A ‘Puppet Slam’ Hosted By Clowns Is The Most Joyful Meeting On Zoom
It’s late on a Friday night in July and I’m setting up my kitchen for co-hosting an online puppet...
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Canada
Simulations With Actors Prepare Nurses For The Demands Of Their Profession
Now more than ever, it is essential that post-secondary nursing programs train students to deal...
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Support For Artists Is Key To Returning To Vibrant Cultural Life Post-Coronavirus
Artists are crucial to the futures we’re imagining beyond the COVID-19 pandemic. The vitality of...
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In Conversation with Deniz Başar: “Wine&Halva – A Play That Tests The Limits of Friendship Within Canadian Institutional Racism (part III)
In April 2020 Wine&Halva, a play by Turkish playwright and theater researcher Deniz Başar,...
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Invisible Diaries: Lay Your Burdens Down Day
I’ve hit the wall. The big move is over but moving the “small stuff” all day reminded...
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In Conversation with Deniz Başar: “Wine & Halva” – A Play That Tests The Limits of Friendship Within Canadian Institutional Racism (part II)
In April 2020 Wine&Halva, a play by Turkish playwright and theatre researcher Deniz Başar,...
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In Conversation With Deniz Başar: “Wine&Halva” – A Play That Tests The Limits Of Friendship Within Canadian Institutional Racism (Part I)
In April 2020 Wine&Halva, a play by Turkish playwright and theater researcher Deniz Başar,...
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Invisible Diaries: Who Is That Masked Man?
It’s TRIV NIGHT! Some TV People we know have kept the community vibe going by organizing online...
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Invisible Diaries: Sympathetic Magic
Grades went in. No death threats. A student wrote: “I learned something, and I laughed. That’s all...
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Dramaturgy in Action: How the Stratford Festival’s Meighen Forum Challenges Audiences to Think Beyond the Production
Imagine you have just experienced one of the most extraordinary performances you have ever seen in...
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After Coronavirus: Global Youth Reveal That the Social Value of Art Has Never Mattered More
Health and government officials around the globe are slowly and ever-so-tentatively moving to...
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A Mid-Pandemic Letter To The City Of Ottawa From A Young Theatre Critic (CC: GCTC’s Daisy)
It’s been a strange few weeks. Despite the unprecedented scope of this cultural wound, I write to...
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Coronavirus has Dimmed the Lights on Live Entertainment. What Now for Event Managers?
COVID-19’s impacts on society are unprecedented and nobody can say precisely when we will return...
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Review of Porte Parole’s “The Assembly – Montreal”
No longer is there a “safe place” on the Canadian political spectrum; to be moderate is to be a...
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undercurrents 2020: “Crippled”– A Necessary Intersect Between Grief and Hope
undercurrents Festival Director Patrick Gauthier and Associate Director Brit Johnston have...
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On Guts and Astonishing Effect: Gctc’s “Kiinalik: These Sharp Tools”
There’s a danger to hasty reaction. To act on instinct is to perhaps ignore a bigger contextual...
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“5 O’clock Bells:” The Story of Lenny Breau
5 O’clock Bells, written and performed by Pierre Brault brings the artist back to the Gladstone...
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The Neverending Story: NAC’s Production a Visual Feast Which Doesn’t Quite Gel with the Story
The Neverending Story is a testament to the importance of imagination and the power of stories....
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Cold Refreshing Identity: “Take d Milk, Nah?” A Bold and Necessary Success at the National Arts Centre
The National Arts Centre’s website calls Jivesh Parasram’s Take d Milk, Nah? a “highly-hyphenated...
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A Light in the Dark: “Unikkaaqtuat” a Joyful, Moderate Success at Ottawa’s National Arts Centre
From the pre-show announcement, we know we won’t catch all that is said onstage...
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