“In a World Without Roe,” Hedgepig Ensemble Theatre Fosters Theatrical Parity
Walking to the back of Sisters on Fulton, the excitement is palpable. A sizable group has gathered...
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Godless Clergy Members in “The Unbelieving”
The Unbelieving is documentary theater (all the lines are taken from real interviews), but this...
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Growing Up and Getting Through in Jill Sobule’s “F*ck7thGrade”
F*ck7thGrade is messy, it’s awkward, it’s unrelentingly earnest, and it’s utterly delightful....
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Clowning “On Beckett,” Irwin Delights at the Emerson Paramount Center
Bill Irwin greets the audience by conveying that the performance will be around 90 minutes (by way...
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Melissa Etheridge’s Queer Joy: “My Window—A Journey Through Life”
I was struggling to find my seat at New World Stages when two people a bit older than me wearing...
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Prequel, Sequel and Two Fangs: An Exclusive Interview with Dacre Stoker
This year is the 125th Anniversary of the famous gothic novel written by the Irish writer Bram...
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“Sesame Street: The Musical” Electrifies
An off-Broadway musical about the art of producing a musical and the love of show business “Sesame...
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The 90-Minute MacGuffin: “Four Saints in Three Acts”
The opera Four Saints in Three Acts’ astonishingly successful run on Broadway in 1934 was the most...
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Patriarchy as Judge: Smith Street’s Contemporary “Measure for Measure”
“Patriarchy is a judge that judges us for being born” proclaims the banner wrapped above our...
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A Queer Memory Play for the Online Generation: “You Don’t Have to Do Anything” Workshops in NYC This October
This October, playwright Ryan Drake and director Ryan Dobrin bring a memory play to the IRT Theater that explores online sexuality.
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An Evening with Fats Waller: “Ain’t Misbehavin'” at TUTS
Before there was After Midnight, before there was Smokey Joe’s Cafe, and before there was Black...
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VR and Theater Finally Make a Climate Baby: “From Sea To Rising Sea” Interview with Creator-Director-Choreographer Mary John Frank
Technology and the theater are closer together than ever, and our hope for the planet may depend...
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Dangerous Desires in “Marie It’s Time”
Why is this boy-kills-girl play different from all other boy-kills-girl plays? For starters, it...
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Imagine/: Artificial Intelligence Comes to Theatrical Design
Lately, I have been seeing examples of Jason Jamerson’s theatrical design work on Instagram...
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Russian Theater Beyond Time and Place. On the 25th Anniversary of the STEPS Theatre
“Time means nothing. That is, it does, but not in the way we think,” says Joseph, the protagonist...
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When Playwrights Complicate Dramatic Form: Recent Developments in African American Plays of the 2010s
African American drama, theater and performance has a rich and complex history. Only recently,...
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The Return of Gringoire: An Exclusive Interview with Bruno Pelletier
Interview of the “original” Gringoire from Notre Dame de Paris the musical – Bruno...
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“Kurios: A Cabinet of Curiosities” Helping You Dream with Your Eyes Wide Open!
I can prescribe the remedy if you need medicine to blow up your imagination! Get a ticket to...
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Mental Illness, Misogyny, and the Myth of the Male Genius in “The Butcher Boy”
This review contains spoilers. TW: suicide, homicide, mental illness The Butcher Boy, which opened...
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In Conversation with Regan Hicks: Part Two
This is part 2 of the bipartite interview. To read part 1, click here. Welcome back to the second...
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- In “Shaka Zulu: The Gaping Wound”, the… 28th December 2021
