United States of America Archives | Page 2 of 18

An Interview With Playwright Alexis Roblan

Posted by Grace Power | 18th Nov 2018 | Interview, New York, Playwriting, United States of America

Alexis Roblan graduated from the University of Southern California’s MFA in Dramatic Writing...

Wit’s End: Will Eno’s “Thom Pain”

Posted by Jonathan Kalb | 16th Nov 2018 | New York, Review, United States of America

“So, a horse walks into a bar. The bartender says, ‘Why the long face?’ And the horse says, ‘I’m...

“Daniel’s Husband” At Westside Theatre

Posted by Jack Wernick | 10th Nov 2018 | LGBTQ Theatre, New York, Review, United States of America

A poignant, topical chamber piece for five characters, Daniel’s Husband commences with two gay...

“We Will Not Be Silent”: A Story Of Anti-Fascist Youth

Posted by Jane Baldwin | 6th Nov 2018 | Boston, Review, Theatre and Politics, United Kingdom

David Meyers’ We Will Not Be Silent, now playing at the New Repertory Theatre at the Mosesian...

“Rags Parkland Sings The Songs Of The Future” – Sci-fi Folk Concert at Ars Nova

Posted by Abigail Weil | 2nd Nov 2018 | New York, Review, United States of America

What forces in today’s society will retain their power three hundred years into the future?...

Jonathan Kalb Interviews Himself On Daniel Fish’s “Oklahoma!”

Posted by Jonathan Kalb | 2nd Nov 2018 | Interview, Musical Theatre, New York, Theatre and Disability, Transcultural Collaborations, United States of America

Jonathan Kalb: So Jonathan, did you like the show? Jonathan Kalb: Can we come back to that,...

Who Is Theater Maker Ellenor Riley-Condit?

Posted by Emma Kantor | 31st Oct 2018 | Chicago, Devised Theatre, Directing, Interview, New York, United States of America

Ellenor Riley-Condit is an actor, producer, creator, and artistic director of The Syndicate. She...

“The Barber Of Seville” at Boston Lyric Opera

Posted by Katrina Holden-Buckley | 30th Oct 2018 | Boston, Review, Theatre and Opera, United States of America

Gioachino Rossini’s most famous opera, The Barber Of Seville, opened Friday night at the Cutler...

Dianne Wiest’s Winnie In Madison Square Park

Posted by Jonathan Kalb | 30th Oct 2018 | New York, Review, United States of America

Nothing you do this week will likely be more worthwhile than spending 40-odd minutes with Dianne...

Cheek by Jowl and The Pushkin Theatre’s “Measure for Measure”

Posted by Harry Hoke | 28th Oct 2018 | Boston, Review, Russia, Russian Theatre Abroad, Theatre and Gender, Theatre and Politics

Authority. Surveillance. Enforcement. Confession. These are the tools of the state brought to life...

“Measure For Measure”: Shakespeare’s #MeToo Moment

Posted by Abigail Weil | 27th Oct 2018 | Boston, Review, Russia, Russian Theatre Abroad, Theatre and Gender

Cheek by Jowl’s production of Shakespeare’s Measure For Measure, performed in Russian by actors...

The Modern Woman In “Artemisia’s Intent”

Posted by Marcina Zaccaria | 26th Oct 2018 | Italy, New York, Review, Theatre and Politics, United States of America

Is Artemisia only a tough diva not to be silenced? Her strong arms and balanced stance find a place in her studio. While there isn’t any room for escape, there is the possibility of reaching beyond the gossip of the day and the anguish of the past.