North America
Inheriting This Earth: “Mojada” at the Public Theater
For many who live in the US border states, the peril of crossing the US-Mexico border is a tale as...
Seven Ways Fight Directing Made Me a Better Real Estate Agent: The Arts as Preparation for Business Success
Let’s Talk About Day Jobs. Let’s not just talk about day jobs. Let’s talk about...
Keeping Faith, Spreading Hope: Rohina Malik’s “Keeping Faith: Sisters of Story”
The music was audible before I entered the theatre. As I walked down the aisle to my seat, the...
“An Enemy of the People” at Will Geer’s Theatricum Botanicum
“Yes, my hometown is so dear to me that I would rather ruin it than see it flourishing upon a...
An Interview With Christine Lamborn: Western Actor’s Perspective On ”Kyogen”
The University of Hawaii at Manoa (UHM) is internationally recognized as the best university-based...
Lorca, Lopez, and Translating Desire: “Yerma” at the Huntington Theater Company
Yerma, the titular character of Federico García Lorca’s play is terribly desperate. She...
The Non-Hierarchical Theatre Of Rebecca Wright
Rebecca Wright is a director and devisor based in Philadelphia. She is the co-founder and artistic...
Of Blood and Metaphors: Bárbara Colio’s “Casi Transilvania”
Authored and directed by Bárbara Colio (Mexicali, Baja California), Casi Transilvania (Almost...
“On The Block” And “Glammuh” Series: One Play And One Visual Artist’s Impressions On The Life Of Black Youth In Contemporary Barbados-Part I
“Don’t afraid to be different. Conformity is practically a death sentence to an artist. In other...
Performative States In Cuba: Coco Fusco In Conversation With Stephanie Bailey
In this conversation, Cuban-American interdisciplinary artist and writer Coco Fusco talks about...
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