Rise And Shine: “AWAKE!” At The Barrow Group
The mission of AWAKE!, written and directed by K. Lorrel Manning and currently premiering at the...
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New York
Molly Lowe And Bertolt Brecht: Making The Familiar Strange
Blurring the lines between the grotesque and the beautiful, the cerebral and the corporeal,...
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Touch Me In Duh Righteous: A Fubu “Slave Play” Review
An audience-sized mirror, a small wooden table with a bowl of fruit, and the lyrics to Rihanna’s...
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Identity, Technology, Nostalgia: The Theater Of Ivo Van Hove, Robert Lepage, And The Wooster Group
In recent theatre practice, attempts have been made and desires expressly voiced–from puppet...
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Terrific Power: “St. Kilda” at the So-Fi Festival in NYC
Jody Christopherson’s one-woman show St. Kilda, at the So-Fi Festival, gave me one of the...
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“Sycorax, Cyber Queen of Qamara”: A Conversation with Joan Kane and Sandra Bargman
By Playwright Fengar Gael, Sycorax is a character referred to, yet never seen, in Shakespeare’s “The Tempest.” But, in Fengar Gael’s story, Sycorax has been alive and waiting for 500 years to tell her side of the story.
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Ellen Pearlman: Brain Opera, Telematic Performance, And Decoding Dreams
Ellen Pearlman is a New York based media artist, curator, writer, critic, and educator. She holds...
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And Then There Were None: Larissa FastHorse’s “The Thanksgiving Play”
I caught up with The Thanksgiving Play a few days after Thanksgiving. I was in the mood to laugh...
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Amazing Grace: The Barrow Group Presents “The Tricky Part”
“Sun is bad for you. Everything our parents told us was good is bad. Sun. Milk. Red meat....
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“Chasing The New White Whale”: Neither Fish Nor Fowl
Michael Gorman’s latest play Chasing The New White Whale, at La MaMa where he is the Playwright in...
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Pilgrims’ Progress: Larissa FastHorse’s “The Thanksgiving Play”
The political mantra “Nothing about us without us” is hard to object to immediately–it makes...
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Is The New York Theater Scene Serving Disabled Artists And The Disabled Population?
The New York theater scene is often thought of as the pinnacle of progression, where the newest...
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Interview With Clara Fernandez-Vara: “Your Spectator Is Also Your Player”
Clara Fernandez-Vara is an Associate Arts Professor at New York University. Her background is in...
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“OnlyHuman” At Danspace Project
In the celebratory cookbook Cake, Maira Kalman writes: “When we lived in Rome we had a party...
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An Interview With Playwright Alexis Roblan
Alexis Roblan graduated from the University of Southern California’s MFA in Dramatic Writing...
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Wit’s End: Will Eno’s “Thom Pain”
“So, a horse walks into a bar. The bartender says, ‘Why the long face?’ And the horse says, ‘I’m...
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“Daniel’s Husband” At Westside Theatre
A poignant, topical chamber piece for five characters, Daniel’s Husband commences with two gay...
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“Rags Parkland Sings The Songs Of The Future” – Sci-fi Folk Concert at Ars Nova
What forces in today’s society will retain their power three hundred years into the future?...
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Jonathan Kalb Interviews Himself On Daniel Fish’s “Oklahoma!”
Jonathan Kalb: So Jonathan, did you like the show? Jonathan Kalb: Can we come back to that,...
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Who Is Theater Maker Ellenor Riley-Condit?
Ellenor Riley-Condit is an actor, producer, creator, and artistic director of The Syndicate. She...
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