Sitting Down with Emerging Artist Thalia Ranjbar
The work of Thalia Ranjbar may be challenging– pushing beyond norms and expectations, but at its...
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Brecht, Kabarett, and Pussy Riot: The Impact of AnomalousCo’s “(beyond) Doomsday Scrolling”
Entering the theatre at HERE Arts, there is already a sense of broken ground. My companion and I...
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The House Where Phantom Lived—Part I: The Majestic Theatre, New York
Dedicated to the 35th anniversary of the Broadway musical “The Phantom of the Opera.” It is known...
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The Geography of Theatre Imagination: A New “Endgame” at a New Irish Theatre Festival
Much of my approach to theatre, to performance, especially, consists in locating and assessing a...
Read MoreThe Poeticism of Woman’s War: AnomalousCo’s “(beyond) Doomsday Scrolling”
Only a week after the invasion of Ukraine, three creatives found themselves nestled around a...
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Trap Door Theatre’s “Princess Ivona”: Piercing yet Healing
Located at the end of a long, narrow corridor, seating the audience near the stage and close to...
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“Trade/Motorhead” at PROTOTYPE 2023 Festival
A double bill by Irish composer Emma O’Halloran and her uncle, librettist Mark O’Halloran,...
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“Undine” at PROTOTYPE 2023 Festival
Undine is a three-act animated opera composed by Stefanie Janssen and Michaël Brijs. The pandemic...
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“In Our Daughter’s Eyes” at PROTOTYPE 2023 Festival
In Our Daughter’s Eyes, composed by Pulitzer prize winning composer Du Yun and librettist Michael...
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“note to a friend” at PROTOTYPE 2023 Festival
note to a friend, composed by Pulitzer prize-winning composer David Lang, is a chamber opera...
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“Morning//Mourning” at PROTOTYPE 2023 Festival
Gelsey Bell’s Morning//Mourning is a quirky, experimental opera that defies categorization. It is...
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Kennedy Center Dramaturgy Intensive 2022
During a summer of uncertainty and anxiety for American theatres and artists alike, a cohort of...
Read More“The Fall” at Soho Playhouse
On a cold November, New York Friday night, when temperatures approached freezing, the shivering audience waiting to experience Albert Camus’ The Fall at the Soho Playhouse checked in at the box office on the upper floor, then...
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“Lazarus 1972–2022” by Ping Chong
The show Lazarus 1972-2022 is difficult to pin down. How can what a thought looks like be...
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“Zahhak: The Legend of the Serpent King” and Dialogue of Civilizations at American Repertory Theater: An Interview with the Creative Team
Zahhak: The Legend of the Serpent King, will be performed January 12 – 15, 2023, at the Loeb...
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“Ain’t No Mo Play” on Broadway at Belasco Theatre
The young playwright Jordan E. Cooper deserves kudos for writing the play Ain’t No Mo. He is...
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Art, Dance, and Film of Ingrid Nachstern and Cate McNider
It was a chance meeting at MoMA’s dance series “Some sweet day” that brought Ingrid Nachstern and...
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“Once Upon A (Korean) Time:” Review
The simplicity of the set was enriched with exquisite lighting design, by Oliver Wason, depicting the starry heavens above, exploding bombs, flocks of butterflies, even projections of characters.
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“&Juliet”: What if?—A Review.
The previews of &Juliet the musical, began October 28th 2022 at the Stephen Sondheim Theatre...
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The Blackest Raisin: “A Raisin in the Sun” at The Public Theatre
Lorraine Hansberry’s A Raisin in the Sun, as anyone reading this knows, is a cornerstone of...
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