“Białoszewski/Ginsberg VR” At Performing Garage
Soho’s Performing Garage is the setting of a brief engagement from Poland called...
Read MoreNew York
“Linger” Brings Dark Subject Matter Into The Light
Linger is a fitting title for a play that navigates the lasting implications of wrong choices on...
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Bernstein In Flight And T.S. Eliot In Motion At Bard Summerscape 2018: An Interview With Gideon Lester
Gideon Lester is Artistic Director for Theater and Dance at the Richard B. Fisher Center for the...
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“One Small Step” At Ice Factory Festival
Downtown theater pioneer the New Ohio Theatre has emerged with its annual summer festival called...
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“Carmen Jones”: A Classic Reborn
It is then, a refreshing surprise – as New York theatre recovers from the inundation of Broadway super-musicals that were too big to succeed – that Carmen Jones has returned in a razor-sharp 95-minute John Doyle production at the Classic Stage Company.
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World Premiere: “Lonesome Blues”
If you travel along the New York City underworld of trains and platforms, you’re likely to see a...
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“Teenage Dick”: A Study Of The Stereotypical Villain
Produced in conjunction with Ma-Yi Theater Company, the world premiere of Teenage Dick at The...
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“Sea Of Common Catastrophe” At Irondale Center
Irondale Ensemble Project, a self-defined “think tank” in Brooklyn’s bustling Fort Greene nabe is...
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“This Is Modern Art”: A Scatterplot
This Is Modern Art, originally commissioned by Chicago’s Steppenwolf Theater, makes its New York...
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New Musical “Pedro Pan” Speaks to the Plight of Immigrant Children
When one thinks of Latinx narratives within the landscape of musical theatre, West Side Story,...
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Make Rome Great Again. A Revival Of Duerrenmatt’s “Romulus The Great” In New York
Review of Romulus the Great, Yangtze Repertory Theatre The Roman empire is under threat and is...
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“Exquisita Agonía” At Repertorio Español
Repertorio Español, New York’s preeminent venue for Spanish language theatre, continues its 50th...
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Vanyamachine: Mallory Catlett’s “This Was The End”
An assemblage of intriguing aesthetic strategies, what Mallory Catlett’s This Was The End lacks in...
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When Playwriting Becomes Activism: An Interview With Nelson Diaz-Marcano
New York City-based Puerto Rican playwright Nelson Diaz-Marcano first came to the world of...
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“Kurski Station” at the East Village Playhouse
The East Village Playhouse, a recently created storefront venue in a defunct music shop, is home...
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Hook And Eye Theater Presents: “SHE-SHE-SHE”
In the world of New York theatre, it’s not uncommon to witness thematic ties across mediums and...
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Practiced Empathy and Awareness with Atlantic Pacific Theatre
Atlantic Pacific Theatre challenged their regular audience with a diptych, part process theater,...
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South Africa’s Richest And Smoothest Jazz
Experiencing any show at Brooklyn Academy of Music is as magical as seeing a show at LTC3, only I...
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Finding “Piramo E Tisbe”
Upon entering the theatre for Piramo E Tisbe, I was intrigued by the setup of the stage and the...
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Music At The Anthology
Music At The Anthology, also known as MATA, is in its 22nd year of commissioning and presenting...
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