
North America













How I Met TheTheatreTimes.com

Review: “UnTuned” (Golvareh)



Performing Shakespeare in the Era of COVID-19

Battery Dance Festival+: Canadian Voices in Dance

Online Acting Classes? Here Are the Pros and Cons



Review: Tarragon Theatre’s “Orestes” by Rick Roberts


For Youth, Theatre is Action






Invisible Diaries: Lay Your Burdens Down Day



Invisible Diaries: Who Is That Masked Man?

Invisible Diaries: Sympathetic Magic





Review of Porte Parole’s “The Assembly – Montreal”



“5 O’clock Bells:” The Story of Lenny Breau




Well-Executed “Waitress” Hampered by Poor Sound





“Casablanca:” We’ll Always Have the Radio!!!







“Oleanna’s” Take on Sexual Harassment Holds Up Well



“Happy Days” at Theatre Kingston

GCTC’S “Bang Bang”: A Fast-Paced, Funny Satire



Mòshkamo: “Finding Wolastoq Voice”

“Asking For It” at 1000 Islands Theatre





“The Unnatural and Accidental Women” in Ottawa


“The Ugly One:” Re-adaptation Attempts Face-Lift























2 Sherlock Holmes Adventures

The Toronto Theatre Laboratory

















“Albumen”: A Living Hotblooded Art Piece






A Feminist Documentary Play From Toronto: “Grace”




Undercurrents Festival: Bark And Lots Of Bite




Review: Who Needs To Be Reminded “We Are Not Alone”?






“After The Fire’s” Wit And Rage Is Incendiary

“Deer Woman” Is A Work Of Immense Power And Artistry

Artistic Director Eric Coates remaking GCTC










Solo 70: Dance Is A Mechanism For Letting Go

“The Drowning Girls”: A Story Of Misogyny And Murder






Peter Hinton’s Return To The NAC Stage


“Fierce” Offers A Believable Portrayal Of Loneliness

“The Virgin Trial”: A Gritty Political Crime Drama


“Fierce” Premise Hard To Buy





B+ For Broadway Across Canada’s “School Of Rock”


Ottawa Little Theatre’s Two Paws Up For “Sylvia”






Review: “Julius Caesar” At The Stratford Festival


The Gladstone Celebrates A Decade Of Drama

Review: “Sisters” At Soulpepper Theatre


“The Tempest” At The Stratford Festival


Seana Mckenna Shines As Julius Caesar At Stratford



“I Don’t See Race” And Other White Lies

“Orlando” At Soulpepper Theatre




“Don’t Read The Comments” (Montreal Fringe)










A Reboot Of “Doctor Faustus” For The Cyber Age






“Wicked”–North American Tour




“#Faustus” At Arts Court Theatre


“Anjou”: Lady Chamberlain





Review: “An Ideal Husband” At The Stratford Festival

Review: “The Music Man” At The Stratford Festival











All Love for “Black Boys’” Black On Black Love


“Up To Low” Has Universal Appeal!


“Dissidents” At ARC

“BANG BANG” Is Equal Parts Disarming And Disturbing



Foster On Aging: Amusing But Often Tasteless

“Snake Oil”: A Thought Provoking Show









The NAC Comes Up Trumps With “carried away”


“Idomeneus”: Digging For Truth In Myth






On Words In Motion: “Brodsky/Baryshnikov”












Tracing With Body And Music In Jeff Ho’s “Trace”

Sitting With Amanda Parris’ “Other Side Of The Game”



Fresh Takes On Fresh Meat, Part 1






Edmonton Fringe: Political and Physical



“In Sundry Languages” Is A Feast for the Ears








“Come From Away” – New Canadian Musical on Broadway





“Concord Floral” at Canadian Stage

Olivier Kemeid’s “The Aeneid” at Stratford Festival
AI, Sci-Fi, Neuroscience and ChatGPT – An Interview with Playwright Saviana Stănescu
by Anne Hamilton | Nov 30, 2023 | Interview, New York, Transmedia, United States of America | 0
Within the past six years, prominent Romanian playwright Saviana Stănescu has written two “AI...
AI, Sci-Fi, Neuroscience and ChatGPT – An Interview with Playwright Saviana Stănescu
by Anne Hamilton | Nov 30, 2023 | Interview, New York, Transmedia, United States of America | 0
Within the past six years, prominent Romanian playwright Saviana Stănescu has written two “AI...
“All About Making Things”: An Exclusive Interview with Matthew C. Yee (Part II)
by Susanna Sun | Jul 13, 2023 | Chicago, Interview, Musical Theatre, United States of America | 0
For Part I of the interview, click here. Susanna: The play deals with the Asian American topic,...
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Emerging Playwright Embarks on Gershwin Era Musical
by Alexander Fatouros | Aug 23, 2022 | Chicago, Musical Theatre, News, Playwriting, United States of America | 0
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“(It’s Been 76 Years and We’re) Still Waiting for Lefty” – Theatre Unleashed at Hollywood Fringe Festival
by Christine Deitner | Sep 5, 2021 | Los Angeles, Review, United States of America | 1
Seventy-six years after Clifford Odets’ Waiting for Lefty premiered in New York, Theatre Unleashed...
Radical Representation: “Hi, Are You Single” Engages and Triumphs
by Taurie Kinoshita | Feb 24, 2021 | Hawaii, LGBTQ Theatre, Review, Theatre and Disability, United States of America | 0
Hypnotically charming, exquisitely flamboyant and the very embodiment of wit, Ryan J. Haddad wrote...
Groundbreaking Autistic-Led Production of “A Curious Incident of the Dog in the Night-Time” at A Common Thread Theatre Company in Framingham, MA
by Jenna Lourenco | Oct 21, 2023 | Boston, Interview, Theatre and Disability, United States of America | 0
When Christopher Boone from A Curious Incident of the Dog in the Night-Time was first introduced...
Perceptions of Each Other’s Cultures: Open Letter to an American Theater Critic
by Henrik Eger | Aug 19, 2019 | Philadelphia, Transcultural Collaborations, United Kingdom, United States of America | 1
Most theater productions will never become available again, no matter how great the quality,...
Kennedy Center Dramaturgy Intensive 2021 Retrospective
by Suzi Elnaggar | Jan 13, 2022 | Covid-19, Dramaturgy, Mexico, Review, United States of America | 0
In the face of many challenges in Summer 2021, The John F. Kennedy Center for the Performing Arts...
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“Black Dove” – Chekhov in Mexico
by Antonio Hernández Nieto | Mar 31, 2021 | Mexico, Review, Russian Theatre Abroad | 0
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“Chicago:” Presenting Crime as a Show
by Lorena Meeser | Jan 13, 2020 | Mexico, Musical Theatre, Review, Theatre and Dance | 0
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“Distancias Cortas” (Short Distances): Four Spaces, Four Moments
by Lorena Meeser | Sep 23, 2019 | Adaptation, Immersive Theatre, Mexico, Review | 0
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Of Blood and Metaphors: Bárbara Colio’s “Casi Transilvania”
by Margarita Vargas | Jun 11, 2019 | Mexico, Review | 0
Once Upon A Time In BIM: A Theatre Resuscitation In The Time Of COVID-19
by Alvina Ruprecht | Dec 26, 2020 | Barbados, Covid-19, Review | 0
Independence in Barbados is not without its many activities in celebration. We are accustomed to...
Performative States In Cuba: Coco Fusco In Conversation With Stephanie Bailey
by Stephanie Bailey | Sep 18, 2017 | Cuba, Interview, United States of America | 0
In this conversation, Cuban-American interdisciplinary artist and writer Coco Fusco talks about...
READ ALL FROM NORTH AMERICA
AI, Sci-Fi, Neuroscience and ChatGPT – An Interview with Playwright Saviana Stănescu
by Anne Hamilton | Nov 30, 2023 | Interview, New York, Transmedia, United States of America
Within the past six years, prominent Romanian playwright Saviana Stănescu has written two “AI...
Read More“Is It Me? Am I the Drama?”: Marketing “Switzerland” on Social Media
by Trevor Boffone | Nov 24, 2023 | Transmedia, United States of America
“Is it me? Am I the drama?” I’m going to be completely honest with you. Sometimes I am the drama....
Read MoreThey Were People: Brittany K. Allen’s “Redwood” at EST
by Rhiannon Ling | Nov 20, 2023 | New York, Review, Theatre and Decolonization, United States of America
I stopped taking notes about halfway through Brittany K. Allen’s Redwood. I can think of no better...
Read MoreIn Conversation with Sartre and Plato: Locus29’s “Hell Dialogues”
by Rhiannon Ling | Nov 14, 2023 | Adaptation, New York, Review, United States of America, Worldwide
The Sheen Center is, I find myself thinking, the perfect place to host Locus29’s Hell Dialogues....
Read MoreWicked the Musical Celebrates Its 20th Anniversary On Stage. An Exclusive Interview With Adam Garcia – the Original Fiyero of the West End.
by Lisa Monde | Nov 9, 2023 | Interview, Musical Theatre, United Kingdom, United States of America
The musical Wicked premiered on Broadway twenty years ago and quickly earned the title of the very...
Read MoreSheNYC Takes the Stage: “Fort Huachuca” and “Bloodshot” at A.R.T./NY
by Rhiannon Ling | Nov 1, 2023 | New York, Playwriting, Review, Theatre and Gender, United States of America
To begin as we proceed, with full transparency, I have to admit how big a fan I am of SheNYC Arts...
Read MoreThe Life of Three “Best Friends:” Anat Gov’s Feminism at the 14th Street Y
by Rhiannon Ling | Oct 22, 2023 | Adaptation, New York, Review, Theatre and Gender, United States of America, Worldwide
Anat Gov’s Best Friends lives in a world of dichotomy. The title is both entirely true and...
Read MoreGroundbreaking Autistic-Led Production of “A Curious Incident of the Dog in the Night-Time” at A Common Thread Theatre Company in Framingham, MA
by Jenna Lourenco | Oct 21, 2023 | Boston, Interview, Theatre and Disability, United States of America
When Christopher Boone from A Curious Incident of the Dog in the Night-Time was first introduced...
Read MoreThe Ephemera of the Cherry Orchard: Agnieszka Kazimierska’s “Katie’s Tales”
by Rhiannon Ling | Oct 18, 2023 | Interview, New York, Theatre and Gender, Theatre and Politics, United States of America, Worldwide
Agnieszka Kazimierska has always been an artist. From the age of six, she told as much to her...
Read MoreJames Reaney’s The Donnelly Trilogy and the Making of the Canadian Nation
by Barbara Gabriel | Oct 10, 2023 | Canada, Documentary Theatre, Review
When you head out of London on Highway 4 North, it is almost a straight line through to Lucan,...
Read More“Look What You Made Me Do”: Marketing “POTUS” on Social Media
by Trevor Boffone | Oct 9, 2023 | Dramaturgy, Transmedia, United States of America
How do you market theatre on social media? What strategies can a social media manager use to...
Read MoreKeeping Alive the U.N.’s Dialogue Among Civilizations – as Theatre
by Heather Waters | Oct 6, 2023 | Boston, Interview, United States of America
This is the third of a series of articles to discuss the Dialogue of Civilizations theater...
Read MoreA Performance of Pediophobia: “Nightmare Dollhouse” Brings Uncanny Horror to NYC
by Andrew Agress | Sep 27, 2023 | Immersive Theatre, Interview, New York, United States of America
A long-running immersive horror production returns to New York with ‘Nightmare Dollhouse,’ exploring a surprisingly popular fear.
Read MoreSweeney Todd: Not a Demon, But a Barber of Fleet Street
by Lisa Monde | Sep 24, 2023 | Musical Theatre, New York, Review, United States of America
Up to the present moment a debate has been going on – whether the demon-barber of Fleet Street had...
Read MoreRenée Fleming’s Cities That Sing
by Jingyi Zhang | Sep 21, 2023 | News, Theatre and Opera, United States of America
Grammy winner Renée Fleming recently appeared in the two-part immersive opera series Cities That...
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