
North America




“Oleanna’s” Take on Sexual Harassment Holds Up Well



“Happy Days” at Theatre Kingston

GCTC’S “Bang Bang”: A Fast-Paced, Funny Satire



Mòshkamo: “Finding Wolastoq Voice”

“Asking For It” at 1000 Islands Theatre





“The Unnatural and Accidental Women” in Ottawa


“The Ugly One:” Re-adaptation Attempts Face-Lift























2 Sherlock Holmes Adventures

The Toronto Theatre Laboratory

















“Albumen”: A Living Hotblooded Art Piece






A Feminist Documentary Play From Toronto: “Grace”




Undercurrents Festival: Bark And Lots Of Bite




Review: Who Needs To Be Reminded “We Are Not Alone”?






“After The Fire’s” Wit And Rage Is Incendiary

“Deer Woman” Is A Work Of Immense Power And Artistry

Artistic Director Eric Coates remaking GCTC










Solo 70: Dance Is A Mechanism For Letting Go

“The Drowning Girls”: A Story Of Misogyny And Murder






Peter Hinton’s Return To The NAC Stage


“Fierce” Offers A Believable Portrayal Of Loneliness

“The Virgin Trial”: A Gritty Political Crime Drama


“Fierce” Premise Hard To Buy





B+ For Broadway Across Canada’s “School Of Rock”


Ottawa Little Theatre’s Two Paws Up For “Sylvia”






Review: “Julius Caesar” At The Stratford Festival


The Gladstone Celebrates A Decade Of Drama

Review: “Sisters” At Soulpepper Theatre


“The Tempest” At The Stratford Festival


Seana Mckenna Shines As Julius Caesar At Stratford



“I Don’t See Race” And Other White Lies

“Orlando” At Soulpepper Theatre




“Don’t Read The Comments” (Montreal Fringe)










A Reboot Of “Doctor Faustus” For The Cyber Age






“Wicked”–North American Tour




“#Faustus” At Arts Court Theatre


“Anjou”: Lady Chamberlain





Review: “An Ideal Husband” At The Stratford Festival

Review: “The Music Man” At The Stratford Festival











All Love for “Black Boys’” Black On Black Love


“Up To Low” Has Universal Appeal!


“Dissidents” At ARC

“BANG BANG” Is Equal Parts Disarming And Disturbing



Foster On Aging: Amusing But Often Tasteless

“Snake Oil”: A Thought Provoking Show









The NAC Comes Up Trumps With “carried away”


“Idomeneus”: Digging For Truth In Myth






On Words In Motion: “Brodsky/Baryshnikov”












Tracing With Body And Music In Jeff Ho’s “Trace”

Sitting With Amanda Parris’ “Other Side Of The Game”



Fresh Takes On Fresh Meat, Part 1






Edmonton Fringe: Political and Physical



“In Sundry Languages” Is A Feast for the Ears








“Come From Away” – New Canadian Musical on Broadway





“Concord Floral” at Canadian Stage

Olivier Kemeid’s “The Aeneid” at Stratford Festival
Tom Morton-Smith’s “Ravens: Spassky Vs Fischer” at the Hampstead Theatre: Real-Life Cold War Chess Match
by Aleks Sierz | Dec 8, 2019 | Documentary Theatre, Playwriting, Review, United Kingdom, United States of America | 0
Today, we call it soft power. During the Cold War it was more like success at any cost—and by any...
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“The Great Leap” at Pasadena Playhouse
by Christine Deitner | Dec 5, 2019 | Los Angeles, Review, United States of America | 0
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“An Iliad:” A Retelling of the Horrors of War Beyond Troy!
by Jane Baldwin | Dec 4, 2019 | Adaptation, Boston, Review, United States of America | 0
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“Key Largo” at Geffen Playhouse
by Christine Deitner | Dec 3, 2019 | Las Vegas, Los Angeles, Review, Theatre and Film, United States of America | 0
Vampire-Hunting Hijinks: “Police Cops: Badass Be Thy Name” at Soho Playhouse
by Andrew Agress | Dec 7, 2019 | New York, Review, Theatre and Film, United States of America | 0
If you love theatre, namely the experimental kind, I highly recommend a trip to the Edinburgh...
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The Great Tamer – A Greek Choreographer’s Bam Debut
by Antigoni Gaitana | Nov 23, 2019 | Greece, New York, Review, Theatre and Opera, United States of America | 0
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“All Hallows Eve” The Musical
by David Vernon | Nov 19, 2019 | New York, Puppetry, Review, United States of America | 0
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“Heroes of the Fourth Turning” at Playwrights Horizons
by Andrew Agress | Nov 16, 2019 | New York, Review, United States of America | 0
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“Reparations” at the Billie
by Jonathan Kalb | Nov 15, 2019 | New York, Review, Theatre and Politics, United States of America | 0
Keeping Faith, Spreading Hope: Rohina Malik’s “Keeping Faith: Sisters of Story”
by Bobby Britton | Jun 19, 2019 | Chicago, Review, Theatre and Religion, Transcultural Collaborations, United States of America | 0
The music was audible before I entered the theatre. As I walked down the aisle to my seat, the...
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French Highlights At Chicago International Puppet Theater Festival
by French Culture | Dec 19, 2018 | Chicago, Festivals, France, News, Puppetry, United States of America | 0
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Who Is Theater Maker Ellenor Riley-Condit?
by Emma Kantor | Oct 31, 2018 | Chicago, Devised Theatre, Directing, Interview, New York, United States of America | 3
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“The Great Leap” at Pasadena Playhouse
by Christine Deitner | Dec 5, 2019 | Los Angeles, Review, United States of America | 0
Saul: It is always your turn. Every time you are on that court, it is always your turn. Wen...
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“Key Largo” at Geffen Playhouse
by Christine Deitner | Dec 3, 2019 | Las Vegas, Los Angeles, Review, Theatre and Film, United States of America | 0
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The World Premiere of “Bad Habits” at Ruskin Group Theatre Co.
by Christine Deitner | Dec 3, 2019 | Los Angeles, Review, United Kingdom | 0
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An Interview With Christine Lamborn: Western Actor’s Perspective On ”Kyogen”
by Taurie Kinoshita | Jan 18, 2018 | Acting, Hawaii, Interview, Transcultural Collaborations | 0
The University of Hawaii at Manoa (UHM) is internationally recognized as the best university-based...
“An Iliad:” A Retelling of the Horrors of War Beyond Troy!
by Jane Baldwin | Dec 4, 2019 | Adaptation, Boston, Review, United States of America | 0
Denis O’Hare and Lisa Peterson created Homer’s Coat, a theatre company that explores...
Perceptions of Each Other’s Cultures: Open Letter to an American Theater Critic
by Henrik Eger | Aug 19, 2019 | Philadelphia, Transcultural Collaborations, United Kingdom, United States of America | 1
Most theater productions will never become available again, no matter how great the quality,...
“Distancias Cortas” (Short Distances): Four Spaces, Four Moments
by Lorena Meeser | Sep 23, 2019 | Adaptation, Immersive Theatre, Mexico, Review | 0
A wonderful experience of intimate theatre. Distancias Cortas is a scenic production that presents...
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Of Blood and Metaphors: Bárbara Colio’s “Casi Transilvania”
by Margarita Vargas | Jun 11, 2019 | Mexico, Review | 0
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The Magical World Of Leonora Carrington
by Margarita Vargas | Jun 24, 2018 | Adaptation, Mexico, Review, Theatre and Art, Theatre and Gender | 0
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“Les Miserables”: A Great Theatrical Dream
by Lorena Meeser | Jun 22, 2018 | Mexico, Musical Theatre, Review | 0
“On The Block” And “Glammuh” Series: One Play And One Visual Artist’s Impressions On The Life Of Black Youth In Contemporary Barbados-Part I
by Icil Philippe | Jun 6, 2018 | Barbados, Playwriting, Review, Theatre and Art | 0
“Don’t afraid to be different. Conformity is practically a death sentence to an artist. In other...
Performative States In Cuba: Coco Fusco In Conversation With Stephanie Bailey
by Stephanie Bailey | Sep 18, 2017 | Cuba, Interview, United States of America | 0
In this conversation, Cuban-American interdisciplinary artist and writer Coco Fusco talks about...
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Recent Posts
- Dance Umbrella’s “The Future Bursts In” at Linbury Theatre celebrates Merce Cunningham 8th December 2019
- Tom Morton-Smith’s “Ravens: Spassky Vs Fischer” at the Hampstead Theatre: Real-Life Cold War Chess Match 8th December 2019
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- Vampire-Hunting Hijinks: “Police Cops: Badass Be Thy Name” at Soho Playhouse 7th December 2019
- Jude Christian’s “Cinderella” at the Lyric Hammersmith 6th December 2019
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- Dance Umbrella Celebrates Merce Cunningham Centenary with “The Future Bursts In” at the Linbury Theatre in London 5th December 2019
- “The Great Leap” at Pasadena Playhouse 5th December 2019
- “An Iliad:” A Retelling of the Horrors of War Beyond Troy! 4th December 2019