“Oscar Wao” at Repertorio Español
Repetorio Español, in New York’s Gramercy Park neighborhood, is currently home to a new...
Read MorePosted by Jack Wernick | 2nd Nov 2019 | Adaptation, New York, Theatre and Politics, United States of America
Repetorio Español, in New York’s Gramercy Park neighborhood, is currently home to a new...
Read MorePosted by David Vernon | 29th Oct 2019 | Musical Theatre, New York, Review, United States of America
Has Amy Oestreicher finally gotten that which she dreamed of? As a child, like so many other kids...
Read MorePosted by Abigail Weil | 24th Oct 2019 | New York, Review, Theatre and Politics, United States of America
As someone who has long been fascinated by both of the title characters, I am not sure who Murray...
Read MorePosted by Jonathan Kalb | 24th Oct 2019 | New York, Review, Theatre and Politics, United States of America
Jeremy O. Harris’s Slave Play is the New York theater’s scandal du saison. It’s a play about race...
Read MorePosted by Jack Wernick | 23rd Oct 2019 | Immersive Theatre, New York, Review, Theatre and Politics, United States of America
Multi-disciplinary hothouse The Cell in New York’s Chelsea neighborhood is currently home to...
Read MorePosted by Abigail Weil | 20th Oct 2019 | Acting, New York, Review, Theatre and Politics, United States of America
Henry Naylor’s Games, now at the SoHo Playhouse, highlights those human activities that are...
Read MorePosted by John Brunner | 17th Oct 2019 | New York, Review, Theatre and Age, United States of America
Is the truth always best or should some secrets go to the grave? For playwright Paul David Young,...
Read MorePosted by Jonathan Kalb | 17th Oct 2019 | New York, Review, Theatre and Gender, United States of America
Frank Wedekind’s Lulu is the archetypal modern classic about a sexy woman. Precisely for that...
Read MorePosted by Emily Cordes | 7th Oct 2019 | New York, Review, United States of America
True to the group’s moniker, This is Not A Theatre Company’s shows are deliberately...
Read MorePosted by Abigail Weil | 5th Oct 2019 | LGBTQ+ Theatre, New York, Review, United States of America
I wasn’t prepared for Victor, Edgar Oliver’s latest one-man show, directed by his longtime...
Read MorePosted by Jack Wernick | 4th Oct 2019 | Interview, New York, Theatre and Politics, United States of America
Emily Mann, long-time Artistic Director of the McCarter Theatre in Princeton, New Jersey is...
Read MorePosted by Andrew Agress | 3rd Oct 2019 | Interview, New York, United States of America
Normal Ave is setting out to nurture a community of new and diverse voices and to make theater...
Read MorePosted by Donald Brown | 2nd Oct 2019 | New York, Review, United States of America
Baba Brinkman’s Rap Guides in Repertory This Fall For starters, you might be skeptical that a...
Read MorePosted by Magda Romanska | 29th Sep 2019 | New York, Review, United States of America
Disclaimer: I was Jeremy’s teacher at Yale during the time he wrote Slave Play, so this isn’t a...
Read MorePosted by Abigail Weil | 28th Sep 2019 | Adaptation, Design, New York, Review, Theatre and Film, Theatre and Gender, United States of America
The WaxFactory’s new production Lulu XX is many steps away from originality. The heart of the play...
Read MorePosted by Andrew Agress | 27th Sep 2019 | New York, Review, United States of America
Hot off the heels of the success of Harry Potter and the Cursed Child, playwright Jack Thorne has...
Read MorePosted by Holly Rosen Fink | 24th Sep 2019 | Interview, New York, United States of America, Women on Broadway and Beyond
Milly Thomas is a writer and actor who hails from London. She is currently starring off-Broadway...
Read MorePosted by Abigail Weil | 19th Sep 2019 | Immersive Theatre, LGBTQ+ Theatre, New York, Review, Theatre and Politics, Theatre and Religion, United States of America
The dramatis personae of Novenas for a Lost Hospital is wide-ranging. There are doctors and nurses...
Read MorePosted by Abigail Weil | 17th Sep 2019 | Immersive Theatre, Musical Theatre, New York, Participatory Theatre, Review, Theatre and Opera, Theatre and Science, Transmedia, United States of America
My instinct is to describe Looking at You, the new opera from librettist Rob Handel, composer...
Read MorePosted by Abigail Weil | 14th Sep 2019 | Adaptation, New York, Review, Theatre and Religion, Transcultural Collaborations, United States of America
The Talmud, Meta-Phys Ed.’s new play at The DOXSEE Theater in Brooklyn, is ambitious. I mean, just...
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