“TRACES:” An Interview With Co-Creators James Clements and Sam Hood Adrain of What Will the Neighbors Say?
TRACES is a new devised documentary theater piece presented by the investigative theatre group...
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The Envy of Baz Luhrmann: A Parkside “Romeo + Juliet” to Remember
It can be difficult to gain contemporary audience for Shakespearean performance. Though the Bard’s...
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Interview: The “Best Time to Be Alive” and The Reclamation of Identity
On March 17, 2023, New York City’s Bedlam hosted the first industry reading of Best Time to Be...
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Broadway Bodies: An Interview with Ryan Donovan
Productions of Broadway musicals have body issues. Full stop. From casting norms for Broadway...
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Art and Tech Imaginings of Kat Mustatea
Creating art that reflects our time, Kat Mustatea is a playwright and technologist whose...
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Prototype Festival: “Mary Motorhead/Trade” and “In Our Daughter’s Eyes”
It has been so challenging to write these reviews of three recent works presented as part of the...
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Sitting Down with Emerging Artist Thalia Ranjbar
The work of Thalia Ranjbar may be challenging– pushing beyond norms and expectations, but at its...
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Brecht, Kabarett, and Pussy Riot: The Impact of AnomalousCo’s “(beyond) Doomsday Scrolling”
Entering the theatre at HERE Arts, there is already a sense of broken ground. My companion and I...
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The House Where Phantom Lived—Part I: The Majestic Theatre, New York
Dedicated to the 35th anniversary of the Broadway musical “The Phantom of the Opera.” It is known...
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The Geography of Theatre Imagination: A New “Endgame” at a New Irish Theatre Festival
Much of my approach to theatre, to performance, especially, consists in locating and assessing a...
Read MoreThe Poeticism of Woman’s War: AnomalousCo’s “(beyond) Doomsday Scrolling”
Only a week after the invasion of Ukraine, three creatives found themselves nestled around a...
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Trap Door Theatre’s “Princess Ivona”: Piercing yet Healing
Located at the end of a long, narrow corridor, seating the audience near the stage and close to...
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“Trade/Motorhead” at PROTOTYPE 2023 Festival
A double bill by Irish composer Emma O’Halloran and her uncle, librettist Mark O’Halloran,...
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“Undine” at PROTOTYPE 2023 Festival
Undine is a three-act animated opera composed by Stefanie Janssen and Michaël Brijs. The pandemic...
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“In Our Daughter’s Eyes” at PROTOTYPE 2023 Festival
In Our Daughter’s Eyes, composed by Pulitzer prize winning composer Du Yun and librettist Michael...
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“note to a friend” at PROTOTYPE 2023 Festival
note to a friend, composed by Pulitzer prize-winning composer David Lang, is a chamber opera...
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“Morning//Mourning” at PROTOTYPE 2023 Festival
Gelsey Bell’s Morning//Mourning is a quirky, experimental opera that defies categorization. It is...
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Kennedy Center Dramaturgy Intensive 2022
During a summer of uncertainty and anxiety for American theatres and artists alike, a cohort of...
Read More“The Fall” at Soho Playhouse
On a cold November, New York Friday night, when temperatures approached freezing, the shivering audience waiting to experience Albert Camus’ The Fall at the Soho Playhouse checked in at the box office on the upper floor, then...
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“Lazarus 1972–2022” by Ping Chong
The show Lazarus 1972-2022 is difficult to pin down. How can what a thought looks like be...
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