Toronto’s Next Gen Theatre Makers are Looking for Answers to Big Questions
When I thought about why I wanted to write this article, a simple, almost childlike thought came...
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Canada
Martin Crimp’s “Not One of These People” at the Royal Court: Radical Investigation of Presence and Absence in Fiction
The fictional world is our world, but at the same time it’s another place; likewise, the digital...
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The Return of Gringoire: An Exclusive Interview with Bruno Pelletier
Interview of the “original” Gringoire from Notre Dame de Paris the musical – Bruno...
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“The Drawer Boy” and Another Way of Telling History
The opening play of the Blyth Theatre Season, Michael Healey’s Canadian classic, The Drawer Boy,...
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Haunted History in Cottage Country: “Cottagers and Indians”
Cottagers and Indians by Drew Hayden Taylor A lazy afternoon on a cedar deck that could be...
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Learning From Scratch: Istanbul Theatre Through a Canadian-Armenian Lens. Interview with Art Babayants.
Dr. Art Babayants is a multilingual artist-scholar who lives and works in what is now called...
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“Heartlines”: An Engaging New Drama That Opens the World for Women Artists in Europe
Heartlines closes the spring season of 2022 in the Great Canadian Theatre Company in Ottawa. It is...
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The Awe-Inspiring and Vibrant World of Cirque du Soleil’s “CRYSTAL”: Circus On and Above Ice
An incredible spectacle, Cirque du Soleil’s CRYSTAL is an artistic feat, blending circus arts with...
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Teaching Music Online in the Pandemic Has Yielded Creative Surprises, Like Mixing “Blob Opera” and Beatboxing
Learning to make music is a full mind-and-body activity. Whether teaching how to play a musical...
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How I Met TheTheatreTimes.com
Theatre saved my life. By the time TheTheatreTimes.com appeared, I had already crossed one...
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Review: “UnTuned” (Golvareh)
It’s hard to prepare for life’s high and lows when you think too highly of yourself to expect...
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A Festival that We Need: FOLDA – Festival of Live Digital Arts
As the theatre world in Canada and the US anxiously expects the final re-opening of Broadway and...
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Canada’s Theatre Community Must Nurture BIPOC Leadership to Improve Racial Equity
Last summer, in the midst of global protests against anti-Black racism, Canada’s...
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Performing Shakespeare in the Era of COVID-19
Although tragedy is not usually the preferred companion for hard times, Anglophone pop culture...
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Battery Dance Festival+: Canadian Voices in Dance
In August 2020, Battery Dance shifted its annual Battery Dance Festival to a virtual format. The...
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Online Acting Classes? Here Are the Pros and Cons
If you’re an out-of-work actor stuck at home in a lockdown, you’ve probably asked yourself this...
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Playwright Tara Beagan Wins 2020 Siminovitch Prize In Theatre
November 26, 2020 – OTTAWA (Canada) – Ntlaka’pamux playwright Tara Beagan has been named the 2020...
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Don’t Worry, Guy: Toronto’s Indie Theatre Community Stays Resilient
On February 20th at 7pm, Sebastian Biasucci’s family will be in their kitchen eating dinner. One...
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Review: Tarragon Theatre’s “Orestes” by Rick Roberts
Tarragon Theatre’s technological foray into the virtual reality of a Covid-19 lockdown begins with...
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Theatre Shows How The Art of Inclusion Can Help Build a Better Canada in 2021
As we bid the pandemic year goodbye and herald the new year, it’s worth asking about the kind of...
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