“Old Stock: A Refugee Love Story” – Form Gets In The Way Of Important, Heartfelt Story
Hannah Moscovitch has a rare gift for portraying sincere, nuanced relationships. To watch her...
Read MorePosted by Maja Stefanovska | 13th Nov 2019 | Canada, Musical Theatre, Review
Hannah Moscovitch has a rare gift for portraying sincere, nuanced relationships. To watch her...
Read MorePosted by Aisling Murphy | 6th Nov 2019 | Canada, Review, Theatre and Politics
Canada is built upon a core tenet of otherness; its populace is built largely upon the mosaicked...
Read MorePosted by Alvina Ruprecht | 30th Oct 2019 | Canada, Review, Transcultural Collaborations
Mòshkamo: Finding Wolastoq Voice reveals the founding cosmogony of the East Coast peoples. This...
Read MorePosted by Natasha Lomonossoff | 16th Oct 2019 | Canada, Review, Theatre and Gender
Following the production of The Boy in the Moon, put on by the 1000 Islands Playhouse in August,...
Read MorePosted by Barbara Gabriel | 16th Oct 2019 | Canada, Review, Transcultural Collaborations
“Is it really important to cling to our lost identities? What is a life lived between two...
Read MorePosted by Alvina Ruprecht | 16th Oct 2019 | Canada, Review
The Shoah has a well defined meaning in contemporary history but clearly, choosing to produce such...
Read MorePosted by Alvina Ruprecht | 15th Oct 2019 | Canada, Immersive Theatre, Review, Theatre and Gender
Let’s be clear from the outset. This performance has absolutely nothing to do with Surrealism, nor...
Read MorePosted by Natasha Lomonossoff | 10th Oct 2019 | Canada, Review, Theatre and Politics
In the context of these politically divisive times, the message of Mark Crawford’s recent play,...
Read MorePosted by Patrick Langston | 8th Oct 2019 | Canada, Review, Transcultural Collaborations
No two ways about it: Opening night of Marie Clements’ play The Unnatural and Accidental Women at...
Read MorePosted by Matthew McMahan | 3rd Oct 2019 | Boston, Canada, Review, United States of America
ArtsEmerson has invited its perennial favorite, the circus company from Quebec Le Sept Doigt de la...
Read MorePosted by Alvina Ruprecht | 1st Oct 2019 | Adaptation, Canada, Germany, Review
Marius von Mayenburg, author of The Ugly One, representing the new young German Theatre, is...
Read MorePosted by Barbara Gabriel | 16th Sep 2019 | Canada, Festivals, Review
“ I hear, I hear, come finish with thy tale. Is it soon ended?” – Nathan the Wise There are...
Read MorePosted by Barbara Gabriel | 3rd Sep 2019 | Adaptation, Canada, Review
Chicago. 1928. The hard-boiled boozy reporters on the crime beat are sitting around a...
Read MorePosted by Barbara Gabriel | 2nd Sep 2019 | Canada, Review, Theatre and Politics
Arthur Miller’s classic play about the 17th-century witchcraft trials in colonial Salem,...
Read MorePosted by Alvina Ruprecht | 27th Aug 2019 | Canada, Review, Spain
The Bonds of Interest is thought to be Jacinto Benavente’s most important play because it bridged...
Read MorePosted by Alvina Ruprecht | 26th Aug 2019 | Canada, Review, Theatre and Dance
Time has passed and even if Alegría does not capture the in depth artistry brought about by...
Read MorePosted by Natasha Lomonossoff | 26th Aug 2019 | Canada, Review, Theatre and Disability
A play based on the memoir of Globe and Mail journalist Ian Brown’s experience of bringing up his...
Read MorePosted by Irina Yakubovskaya | 24th Aug 2019 | Boston, Canada, Interview, Transcultural Collaborations, United States of America
A train may no longer be the most novel mode of transportation, and yet it remains a powerful...
Read MorePosted by Alvina Ruprecht | 17th Aug 2019 | Adaptation, Canada, Review, Spain
The Bonds of Interest is thought to be Jacinto Benavente’s most important play because it bridged...
Read MorePosted by Patrick Langston | 20th Jul 2019 | Adaptation, Canada, Review
Has A Company of Fools rediscovered its mojo? After a series of hits and misses, including last...
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