North America
Broadway: Does “The Great White Way” Live Up to Its Name?
Ntozake Shange, author of the famous Broadway play For Colored Girls Who Have Considered Suicide /...
Broadway: Does “The Great White Way” Live Up to Its Name?
Ntozake Shange, author of the famous Broadway play For Colored Girls Who Have Considered Suicide /...
Keeping Faith, Spreading Hope: Rohina Malik’s “Keeping Faith: Sisters of Story”
The music was audible before I entered the theatre. As I walked down the aisle to my seat, the...
“The Great Leap” at Pasadena Playhouse
Saul: It is always your turn. Every time you are on that court, it is always your turn. Wen...
An Interview With Christine Lamborn: Western Actor’s Perspective On ”Kyogen”
The University of Hawaii at Manoa (UHM) is internationally recognized as the best university-based...
The Democracy of a Whale Ship (and then a Vaudeville)
Moby-Dick at the American Repertory Theater in Cambridge, MA For those who are not familiar with...
Perceptions of Each Other’s Cultures: Open Letter to an American Theater Critic
Most theater productions will never become available again, no matter how great the quality,...
“Chicago:” Presenting Crime as a Show
Chicago combines passion, adultery, crime, murder, greed, corruption, violence, exploitation and...
“On The Block” And “Glammuh” Series: One Play And One Visual Artist’s Impressions On The Life Of Black Youth In Contemporary Barbados-Part I
“Don’t afraid to be different. Conformity is practically a death sentence to an artist. In other...
Performative States In Cuba: Coco Fusco In Conversation With Stephanie Bailey
In this conversation, Cuban-American interdisciplinary artist and writer Coco Fusco talks about...
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