United States of America Archives | Page 2 of 41

In Space, No-One Can Hear you Quarantine: San Diego Fringe Theatre Artists Discuss a Year-Long Collaborative Online Monologue Project.

Posted by Irina Yakubovskaya | 13th Feb 2021 | Devised Theatre, Interview, Transmedia, United States of America

The works of San-Diego-based theatre company Lonesome Whistle Productions thrive in the...

Exploring and Humanizing the Nuances of Black American History Through Theatre: Conversation With Playwright and Actor Stephen Sampson.

Posted by Irina Yakubovskaya | 11th Feb 2021 | Boston, Education, Interview, Playwriting, United States of America

Driven by his appreciation for authenticity and history, Stephen Sampson created his theatre...

Cinematic Opera Unveiled: Philip Glass and Edgar Allan Poe’s “The Fall of the House of Usher”

Posted by Katrina Holden-Buckley | 5th Feb 2021 | Boston, Review, Theatre and Opera, United States of America

Speaking to a class in Rome years ago, I heard Tito Schipa Jr. speak about how opera is simply too...

Ten Ableist Tropes to Jettison in 2021

Posted by Melissa Hillman | 28th Jan 2021 | Essay, Theatre and Disability, United States of America

Disabled people need people who live in privileged bodies to do better. People with disabilities...

“A Black and White Cookie” at TNC

Posted by Jack Wernick | 28th Jan 2021 | New York, Review, Theatre and Politics, United States of America

Gary Morgenstein’s nostalgic yet au courant play A Black and White Cookie is an invigorating...

“Times3 (Times x Times x Times)” Takes Bite Out of Big Apple

Posted by Alexander Fatouros | 28th Jan 2021 | New York, Prototype 2021, Review, Theatre and Opera, United States of America

Created by theatre-artist Geoff Sobelle and composer-performer Pamela Z, Times3 (Times x Times x...

On Changing The Disability Inclusion Narrative: An Interview With Theater Breaking Through Barriers’ Nick Viselli

Posted by Madison Parrotta | 26th Jan 2021 | Interview, New York, Theatre and Disability, United States of America

Inclusion has quickly become the commanding narrative in the theater world, but when it comes to...

“The Book of Magdalene” at Main Street Theater: Interview with Playwright Caridad Svich

Posted by Trevor Boffone | 23rd Jan 2021 | Covid-19, Interview, Playwriting, United States of America

When Rebecca Greene Udden graduated from Rice University, she decided to make Houston her...

Digital Ghost: The Modern Vignette Between Two Worlds. Ansky’s “The Dybbuk” on Zoom

Posted by Boris Sandler | 21st Jan 2021 | Adaptation, New York, Russian Theatre Abroad, Transmedia, United States of America

This article has been translated from it’s original Yiddish by Vassili Schedrin The year...

Interactive Online Theater – “Life on Earth”

Posted by Qi Zhu | 21st Jan 2021 | Review, Transmedia, United States of America

Charles Mee’s Heaven on Earth conveys the message that our civilization, too, has come to an end;...

Cards For Humanity: “Social Alchemix (Live!)” by Wil Petre

Posted by Emily Cordes | 17th Jan 2021 | Participatory Theatre, Review, United States of America

The COVID-19 pandemic has spawned an interesting social paradox: even as online platforms have...

“The Dybbuk” Or a Play Possessing Audiences for a Century

Posted by Agnieszka Legutko | 17th Jan 2021 | Adaptation, Poland, Review, Russia, Transmedia, United States of America

December 9, 2020, marked an important anniversary in Jewish theater history: a centennial of the...

Intriguing and Peculiar Immersive Theater with Grounded Aerial’s “The Insectinside”

Posted by Megan McCormick | 16th Jan 2021 | Review, Theatre and Dance, United States of America

An intriguing, quirky, movement and aerial experience, The Insectinside performed by the company...

Choosing the Stories You Tell: An Interview with Kelley Girod

Posted by Jennifer Delac | 14th Jan 2021 | Directing, Interview, United States of America

We live in a world that is demanding change, moving at a rapid pace while simultaneously crawling...

2021 Flying Start For Human Rights Art Festival

Posted by Alexander Nderitu | 13th Jan 2021 | Festivals, New York, News, Theatre and Art, United States of America

First of the block is ‘Human Freedom 2021- A Theater for Human Rights Campaign’. This initiative is spearheaded by newly-appointed 2021 IHRAF International Fellow, Alessandro Lenzi. It is organized through a global collaboration between Raizes Teatro (Palermo), International Human Rights Art Festival (NYC), Avant – Garde Lawyers (Paris), and Global Campus of Human Rights (Venice). Alessandro Lenzi is the Director of Raizes Teatro. The Last Era, a play written by Alessandro Ienzi will be one of the features of the campaign.