“Is It Me? Am I the Drama?”: Marketing “Switzerland” on Social Media
“Is it me? Am I the drama?” I’m going to be completely honest with you. Sometimes I am the drama....
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They Were People: Brittany K. Allen’s “Redwood” at EST
I stopped taking notes about halfway through Brittany K. Allen’s Redwood. I can think of no better...
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In Conversation with Sartre and Plato: Locus29’s “Hell Dialogues”
The Sheen Center is, I find myself thinking, the perfect place to host Locus29’s Hell Dialogues....
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Wicked the Musical Celebrates Its 20th Anniversary On Stage. An Exclusive Interview With Adam Garcia – the Original Fiyero of the West End.
The musical Wicked premiered on Broadway twenty years ago and quickly earned the title of the very...
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SheNYC Takes the Stage: “Fort Huachuca” and “Bloodshot” at A.R.T./NY
To begin as we proceed, with full transparency, I have to admit how big a fan I am of SheNYC Arts...
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The Life of Three “Best Friends:” Anat Gov’s Feminism at the 14th Street Y
Anat Gov’s Best Friends lives in a world of dichotomy. The title is both entirely true and...
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Groundbreaking Autistic-Led Production of “A Curious Incident of the Dog in the Night-Time” at A Common Thread Theatre Company in Framingham, MA
When Christopher Boone from A Curious Incident of the Dog in the Night-Time was first introduced...
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The Ephemera of the Cherry Orchard: Agnieszka Kazimierska’s “Katie’s Tales”
Agnieszka Kazimierska has always been an artist. From the age of six, she told as much to her...
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“Look What You Made Me Do”: Marketing “POTUS” on Social Media
How do you market theatre on social media? What strategies can a social media manager use to...
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Keeping Alive the U.N.’s Dialogue Among Civilizations – as Theatre
This is the third of a series of articles to discuss the Dialogue of Civilizations theater...
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A Performance of Pediophobia: “Nightmare Dollhouse” Brings Uncanny Horror to NYC
A long-running immersive horror production returns to New York with ‘Nightmare Dollhouse,’ exploring a surprisingly popular fear.
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Sweeney Todd: Not a Demon, But a Barber of Fleet Street
Up to the present moment a debate has been going on – whether the demon-barber of Fleet Street had...
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Renée Fleming’s Cities That Sing
Grammy winner Renée Fleming recently appeared in the two-part immersive opera series Cities That...
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“What the Constitution Means to Me” Is As Timely As Ever
In 2019, I sat in the balcony of the Helen Hayes Theatre. My social media circles had been abuzz...
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Notch Theatre Company’s “Wild Home” To Host Community Event On September 13th
When it comes to Wild Home: An American Odyssey, the project is best-described by its subtitle....
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“Radio Man:” A Story of Connection and Bloodshed in Dystopian America
It’s no secret that I’m an advocate for feminist, queer theatre. Or that I enjoy worlds of the...
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Once Upon a Warning for Next Time
“We’re not here to make fairytales, we’re here to follow them,” quips the narrator (Adam Godley)...
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Craft of “Downton Abbey” and “Gilded Age” Director, Michael Engler
American television and film director Michael Engler is extraordinarily skilled at both comedies...
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“Kiss” at the Wilma Theater
Directed by Fadi Skeiker with Wilma Hothouse Company favorites, the show’s physical and visual...
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Doulas as Resistance: The Anthropologists’s “axes, herbs and satchels”
Fifteen years ago, The Anthropologists came to be in New York City, a group of devisers born of a...
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