“Trace”: The Impact of Identity and Family Through Time.
“We are women who do what must be done” so says the cigarette-puffing, mahjong-addicted...
Read MorePosted by Patrick Langston | 17th Dec 2019 | Acting, Canada, Review
“We are women who do what must be done” so says the cigarette-puffing, mahjong-addicted...
Read MorePosted by Sheetala Bhat | 16th Dec 2019 | Canada, Review, Theatre and Decolonization, Theatre and Politics
Almighty Voice and his Wife, a play written by Daniel David Moses in 1991, was recently staged in...
Read MorePosted by Kennedy Fiorella | 2nd Dec 2019 | Canada, Musical Theatre, Review
Lived experiences provide a foundation for the creation of theatre which is deeply personal, and...
Read MorePosted by Kennedy Fiorella | 30th Nov 2019 | Canada, China, Chinese Theatre Abroad, Review
The story of familial sacrifice is one that runs through Canadian identity. In Jeff Ho’s Trace, he...
Read MorePosted by Abhimanyu Acharya | 28th Nov 2019 | Canada, India, Review
SAWITRI Theatre, based out of Mississauga, Ontario, recently paid a tribute to the acclaimed...
Read MorePosted by Maja Stefanovska | 21st Nov 2019 | Canada, Review, Theatre and Gender
David Mamet’s play Oleanna is about the power struggle between a university professor and one of...
Read MorePosted by Patrick Langston | 21st Nov 2019 | Canada, Review, Theatre and Gender
Oleanna, David Mamet’s then-startling play about sexual harassment and power dynamics, debuted in...
Read MorePosted by Natasha Lomonossoff | 20th Nov 2019 | Canada, Devised Theatre, Review
Dramaturged and directed by native Kingston and award-winning playwright Judith Thompson, the...
Read MorePosted by Paul Yachnin Hannah Korell | 20th Nov 2019 | Canada, Dramaturgy, Essay, Theatre and Decolonization
Last winter, at the Studio Theatre at Ryerson University in downtown Toronto, Canadian actor...
Read MorePosted by Natasha Lomonossoff | 19th Nov 2019 | Acting, Canada, Review
The works of modern Irish playwright Samuel Beckett, largely absurdist and tragicomic in scope,...
Read MorePosted by Patrick Langston | 18th Nov 2019 | Canada, Review, Theatre and Politics
You think you have a handle on the messy business of appropriation? Then you haven’t seen Kat...
Read MorePosted by Maja Stefanovska | 13th Nov 2019 | Canada, Musical Theatre, Review
Hannah Moscovitch has a rare gift for portraying sincere, nuanced relationships. To watch her...
Read MorePosted by Aisling Murphy | 6th Nov 2019 | Canada, Review, Theatre and Politics
Canada is built upon a core tenet of otherness; its populace is built largely upon the mosaicked...
Read MorePosted by Alvina Ruprecht | 30th Oct 2019 | Canada, Review, Transcultural Collaborations
Mòshkamo: Finding Wolastoq Voice reveals the founding cosmogony of the East Coast peoples. This...
Read MorePosted by Natasha Lomonossoff | 16th Oct 2019 | Canada, Review, Theatre and Gender
Following the production of The Boy in the Moon, put on by the 1000 Islands Playhouse in August,...
Read MorePosted by Barbara Gabriel | 16th Oct 2019 | Canada, Review, Transcultural Collaborations
“Is it really important to cling to our lost identities? What is a life lived between two...
Read MorePosted by Alvina Ruprecht | 16th Oct 2019 | Canada, Review
The Shoah has a well defined meaning in contemporary history but clearly, choosing to produce such...
Read MorePosted by Alvina Ruprecht | 15th Oct 2019 | Canada, Immersive Theatre, Review, Theatre and Gender
Let’s be clear from the outset. This performance has absolutely nothing to do with Surrealism, nor...
Read MorePosted by Natasha Lomonossoff | 10th Oct 2019 | Canada, Review, Theatre and Politics
In the context of these politically divisive times, the message of Mark Crawford’s recent play,...
Read MorePosted by Patrick Langston | 8th Oct 2019 | Canada, Review, Transcultural Collaborations
No two ways about it: Opening night of Marie Clements’ play The Unnatural and Accidental Women at...
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