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Latest Worldwide News

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  The Shaw Festival’s “Henry V”: Does Shakespeare Deserve Such Treatment?

  18th Sep 2018 | Canada, Festivals, Review
• 
  Little Theatre, Great Tragedies

  17th Sep 2018 | Festivals, Greece, Review
• 
  The Park’s New Festival: Light, Sound And Soul Make Art

  17th Sep 2018 | Essay, Festivals, India, Theatre and Art, Theatre and Science
• 
  “The Magic Flute” on Sferisterio from Macerata

  17th Sep 2018 | Italy, Review, Theatre and Opera
• 
  Benedict Cumberbatch Drama School Will Teach Actors How To Voice Podcasts And Audiobooks

  16th Sep 2018 | Acting, London, News, United Kingdom
• 
  Dramaturging Performance, Pedagogy, and Protest in Boston, ATHE 2018

  16th Sep 2018 | Boston, Dramaturgy, Essay, United States of America
• 
  “Women Get F*ed”: The Place Of Women In French Theatre

  15th Sep 2018 | Essay, France, Theatre and Gender
• 
  “Oklahoma!” Is Still OK

  15th Sep 2018 | Musical Theatre, Review, United States of America
• 
  “Białoszewski/Ginsberg VR” At Performing Garage

  14th Sep 2018 | New York, Poland, Review, Transmedia
• 
  How “Possessed” Is The Audience?

  14th Sep 2018 | Adaptation, Greece, Review
• 
  Stratford Triumphs With “Napoli Milionaria,” A 20th Century Classic From Italy

  13th Sep 2018 | Canada, Festivals, Italy
• 
  On Vera Mantero’s Residency Program For Brazilian Theater Troop Aisthesis

  13th Sep 2018 | Brazil, Essay, Portugal, Transcultural Collaborations
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  Review: “The Rocky Horror Show” At The Stratford Festival

  12th Sep 2018 | Canada, Festivals, LGBTQ Theatre, Review
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  Review: “Julius Caesar” At The Stratford Festival

  12th Sep 2018 | Canada, Festivals, Review, Theatre and Gender
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  “Blackthorn,” Edinburgh Fringe–Review: “Like One Day Set In A Yorkshire Farming Community”

  12th Sep 2018 | Festivals, Review, United Kingdom