Cards For Humanity: “Social Alchemix (Live!)” by Wil Petre
The COVID-19 pandemic has spawned an interesting social paradox: even as online platforms have...
Read MorePosted by Emily Cordes | 17th Jan 2021 | Participatory Theatre, Review, United States of America
The COVID-19 pandemic has spawned an interesting social paradox: even as online platforms have...
Read MorePosted by Agnieszka Legutko | 17th Jan 2021 | Adaptation, Poland, Review, Russia, Transmedia, United States of America
December 9, 2020, marked an important anniversary in Jewish theater history: a centennial of the...
Read MorePosted by Megan McCormick | 16th Jan 2021 | Review, Theatre and Dance, United States of America
An intriguing, quirky, movement and aerial experience, The Insectinside performed by the company...
Read MorePosted by Jennifer Delac | 14th Jan 2021 | Directing, Interview, United States of America
We live in a world that is demanding change, moving at a rapid pace while simultaneously crawling...
Read MorePosted by Melissa Trepa | 11th Jan 2021 | Covid-19, Interview, Transmedia, United States of America
Artist and Director, Susie Lawrence, takes on the challenging aspects of Covid-theatre to a new...
Read MorePosted by Colden Lamb | 10th Jan 2021 | Design, Interview, United States of America
“That’s what we as lighting designers do – we observe, interpret, and find ways to recreate...
Read MorePosted by Timothy L'Ecuyer | 6th Jan 2021 | Interview, LGBTQ Theatre, Transmedia, United States of America
Lights up. Enter a troll. Literally. Circle Jerk, returning to stream on demand January 1 –...
Read MorePosted by Rhiannon Ling | 2nd Jan 2021 | Covid-19, Review, United States of America
The issue with Zoom theatre is that, oftentimes, the two do not comply: theatrical performance is...
Read MorePosted by Megan McCormick | 31st Dec 2020 | Festivals, Musical Theatre, New York, Review, Transmedia, United States of America
*Content Warning: This article discusses and describes new musicals that deal with such topics as...
Read MorePosted by Colden Lamb | 27th Dec 2020 | Design, Interview, United States of America
For the past twenty-three years, The Old Globe’s production of Dr. Seuss’ How The Grinch Stole...
Read MorePosted by Alexander Fatouros | 19th Dec 2020 | Musical Theatre, Review, United States of America
Amid dramatic music overlay, the most authentic characters emerged. Kurt Uy, Christian Elán Ortiz and Rolanda Watts played a multitude of dramatis personae with great truth. Stuart Williams oscillated among Dr. Livesey, Pew, and Lookout with momentous fervor. As sword blades engaged and as the deep, booming and suspenseful orchestra music filled the air, the story played out in vibrant imagination.
Read MorePosted by Amy Oestreicher | 19th Dec 2020 | Interview, Musical Theatre, United States of America
An interview with Ryan Shaw In our new digital era, it was an honor to have a Zoom sit-down with...
Read MorePosted by Emily Cordes | 17th Dec 2020 | Devised Theatre, Participatory Theatre, Review, United States of America
Given the year’s unsettling mixed-bag of a global pandemic, racial reckoning, political strife,...
Read MorePosted by Trevor Boffone | 12th Dec 2020 | Festivals, Playwriting, United States of America
In October 2017, a group of Latinx playwrights came together in New York City to share space,...
Read MorePosted by Elizabeth Kerr | 11th Dec 2020 | Hong Kong, Interview, Management, United States of America
Written by: Elizabeth Kerr Sitting in a decidedly Hong Kong-flavoured café in Prince Edward, Leung Ming-kai and Kate Reilly present as an old married couple, even if they’ve only been bound in matrimony for seven years. They...
Read MorePosted by Colden Lamb | 7th Dec 2020 | Acting, Covid-19, Interview, Transmedia, United States of America
At first glance, one might consider portraying someone’s older brother, boyfriend, or therapist,...
Read MorePosted by Alexander Fatouros | 4th Dec 2020 | Featured, New York, Participatory Theatre, Review, Theatre and Art, Theatre and Dance, United States of America
The brilliant performance reaffirms its disregard for conventional attitudes and unjustified inequalities—a nod to the social and political context from which the work sprang.
Read MorePosted by Magda Romanska | 15th Nov 2020 | Essay, Los Angeles, Theatre and Disability, United States of America
The #MeToo and Black Lives Matter movements have forced Hollywood and other artists and filmmakers...
Read MorePosted by Rhiannon Ling | 15th Nov 2020 | Covid-19, New York, Review, Theatre and Politics, United States of America
Keely and Du, Jane Martin’s seminal work from 1993, is a piece often touted for its emotional...
Read MorePosted by Michael Schweikardt | 10th Nov 2020 | Design, Review, Transmedia, United States of America
Co-workers Masha and Nikolai sit side by side in separate black boxes on my laptop screen. Their...
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