Creating live theatre performance during the COVID-19 pandemic is tremendously complicated. At...
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A thread of life and blood, unconditional love and death, incest and destiny all interconnect in...
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This month, Moscow’s Theatre of Nations graced the Barbican’s stage with Shukshin’s Stories, an...
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Stage Russia HD — which brings high-quality filmed performances from the Russian stage to...
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Three Sisters was the last play Chekhov wrote in 1900, in his dacha in Yalta, and in the final...
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“I’m bored, bored, bored.” The refrain, occasionally spoken but frequently felt, is at the heart...
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It was long overdue for a British audience to be given the opportunity to see another work by the...
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In a memorable production, Xameleon Theatre recently brought Mikhail Bulgakov’s complex novel A...
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Timofey Kulyabin is one of the most prominent young directors in Russia today. At 34, he has...
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Authority. Surveillance. Enforcement. Confession. These are the tools of the state brought to life...
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Cheek by Jowl’s production of Shakespeare’s Measure For Measure, performed in Russian by actors...
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The Stage Russia project continues to bring classic novels by leading theaters to big screens...
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What is it like to get on a bus that does not follow a regular route through the city but remains...
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New Russian Drama Week by Xameleon Theatre Plays from the Russian speaking world. Series of...
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August 7 marks the 80th anniversary of the death of Konstantin Stanislavsky (1938–2018). As a...
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Sarena Parmar’s new play, The Orchard, deserves to be met on its own quietly compelling terms....
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Photographer Sasha Gusov, whose lens has captured celebrities ranging from George Clooney to Boris...
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An assemblage of intriguing aesthetic strategies, what Mallory Catlett’s This Was The End lacks in...
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JESSICA HINDS-BOND
