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How The Anthropologists Theatre Engage With Historical Figures To Promote Pro-Social Action Today
Relevant, engaging, creative, and action-inciting work is always being produced at The...
How The Anthropologists Theatre Engage With Historical Figures To Promote Pro-Social Action Today
Relevant, engaging, creative, and action-inciting work is always being produced at The...
Paranoia at the Fore in Steppenwolf’s Revival of Tracy Letts’s “Bug”
Tracy Letts’s Bug may be fourteen years old, but this tale of a couple convinced that they are...
“Revenge Song” – A Vampire Cowboys Creation at Geffen Playhouse
Okay, my global theatre friends, we admit it – we here in Los Angeles have been missing...
An Interview With Christine Lamborn: Western Actor’s Perspective On ”Kyogen”
The University of Hawaii at Manoa (UHM) is internationally recognized as the best university-based...
“Hair:” The American Tribal Love-Rock Musical
Hair the first Rock Musical opened in 1967 for six weeks at the New York Shakespeare Festival...
Perceptions of Each Other’s Cultures: Open Letter to an American Theater Critic
Most theater productions will never become available again, no matter how great the quality,...
“Chicago:” Presenting Crime as a Show
Chicago combines passion, adultery, crime, murder, greed, corruption, violence, exploitation and...
“On The Block” And “Glammuh” Series: One Play And One Visual Artist’s Impressions On The Life Of Black Youth In Contemporary Barbados-Part I
“Don’t afraid to be different. Conformity is practically a death sentence to an artist. In other...
Performative States In Cuba: Coco Fusco In Conversation With Stephanie Bailey
In this conversation, Cuban-American interdisciplinary artist and writer Coco Fusco talks about...
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