Vampire-Hunting Hijinks: “Police Cops: Badass Be Thy Name” at Soho Playhouse
If you love theatre, namely the experimental kind, I highly recommend a trip to the Edinburgh...
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New York
The Great Tamer – A Greek Choreographer’s Bam Debut
It was a devouring mouth or a generative source. The whole performance was a dystopian collage of subconscious associations of the creator. Some of them were personal and some of them were direct references to archetypes and well-known artworks. The non-verbal narrative was constituted by very inventive imagery which was underlined by an ever-present black humor.
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“All Hallows Eve” The Musical
Composer Paul Rudolph accompanies the cast through a score that is perfectly in sync with the story line. Delightfully, it is a musical score that reminds it’s listener that this is how Musical Theatre “really works.” Both Haley and Lott keep up the musical pace with Barnhart.
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“Heroes of the Fourth Turning” at Playwrights Horizons
We live in a time, especially in America, of increasing political divide. Many politicians and...
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“Reparations” at the Billie
James Sheldon’s Reparations is a new play about racial grievance, guilt, and retribution in...
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“The Black History Museum…According to the United States of America”
The Black History Museum….According to the United States of America, Smoke & Mirrors...
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New Rapp: “The Sound Inside”
Adam Rapp is a polarizing playwright. After bursting onto the scene in 2001 with Nocturne — a...
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“Dr. Ride’s American Beach House:” Ready for Orbit
It’s June 18, 1983. You’re a waitress in St. Louis who’s all but given up her dreams of achieving...
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Murray Mednick’s “Mayakovsky and Stalin” At The Cherry Lane Theatre: Men With Bloody Hands
In Murray Mednick’s “Mayakovsky and Stalin”, which made its New York premiere at the Cherry Lane...
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“Oscar Wao” at Repertorio Español
Repetorio Español, in New York’s Gramercy Park neighborhood, is currently home to a new...
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Reflections on “Passageways”
Has Amy Oestreicher finally gotten that which she dreamed of? As a child, like so many other kids...
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Protiv Etogo: “Mayakovsky and Stalin”
As someone who has long been fascinated by both of the title characters, I am not sure who Murray...
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“Slave Play”: Jeremy O. Harris’s “Balcony”
Jeremy O. Harris’s Slave Play is the New York theater’s scandal du saison. It’s a play about race...
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“Found” at The Cell: Immersive Theatrical Experience
Multi-disciplinary hothouse The Cell in New York’s Chelsea neighborhood is currently home to...
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“Games” at Soho Playhouse
Henry Naylor’s Games, now at the SoHo Playhouse, highlights those human activities that are...
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Family Secrets Get Messy in “All My Fathers”
Is the truth always best or should some secrets go to the grave? For playwright Paul David Young,...
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Solving the “Lulu” Problem
Frank Wedekind’s Lulu is the archetypal modern classic about a sexy woman. Precisely for that...
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“Play!” and “Theatre in The Dark: Carpe Diem” by This is Not A Theatre Company
True to the group’s moniker, This is Not A Theatre Company’s shows are deliberately...
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Edgar Oliver and “Victor”
I wasn’t prepared for Victor, Edgar Oliver’s latest one-man show, directed by his longtime...
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Interview with Emily Mann
Emily Mann, long-time Artistic Director of the McCarter Theatre in Princeton, New Jersey is...
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