New York

“Daniel’s Husband” At Westside Theatre

Posted by Jack Wernick | 10th Nov 2018 | LGBTQ Theatre, New York, Review, United States of America |

A poignant, topical chamber piece for five characters, Daniel’s Husband commences with two gay...

“Rags Parkland Sings The Songs Of The Future” – Sci-fi Folk Concert at Ars Nova

Posted by Abigail Weil | 2nd Nov 2018 | New York, Review, United States of America |

What forces in today’s society will retain their power three hundred years into the future?...

Jonathan Kalb Interviews Himself On Daniel Fish’s “Oklahoma!”

Posted by Jonathan Kalb | 2nd Nov 2018 | Interview, Musical Theatre, New York, Theatre and Disability, Transcultural Collaborations, United States of America |

Jonathan Kalb: So Jonathan, did you like the show? Jonathan Kalb: Can we come back to that,...

Who Is Theater Maker Ellenor Riley-Condit?

Posted by Emma Kantor | 31st Oct 2018 | Chicago, Devised Theatre, Directing, Interview, New York, United States of America |

Ellenor Riley-Condit is an actor, producer, creator, and artistic director of The Syndicate. She...

Dianne Wiest’s Winnie In Madison Square Park

Posted by Jonathan Kalb | 30th Oct 2018 | New York, Review, United States of America |

Nothing you do this week will likely be more worthwhile than spending 40-odd minutes with Dianne...

The Modern Woman In “Artemisia’s Intent”

Posted by Marcina Zaccaria | 26th Oct 2018 | Italy, New York, Review, Theatre and Politics, United States of America |

Is Artemisia only a tough diva not to be silenced? Her strong arms and balanced stance find a place in her studio. While there isn’t any room for escape, there is the possibility of reaching beyond the gossip of the day and the anguish of the past.

Oscar Wilde’s “Salome” At Irondale

Posted by Jack Wernick | 25th Oct 2018 | New York, Review, Theatre and Dance, United States of America |

M-34 Productions and FringeNYC present a dazzling new production of Salome at the Irondale Center...

Mark Sonnenblick And “Midnight At The Never Get”

Posted by David Vernon | 19th Oct 2018 | Interview, LGBTQ Theatre, Musical Theatre, New York, United States of America |

Mark Sonnenblick is a composer, lyricist, and scriptwriter. His latest collaboration is Midnight...

A Wry Takedown Of Pepys’s Misogyny: “17c” By Big Dance Theater, Dance Umbrella Festival, London

Posted by Lisa Marie Bowler | 17th Oct 2018 | Festivals, London, New York, Review, United Kingdom, United States of America |

As a passionate Londoner, I cannot help but be intrigued: a group of Americans is here to present...

Too Close To Home: Stefano Massini’s “Intractable Woman”

Posted by Jonathan Kalb | 7th Oct 2018 | Italy, New York, Review, Theatre and Politics, United States of America |

A week after Donald Trump was inaugurated, the atomic scientists who keep the famous Doomsday...

“I Was Most Alive With You” Pays Proper Tribute to The D/deaf Community

Posted by Madison Parrotta | 28th Sep 2018 | New York, Review, Theatre and Disability, United States of America |

Playwrights Horizons’ production of I Was Most Alive With You by Craig Lucas was otherworldly in...

Rob Roth’s “Soundstage” Fires Up Acoustic Imaginaries

Posted by KaiChieh Tu | 22nd Sep 2018 | LGBTQ Theatre, New York, Review, Theatre and Gender, United States of America |

oundstage, conceived by residency artist Rob Roth at HERE, is a compelling stream of consciousness that flows along with the sound waves and vintage film footage. With stunning technicality and poetic sensitivity, the show paints and composes the complex emotions when we are left alone, discarded and exiled into our most profound addictions and desires.

“All In A Night” – Forced Entertainment’s Marathon Production

Posted by Jonathan Kalb | 20th Sep 2018 | New York, Review, United Kingdom |

I lost a night’s sleep recently over Forced Entertainment. I did it on purpose. They were coming...

“Białoszewski/Ginsberg VR” At Performing Garage

Posted by Jack Wernick | 14th Sep 2018 | New York, Poland, Review, Transmedia |

Soho’s Performing Garage is the setting of a brief engagement from Poland called...

“Linger” Brings Dark Subject Matter Into The Light

Posted by Madison Parrotta | 27th Jul 2018 | New York, Review, United States of America |

Linger is a fitting title for a play that navigates the lasting implications of wrong choices on...

Bernstein In Flight And T.S. Eliot In Motion At Bard Summerscape 2018: An Interview With Gideon Lester

Posted by Yan Chen | 19th Jul 2018 | Dramaturgy, Festivals, Interview, Musical Theatre, New York, Theatre and Dance, United States of America |

Gideon Lester is Artistic Director for Theater and Dance at the Richard B. Fisher Center for the...

“One Small Step” At Ice Factory Festival

Posted by Jack Wernick | 13th Jul 2018 | Festivals, New York, Review |

Downtown theater pioneer the New Ohio Theatre has emerged with its annual summer festival called...

“Carmen Jones”: A Classic Reborn

Posted by Brandon Webster | 6th Jul 2018 | Musical Theatre, New York, Review, United States of America |

It is then, a refreshing surprise – as New York theatre recovers from the inundation of Broadway super-musicals that were too big to succeed – that Carmen Jones has returned in a razor-sharp 95-minute John Doyle production at the Classic Stage Company.