“Ain’t No Mo Play” on Broadway at Belasco Theatre
The young playwright Jordan E. Cooper deserves kudos for writing the play Ain’t No Mo. He is...
Read MorePosted by Ademola Bello | 7th Jan 2023 | LGBTQ Theatre, New York, Review, Theatre and Decolonization, United States of America
The young playwright Jordan E. Cooper deserves kudos for writing the play Ain’t No Mo. He is...
Read MorePosted by Alexander Fatouros | 5th Jan 2023 | Interview, Ireland, Theatre and Dance, United Kingdom, United States of America
It was a chance meeting at MoMA’s dance series “Some sweet day” that brought Ingrid Nachstern and...
Read MorePosted by Clare Cioffero | 3rd Jan 2023 | New York, Playwriting, Puppetry, South Korea, United States of America
The simplicity of the set was enriched with exquisite lighting design, by Oliver Wason, depicting the starry heavens above, exploding bombs, flocks of butterflies, even projections of characters.
Read MorePosted by Lisa Monde | 19th Dec 2022 | Adaptation, Musical Theatre, New York, Review, United States of America
The previews of &Juliet the musical, began October 28th 2022 at the Stephen Sondheim Theatre...
Read MorePosted by Jonathan Kalb | 9th Dec 2022 | New York, Review, Theatre and Decolonization, Theatre and Politics, United States of America
Lorraine Hansberry’s A Raisin in the Sun, as anyone reading this knows, is a cornerstone of...
Read MorePosted by Rhiannon Ling | 4th Dec 2022 | New York, News, Playwriting, Theatre and Gender, United States of America
Walking to the back of Sisters on Fulton, the excitement is palpable. A sizable group has gathered...
Read MorePosted by Morgan Skolnik | 18th Nov 2022 | Documentary Theatre, New York, Review, Theatre and Religion, United States of America
The Unbelieving is documentary theater (all the lines are taken from real interviews), but this...
Read MorePosted by Morgan Skolnik | 17th Nov 2022 | LGBTQ Theatre, Musical Theatre, New York, Review, United States of America
F*ck7thGrade is messy, it’s awkward, it’s unrelentingly earnest, and it’s utterly delightful....
Read MorePosted by Matthew McMahan | 31st Oct 2022 | Adaptation, Boston, Directing, Ireland, Review, United States of America
Bill Irwin greets the audience by conveying that the performance will be around 90 minutes (by way...
Read MorePosted by Morgan Skolnik | 28th Oct 2022 | LGBTQ Theatre, Musical Theatre, New York, Review, United States of America
I was struggling to find my seat at New World Stages when two people a bit older than me wearing...
Read MorePosted by Lisa Monde | 26th Oct 2022 | Interview, Musical Theatre, New York, United States of America
This year is the 125th Anniversary of the famous gothic novel written by the Irish writer Bram...
Read MorePosted by Alexander Fatouros | 24th Oct 2022 | Musical Theatre, New York, Review, Theatre for Young Audiences, United States of America
An off-Broadway musical about the art of producing a musical and the love of show business “Sesame...
Read MorePosted by Jonathan Kalb | 14th Oct 2022 | New York, Review, Theatre and Opera, United States of America
The opera Four Saints in Three Acts’ astonishingly successful run on Broadway in 1934 was the most...
Read MorePosted by Rhiannon Ling | 10th Oct 2022 | Adaptation, New York, Review, Theatre and Gender, United States of America
“Patriarchy is a judge that judges us for being born” proclaims the banner wrapped above our...
Read MorePosted by Andrew Agress | 29th Sep 2022 | LGBTQ Theatre, New York, News, United States of America
This October, playwright Ryan Drake and director Ryan Dobrin bring a memory play to the IRT Theater that explores online sexuality.
Read MorePosted by Trevor Boffone | 23rd Sep 2022 | Musical Theatre, Review, United States of America
Before there was After Midnight, before there was Smokey Joe’s Cafe, and before there was Black...
Read MorePosted by Fareeda Pyracha Ahmed | 22nd Sep 2022 | Immersive Theatre, Interview, New York, Theatre and Science, United States of America
Technology and the theater are closer together than ever, and our hope for the planet may depend...
Read MorePosted by Morgan Skolnik | 21st Sep 2022 | Adaptation, New York, Review, Theatre and Gender, United States of America
Why is this boy-kills-girl play different from all other boy-kills-girl plays? For starters, it...
Read MorePosted by Michael Schweikardt | 17th Sep 2022 | Design, Interview, Theatre and Science, Transmedia, United States of America
Lately, I have been seeing examples of Jason Jamerson’s theatrical design work on Instagram...
Read MorePosted by Vassili Schedrin | 14th Sep 2022 | Dramaturgy, Essay, New York, Russian Theatre Abroad, United States of America
“Time means nothing. That is, it does, but not in the way we think,” says Joseph, the protagonist...
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