The Meaning of Theater: Slava Stepnov’s “Flawed Choir” at the Steps Theatre
“All the world’s a stage,” says a character in William Shakespeare’s “As You Like It.” “Life...
Read MorePosted by Vassili Schedrin | 17th Jun 2022 | Dramaturgy, New York, Playwriting, Review, United States of America
“All the world’s a stage,” says a character in William Shakespeare’s “As You Like It.” “Life...
Read MorePosted by Jonathan Kalb | 15th Jun 2022 | Musical Theatre, Review, Theatre and Decolonization, United States of America
In my time as a critic I’ve noticed on numerous occasions that musicals rooted in political...
Read MorePosted by Fareeda Pyracha Ahmed | 13th Jun 2022 | Acting, Directing, Interview, New York, United States of America
Gratitude, by Oren Safdie, directed by Maria Mileaf, and starring Jalen Ford, Jake Bryan Guthrie,...
Read MorePosted by Emily Cordes | 12th Jun 2022 | Adaptation, Review, Transmedia, United States of America
Since its original 1933 film debut, the story of King Kong has become a mainstay of America’s, and...
Read MorePosted by Jonathan Kalb | 11th Jun 2022 | Review, Theatre and Decolonization, Theatre and Gender, United States of America
Dominique Morisseau is aware that most of her fans see her as a predominantly naturalistic...
Read MorePosted by Erica Tobolski | 10th Jun 2022 | Acting, Essay, Transmedia, United States of America
Though Gilbert Gottfried’s voice has alternatively been described as “shrill,” “annoying” and...
Read MorePosted by Jack Wernick | 7th Jun 2022 | Adaptation, Review, Theatre and Decolonization, United States of America
Fat Ham arrives at the Public Theater for its first live production following the Zoom staging by...
Read MorePosted by Adrian Danks | 5th Jun 2022 | Acting, Books, Essay, United States of America
When an actor is criticized for peculiarly excessive preparation for a role, or an inability to...
Read MorePosted by Siting Yang | 4th Jun 2022 | Adaptation, China, New York, News, Theatre and Decolonization, United States of America
Sky of Darkness is enjoying its US premiere June 2-12 at Theaterlab in Midtown Manhattan. The...
Read MorePosted by Jonathan Kalb | 2nd Jun 2022 | LGBTQ Theatre, Playwriting, Review, United States of America
Walking out of the spiffy new production of Richard Greenberg’s Take Me Out, my canny friend Tom,...
Read MorePosted by Philippa Wehle | 1st Jun 2022 | Musical Theatre, New York, Review, South Korea, Theatre and Politics, United States of America
The Legend of The Waitress & The Robber, a new musical theater piece by Renee Philippi, a...
Read MorePosted by Vassili Schedrin | 31st May 2022 | Directing, News, Playwriting, Russia, United States of America
Why do we still remember theater that became history many decades ago? How do we remember plays...
Read MorePosted by Jonathan Kalb | 29th May 2022 | Review, Theatre and Gender, United States of America
Paula Vogel’s How I Learned to Drive is, famously, the play that blew the lid off the subject of...
Read MorePosted by Jenna Lourenco | 28th May 2022 | Education, Musical Theatre, New York, News, Theatre and Disability, United States of America
Autistic adults in the United States are unemployed at estimated rates of more than 80%. Those who...
Read MorePosted by Walter Byongsok Chon | 21st May 2022 | Interview, New York, South Korea, Transcultural Collaborations, United States of America
The Legend of The Waitress & The Robber is a collaboration between the Korean theatre...
Read MorePosted by The Theatre Times | 14th May 2022 | Festivals, Interview, New York, Theatre and Disability, United States of America
Actor Gregg Mozgala describes himself as a “Triple Threat: “Actor, Writer, Cripple.” The...
Read MorePosted by Ágnes Bakk | 30th Apr 2022 | Immersive Theatre, Interview, Transmedia, United States of America
Deirdre V. Lyons is currently living in Los Angeles and has been in over 75 Film and Theatrical...
Read MorePosted by Emily Cordes | 21st Apr 2022 | Producing, Review, Theatre and Gender, United States of America
The last several decades of U.S. history have seen a remarkable upswing in women’s political...
Read MorePosted by Alexander Fatouros | 17th Apr 2022 | Immersive Theatre, New York, Review, Theatre and Art, United States of America
Utilizing downtown Manhattan’s East Village and NoHo as a set, Bated Breath Theatre Company’s...
Read MorePosted by Daily Sabah | 16th Apr 2022 | New York, Theatre and Art, Theatre and Opera, United States of America
It is “Don Carlos” season at the Metropolitan Opera in New York City, with the final...
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