North America
AI, Sci-Fi, Neuroscience and ChatGPT – An Interview with Playwright Saviana Stănescu
Within the past six years, prominent Romanian playwright Saviana Stănescu has written two “AI...
AI, Sci-Fi, Neuroscience and ChatGPT – An Interview with Playwright Saviana Stănescu
Within the past six years, prominent Romanian playwright Saviana Stănescu has written two “AI...
“All About Making Things”: An Exclusive Interview with Matthew C. Yee (Part II)
For Part I of the interview, click here. Susanna: The play deals with the Asian American topic,...
“(It’s Been 76 Years and We’re) Still Waiting for Lefty” – Theatre Unleashed at Hollywood Fringe Festival
Seventy-six years after Clifford Odets’ Waiting for Lefty premiered in New York, Theatre Unleashed...
Radical Representation: “Hi, Are You Single” Engages and Triumphs
Hypnotically charming, exquisitely flamboyant and the very embodiment of wit, Ryan J. Haddad wrote...
Groundbreaking Autistic-Led Production of “A Curious Incident of the Dog in the Night-Time” at A Common Thread Theatre Company in Framingham, MA
When Christopher Boone from A Curious Incident of the Dog in the Night-Time was first introduced...
Perceptions of Each Other’s Cultures: Open Letter to an American Theater Critic
Most theater productions will never become available again, no matter how great the quality,...
Kennedy Center Dramaturgy Intensive 2021 Retrospective
In the face of many challenges in Summer 2021, The John F. Kennedy Center for the Performing Arts...
Once Upon A Time In BIM: A Theatre Resuscitation In The Time Of COVID-19
Independence in Barbados is not without its many activities in celebration. We are accustomed to...
Performative States In Cuba: Coco Fusco In Conversation With Stephanie Bailey
In this conversation, Cuban-American interdisciplinary artist and writer Coco Fusco talks about...
READ ALL FROM NORTH AMERICA
AI, Sci-Fi, Neuroscience and ChatGPT – An Interview with Playwright Saviana Stănescu
Within the past six years, prominent Romanian playwright Saviana Stănescu has written two “AI...
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“Is It Me? Am I the Drama?”: Marketing “Switzerland” on Social Media
“Is it me? Am I the drama?” I’m going to be completely honest with you. Sometimes I am the drama....
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They Were People: Brittany K. Allen’s “Redwood” at EST
I stopped taking notes about halfway through Brittany K. Allen’s Redwood. I can think of no better...
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In Conversation with Sartre and Plato: Locus29’s “Hell Dialogues”
The Sheen Center is, I find myself thinking, the perfect place to host Locus29’s Hell Dialogues....
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Wicked the Musical Celebrates Its 20th Anniversary On Stage. An Exclusive Interview With Adam Garcia – the Original Fiyero of the West End.
The musical Wicked premiered on Broadway twenty years ago and quickly earned the title of the very...
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SheNYC Takes the Stage: “Fort Huachuca” and “Bloodshot” at A.R.T./NY
To begin as we proceed, with full transparency, I have to admit how big a fan I am of SheNYC Arts...
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The Life of Three “Best Friends:” Anat Gov’s Feminism at the 14th Street Y
Anat Gov’s Best Friends lives in a world of dichotomy. The title is both entirely true and...
Read MoreGroundbreaking Autistic-Led Production of “A Curious Incident of the Dog in the Night-Time” at A Common Thread Theatre Company in Framingham, MA
When Christopher Boone from A Curious Incident of the Dog in the Night-Time was first introduced...
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The Ephemera of the Cherry Orchard: Agnieszka Kazimierska’s “Katie’s Tales”
Agnieszka Kazimierska has always been an artist. From the age of six, she told as much to her...
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James Reaney’s The Donnelly Trilogy and the Making of the Canadian Nation
When you head out of London on Highway 4 North, it is almost a straight line through to Lucan,...
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“Look What You Made Me Do”: Marketing “POTUS” on Social Media
How do you market theatre on social media? What strategies can a social media manager use to...
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Keeping Alive the U.N.’s Dialogue Among Civilizations – as Theatre
This is the third of a series of articles to discuss the Dialogue of Civilizations theater...
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A Performance of Pediophobia: “Nightmare Dollhouse” Brings Uncanny Horror to NYC
A long-running immersive horror production returns to New York with ‘Nightmare Dollhouse,’ exploring a surprisingly popular fear.
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Sweeney Todd: Not a Demon, But a Barber of Fleet Street
Up to the present moment a debate has been going on – whether the demon-barber of Fleet Street had...
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Renée Fleming’s Cities That Sing
Grammy winner Renée Fleming recently appeared in the two-part immersive opera series Cities That...
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“What the Constitution Means to Me” Is As Timely As Ever
In 2019, I sat in the balcony of the Helen Hayes Theatre. My social media circles had been abuzz...