppetry, Review, United States of America
The show Lazarus 1972-2022 is difficult to pin down. How can what a thought looks like be...
Read MorePosted by Heather Waters | 9th Jan 2023 | Boston, Interview, Theatre and Politics, United States of America
Zahhak: The Legend of the Serpent King, will be performed January 12 – 15, 2023, at the Loeb...
Read MorePosted by Ademola Bello | 7th Jan 2023 | LGBTQ Theatre, New York, Review, Theatre and Decolonization, United States of America
The young playwright Jordan E. Cooper deserves kudos for writing the play Ain’t No Mo. He is...
Read MorePosted by Alexander Fatouros | 5th Jan 2023 | Interview, Ireland, Theatre and Dance, United Kingdom, United States of America
It was a chance meeting at MoMA’s dance series “Some sweet day” that brought Ingrid Nachstern and...
Read MorePosted by Clare Cioffero | 3rd Jan 2023 | New York, Playwriting, Puppetry, South Korea, United States of America
The simplicity of the set was enriched with exquisite lighting design, by Oliver Wason, depicting the starry heavens above, exploding bombs, flocks of butterflies, even projections of characters.
Read MorePosted by Lisa Monde | 19th Dec 2022 | Adaptation, Musical Theatre, New York, Review, United States of America
The previews of &Juliet the musical, began October 28th 2022 at the Stephen Sondheim Theatre...
Read MorePosted by Jonathan Kalb | 9th Dec 2022 | New York, Review, Theatre and Decolonization, Theatre and Politics, United States of America
Lorraine Hansberry’s A Raisin in the Sun, as anyone reading this knows, is a cornerstone of...
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