North America
Girls Being Bad: “Our Dear Dead Drug Lord” By Alexis Scheer
“On Wednesdays, we wear pink,” affirms Regina George in the 2004 cult classic comedy Mean Girls....
“Linger” Brings Dark Subject Matter Into The Light
Linger is a fitting title for a play that navigates the lasting implications of wrong choices on...
Jen Silverman’s “The Roommate” Updates The Narrative For Middle-Aged Women
Everyone has a bad roommate story. Whether it was your college roommate or your little sister...
Brecht Comes Home To Santa Monica With City Garage’s “Arturo Ui”
There are plays that feel timeless because they strike familiar chords and speak to something at...
An Interview With Christine Lamborn: Western Actor’s Perspective On ”Kyogen”
The University of Hawaii at Manoa (UHM) is internationally recognized as the best university-based...
Girls Being Bad: “Our Dear Dead Drug Lord” By Alexis Scheer
“On Wednesdays, we wear pink,” affirms Regina George in the 2004 cult classic comedy Mean Girls....
Angels (And Demons) Of History In EgoPo’s “Lydie Breeze” Trilogy
Jessica Rizzo sees the 10-hour, marathon performance of EgoPo Theater’s Lydie Breeze trilogy...
The Magical World Of Leonora Carrington
The gardens at the Museum of Modern Art in Mexico City have been the site of Emmanuel Márquez’s...
“On The Block” And “Glammuh” Series: One Play And One Visual Artist’s Impressions On The Life Of Black Youth In Contemporary Barbados-Part I
“Don’t afraid to be different. Conformity is practically a death sentence to an artist. In other...
Performative States In Cuba: Coco Fusco In Conversation With Stephanie Bailey
In this conversation, Cuban-American interdisciplinary artist and writer Coco Fusco talks about...
NORTH AMERICAN NEWS ARCHIVES
New Artistic Director Shakes Up The St. Lawerence Shakespeare Fest With A Season Of Love
It’s a safe bet you’ve never realized the universality of A Lover And His Lass, that sweet and...
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Girls Being Bad: “Our Dear Dead Drug Lord” By Alexis Scheer
“On Wednesdays, we wear pink,” affirms Regina George in the 2004 cult classic comedy Mean Girls....
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Lysistrata In The New World: A Rereading Of The Greek Comedy That Surpasses Its Source Of Inspiration
Odyssey Theatre has at last been reborn under the stars in this Canadian premier. After a period...
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Ivo van Hove’s “The Damned” at Park Avenue Armory
Visionary director Ivo van Hove has descended on the evocatively retro Park Avenue Armory with the...
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“Linger” Brings Dark Subject Matter Into The Light
Linger is a fitting title for a play that navigates the lasting implications of wrong choices on...
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“I Don’t See Race” And Other White Lies
No one white really wants to talk about being white. Lately, the “color-blind” approach to race...
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“Orlando” At Soulpepper Theatre
To see actors who have received proper professional training in the use of two core...
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“Upstream Downtown” by Animacy Theatre Collective: The Story of Two Salmons
Review of Upstream Downtown by Animacy Theatre Collective, in co-production with Common Boots...
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Ken Cameron’s “Harvest”: A Funny And Perseverant Take On The Shocking And Unexpected
Harvest performed at the 1000 Islands Playhouse in Gananoque, Ontario A play that is inspired by a...
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Jen Silverman’s “The Roommate” Updates The Narrative For Middle-Aged Women
Everyone has a bad roommate story. Whether it was your college roommate or your little sister...
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Bernstein In Flight And T.S. Eliot In Motion At Bard Summerscape 2018: An Interview With Gideon Lester
Gideon Lester is Artistic Director for Theater and Dance at the Richard B. Fisher Center for the...
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Christine Rodriguez’s “The Autism Monologues”: Imperative Stories, But With Representation Issues
Christine Rodriguez’s The Autism Monologues opens with a monologue by a woman (Julie Barbeau),...
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