Vanyamachine: Mallory Catlett’s “This Was The End”
An assemblage of intriguing aesthetic strategies, what Mallory Catlett’s This Was The End lacks in...
Read MoreUnited States of America
Afro-Latinx Theatre, Front And Center: An Interview With Guadalís Del Carmen
Born and raised in Chicago by Dominican parents, Guadalís Del Carmen is a playwright, actress, and...
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Boston Lyric Opera’s “Trouble In Tahiti”
Boston Lyric Opera truly transformed the North End’s DCR Steriti Ice Rink into a 1950s Cuban style...
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Welcome To The Murder House
In Welcome to the Murder House, Alfred’s story is told, in the popular vaudeville style of the day, by a group of prison inmates. For them, Southwick is a hero, given their shared belief that execution by electrocution will be more humane than hanging. And, as with the development of all high quality theatre, it takes a lot of trial and error to get it right.
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“Jagged Little Pill” Finds A New Life
Jagged Little Pill, Alanis Morissette’s internationally famous alt-rock album released in 1995 has...
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When Playwriting Becomes Activism: An Interview With Nelson Diaz-Marcano
New York City-based Puerto Rican playwright Nelson Diaz-Marcano first came to the world of...
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“Kurski Station” at the East Village Playhouse
The East Village Playhouse, a recently created storefront venue in a defunct music shop, is home...
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Hook And Eye Theater Presents: “SHE-SHE-SHE”
In the world of New York theatre, it’s not uncommon to witness thematic ties across mediums and...
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Practiced Empathy and Awareness with Atlantic Pacific Theatre
Atlantic Pacific Theatre challenged their regular audience with a diptych, part process theater,...
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Playwright Puts Gay Divorce In The Spotlight: Conversation with Ken Urban
Boston-based playwright Ken Urban has written the first major play about gay divorce, using the...
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South Africa’s Richest And Smoothest Jazz
Experiencing any show at Brooklyn Academy of Music is as magical as seeing a show at LTC3, only I...
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Finding “Piramo E Tisbe”
Upon entering the theatre for Piramo E Tisbe, I was intrigued by the setup of the stage and the...
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Ten Pieces Of Advice For The Emerging Artist: The Beginning Of Intiman Theatre
When one wants to begin a career in theatre professionally, what tactic could they use? As an...
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Music At The Anthology
Music At The Anthology, also known as MATA, is in its 22nd year of commissioning and presenting...
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“Assembled Identity”: World Premiere
There is a rather iconic scene in The Devil Wears Prada where Miranda (played by Meryl Streep)...
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Bonnie Marranca: “It’s Up To Every New Generation To Create Its Own Institutions, Critical Discourses, And Working Methods.”
Interview by Cristina Modreanu with the occasion of the first edition of Bonnie Marranca’s essays...
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“The Women Who Mapped The Stars”: The Struggle to be Acknowledged
The Women Who Mapped the Stars is a new work by Joyce Van Dyke, a rising dramatist with several...
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Unpacking The Role Of Women In Ibsen’s “The Enemy Of The People”
Goodman’s Resident Dramaturg on how her work gives texture and specificity to a production....
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The Cambridge Chamber Ensemble’s “Cendrillon” Showcases Talent But Misses Its Mark
The Cambridge Chamber Ensemble debuted their reimagined production of Pauline Viardot-Garcia’s...
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Composer-in-Residence Clint Borzoni
Clint Borzoni is the current Composer-in-Residence for Musica Marin, a non-profit organization...
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