A Director’s Reflection: “Crimea 5 am” at The Kiln Theatre
Before the war, in what now feels like another lifetime but in reality is just over a year ago, I...
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Ukraine
Women and War: a Staged Reading of Two New Plays From Ukrainian Playwrights
Earlier this year in the Polish theatre journal Didaskalia (169/170, 2022), a pair of Ukrainian...
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Refugees in Berlin (Excerpts From a Sort of Berlin Diary)
Dmitry Troyanovsky is a theatre and opera director living in Boston, MA. Born in Kyiv, Ukraine...
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“Theater Now Is Important, It Gives People the Feeling that They Are Not Alone”: An Interview with the Ukrainian Playwright Andriy Bondarenko
Andriy Bondarenko is the dramaturg of the Puppet Theater in Lviv, Ukraine, where he lives, but he...
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Theatre as Shelter: on Artists’ in Ukraine (And Beyond) Response to the Russian Invasion
The World Theatre Day Message from the Polish Centre of the ITI was delivered by Dramatyczny...
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ProEnglish Theatre in Kyiv: It’s Important that Art Doesn’t Stop during War
On the first day of the Russian invasion, the ProEnglish Theatre in Kyiv, the only...
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Musical Theatre Actors of Ukraine in War
Kiev National Academic Operetta’s Theater actors are speaking from the epicenter of war in...
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Mariana Bodnar from Ukrainian Musical Theatre: We Woke Up in the New Reality
This conversation with Mariana Bodnar – Ukrainian singer (soprano), musical theater...
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“The Addams Family” Musical: To Know What’s Real
The Addams Family is a musical comedy, with music and lyrics by Andrew Lippa and a book by...
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Our Experiments: How Dakh Theatre Went Digital
An interview with Andrii Palatnyi, Dakh Theatre / Gogolfest in Ukraine This year, Dakh Theatre and...
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“Family Album”: With Artistic Director Stas Zhyrkov And Director Matteo Spiazzi
Artistic and Financial Director, Stas Zhyrkov and Director, Matteo Spiazzi, give their take on...
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“All That Remains” At Etcetera Theatre Camden: An Emotional Journey
What happens when somebody dies at the frontline? Who’s responsible for getting in touch with...
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Edinburgh Fringe 2019: “Interbeing – Stories Of A Current War”, Cockpit Theatre: Putting A Forgotten War Back Into The Spotlight
“There are bombardments constantly on the outskirts of Donetsk, while in central Donetsk they...
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ETC and Ukrainian Theatre: A Dialogue of Art, Change, and Support
As a mid-December snow fell over the city of Kyiv, Ukraine, the European Theatre Convention...
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Event Review: Ukrainian 1930s Avant-Garde Taking The Stage In London
Meet The team behind Maklena and become part of the story! Armed secret police were everywhere...
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Contemporary Performing Arts In Ukraine. In Search Of A Lost Identity
The theatre landscape in Ukraine is diverse and contradictory. Presently, there are more than 120...
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Natal’ya Vorozhbit’s “Bad Roads” at The Royal Court Theatre
War is morally acidic: it dissolves social rules, loosens inhibitions and gives permission to men...
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Interview With Heidi Wiley On The Creation Of European Theatre Convention (ETC)
Heidi Wiley: With the creation of ETC, its founders wanted to establish a new form for...
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“End of Imitation 2.0”: A Digital And Documentary Look At Humanity
Work on a documentary performance called End of Imitation started last autumn. It was shaped by...
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“Shadow Space” An Innovative Ukrainian Acrobatics Show
Why We Recommend it This imaginative shadow theatre show, aimed at children aged 3 and up,...
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