Director Annie Tippe on Directing “Octet,” a Musical About Online Addiction
Annie Tippe is currently directing the World Premiere of Dave Malloy’s Octet at the...
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New York
“1001 Nights” From Target Margin
A drag queen lipsynching into a retro mike in a tight spotlight is the opening image of 1001SUR,...
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Winners Demand More Gender Parity, Representation, and Diversity at 2019 Tony Awards
When Rachel Chavkin walked into the Tony Awards media room, she continued the conversation she had...
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“The Impossible She” and The Evolution of Queer Stories in Opera
Representation within opera has always been thin; The Impossible She stood to try to expand those...
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“Dreams in Black Major”: Nia Farrell and Talia Paulette Oliveras on Afrofuturism and Creating Black Spaces
In anticipation of their Afrofuturist event, Dreams in Black Major, being performed at the Ars...
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Actress Holley Fain on the Art of Having Fierce Womanly Support in Broadway’s ”The Ferryman”
Holley Fain is no stranger to Broadway, having appeared in Present Laughter and Harvey in recent...
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“Gary” Isn’t Queer Enough
The critical responses to Taylor Mac’s debut, Gary: A Sequel to Titus Andronicus, have been...
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“The Last Day of the Sun” at In Scena
The In Scena Festival is an ambitious undertaking. Presenting work each year by Italian artists,...
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Transcending Michael Chekhov From the Classroom to the Stage
Of the many precepts in developing a work for the stage, commonly method acting can be of the...
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Retro Productions’ “Mary, Mary”
The makeover story arc is a time-honored Hollywood tradition. Audrey Hepburn made several (Funny...
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What Schreck’s Endings Mean To Me
Lately, whenever people ask for advice on what theater to see in New York, the show I’ve mentioned...
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Lola Arias: “Minefield”
Argentina And England Meet Again, More Or Less Peacefully, on the NYU Skirball Stage: North...
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Susan Stein’s “Etty”
In 1942, responding to the announcement that people of Japanese ancestry on the American west...
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Duchampian Theater: “Paul Swan is Dead and Gone”
Let Paul Swan seduce you. Why wouldn’t you? He is, after all, the most beautiful man in the world....
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Bowled Over: Suzan-Lori Parks’ “White Noise”
Suzan-Lori Parks has written a dark and disturbing allegory about the seemingly impossible dream...
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Theatre Of The Real And Embracing The Politics Of The Current Moment: Lee Hall And Ivo van Hove’s “Network”
“Man can change the world with bayonet and with science, but only art can renew it, in play, in...
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Fiona Shaw Performs “The Waste Land” In Madison Square Park
At the risk of throwing a wrench in your schedule, you really do have to drop everything (for the...
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On Broadway, “Burn This” Singes the Frayed Nerves of 20th Century Romance
“I’m being pillaged and raped. I’m being pillaged and I’m being raped. And I don’t like it,” says...
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World Premiere of Georgina Escobar’s “Then They Forgot About The Rest” Delivers Frontier Futura Funk
What lengths would you go to forget about the greatest pain of your life? Losing a child, a...
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Necromancers of the Public Domain: Art Both Free and Liberating
In 1919, following the devastation of the First World War, a movement arose to aid in the...
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