Afterthoughts On Ivo van Hove’s “The Fountainhead”
Toward the end of the fourth and final hour of Ivo van Hove’s interminable adaptation of Ayn...
Read MorePosted by Jonathan Kalb | 8th Dec 2017 | Belgium, New York, Review, United States of America
Toward the end of the fourth and final hour of Ivo van Hove’s interminable adaptation of Ayn...
Read MorePosted by Jonathan Kalb | 28th Nov 2017 | New York, Review, Theatre and Politics, United States of America
Julia Cho’s Office Hour began life as a reaction to the 2007 mass-shooting at Virginia Tech. It...
Read MorePosted by Antigoni Gaitana | 25th Nov 2017 | Dramaturgy, Management, New York, Theatre and Opera, United States of America
Antigoni Gaitana Interviews Lawrence Edelson, Founder of ALT and Artistic and General Director of...
Read MorePosted by Jessica Rizzo | 16th Nov 2017 | LGBTQ+ Theatre, New York, Review, United States of America
In 1967, not one but two productions of Charles Ludlam’s deliciously demented Conquest Of The...
Read MorePosted by Marcina Zaccaria | 13th Nov 2017 | Festivals, New York, Review, Theatre and Dance, United States of America
Beginning with the soccer ball, Marc Bamuthi Joseph moves to the left and to the right, shifting a...
Read MorePosted by Soha Elsirgany | 12th Nov 2017 | Egypt, New York, Review, Theatre and Gender, United States of America
After starting in New York, the storytelling performance made its international debut in Cairo,...
Read MorePosted by Jonathan Kalb | 12th Nov 2017 | Adaptation, New York, Review, United States of America
Dear Dust Man, I’m an avid theatergoer who missed seeing Nia Vardalos’s stage adaptation of Cheryl...
Read MorePosted by Ken Cerniglia | 8th Nov 2017 | Dramaturgy, Essay, Musical Theatre, New York, Producing, United States of America
In an early scene of Rick Elice’s irreverent Peter Pan prequel, Peter And The Starcatcher, the...
Read MorePosted by Megan McClain | 6th Nov 2017 | Interview, New York, Theatre and Disability, United States of America
On September 15, 2017, over 60 artists, administrators, educators, and other various stakeholders...
Read MorePosted by Jack Wernick | 4th Nov 2017 | New York, Review, Transcultural Collaborations, United States of America
The Mecca Tales is an essential new work of theatre by emerging Chicago-based playwright Rohina...
Read MorePosted by Jessica Rizzo | 2nd Nov 2017 | Adaptation, New York, Review, United States of America
After his one visit to the country in 1909, Sigmund Freud reportedly remarked to a friend that...
Read MorePosted by Donald Brown | 28th Oct 2017 | New York, Review, Theatre and Gender, Translation, United States of America
Elfriede Jelinek’s Shadow. Eurydice Says is not much of a drama, if by that is meant a...
Read MorePosted by Sarah Balkin | 23rd Oct 2017 | Australia, Musical Theatre, New York, Review, United States of America
Taylor Mac described The Inauguration, which helped launch the 2017 Melbourne Festival, as “a...
Read MorePosted by Heather Waters | 21st Oct 2017 | New York, Puppetry, Review, Theatre and Art, United States of America
Ping Chong + Company’s show ALAXSXA | ALASKA subverts an overused Western storyline of people as...
Read MorePosted by Jonathan Kalb | 20th Oct 2017 | Directing, New York, Review, United States of America
Maria Irene Fornes’s 1983 play Mud, widely considered a contemporary classic, is rarely produced...
Read MorePosted by Marcina Zaccaria | 14th Oct 2017 | Festivals, New York, Theatre and Opera, United States of America
It’s breathtaking, attending the 2017 BAM Next Wave Festival. Few opera houses have the majestic...
Read MorePosted by Nick Fesette and Bruce A. Levitt | 6th Oct 2017 | Devised Theatre, New York, United States of America
The weekly meetings of the Phoenix Players Theatre Group (PPTG) always begin and end with an...
Read MorePosted by Krista Jarboe | 4th Oct 2017 | Devised Theatre, New York, Puppetry, United States of America
Dixon Place is known for their commitment to supporting the creative process as well as hosting...
Read MorePosted by Jonathan Kalb | 2nd Oct 2017 | Adaptation, New York, Review, United States of America
From Brecht’s plan to project films of Marxist revolutions behind Didi and Gogo in Waiting For...
Read MorePosted by Annie Dorsen | 26th Sep 2017 | New York, Theatre and Science, Transmedia, United States of America
What is algorithmic theatre? For the last several years, I’ve been using the term...
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