This October, playwright Ryan Drake and director Ryan Dobrin bring a memory play to the IRT Theater that explores online sexuality.
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Before there was After Midnight, before there was Smokey Joe’s Cafe, and before there was Black...
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Technology and the theater are closer together than ever, and our hope for the planet may depend...
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Why is this boy-kills-girl play different from all other boy-kills-girl plays? For starters, it...
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Lately, I have been seeing examples of Jason Jamerson’s theatrical design work on Instagram...
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“Time means nothing. That is, it does, but not in the way we think,” says Joseph, the protagonist...
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African American drama, theater and performance has a rich and complex history. Only recently,...
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Interview of the “original” Gringoire from Notre Dame de Paris the musical – Bruno...
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I can prescribe the remedy if you need medicine to blow up your imagination! Get a ticket to...
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This review contains spoilers. TW: suicide, homicide, mental illness The Butcher Boy, which opened...
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This is part 2 of the bipartite interview. To read part 1, click here. Welcome back to the second...
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Regan Hicks is one of my dearest friends and closest collaborators. We’ve worked on a number of...
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American playwright and concert pianist, William Robert Martin, is an emerging artist whose star...
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I went to theatre school. Know this before reading on. I went to theatre school, trained as an...
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If nothing else, you have to admire the chutzpah of Robert Icke’s Oresteia, which tries to...
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What might Anton Chekov, that Russian master of the nineteenth century, have to say about the...
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Khaled Hosseini’s 2003 novel The Kite Runner is a vividly descriptive and often gripping tale of...
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Whispering the word BOTO into the speakeasy-style window of a door, I felt a sense of trepidation,...
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In 2011, I published my first medical humanities book, Transacting Sites of the Liminal Bodily...
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At the turn of the century, in 1998, Luc Plamondon created one of the greatest musicals Notre Dame...
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