Disrupting Taboos, Staging Cancer: Snowdrops and Chlorine’s Eruptive Intervention
The following review is based on the Snowdrops and Chlorine script, which differs slightly from...
Read MorePosted by Hannah Trivilino and Vassiliki Rapti | 1st Aug 2020 | Review, Romania, Theatre and Disability, Transmedia
The following review is based on the Snowdrops and Chlorine script, which differs slightly from...
Read MorePosted by Ágnes Bakk | 14th Feb 2020 | Interview, Romania, Transmedia
This interview was made within the framework of the exploratory research project rethinking...
Read MorePosted by Diana Benea | 11th Jan 2020 | Interview, Romania, Theatre and Politics
In the past five months, Romanian-born award-winning playwright, poet, and scholar Saviana...
Read MorePosted by Aisling Murphy | 6th Nov 2019 | Review, Romania, Theatre and Politics
That the hallway beside the theatre is filled to its breaking point is a good sign: artists,...
Read MorePosted by Aisling Murphy | 28th Oct 2019 | Festivals, Review, Romania, Theatre for Young Audiences
The exposed nerve of a reignited public tragedy hangs in the ether of Teatrul Luceafărul Iaşi. We...
Read MorePosted by Jozefina Komporaly | 16th Jun 2019 | Festivals, Romania, Theatre and Politics
Arguably, it is not common practice to name a theatre after a living playwright, and neither is to...
Read MorePosted by Jozefina Komporaly | 25th May 2019 | Dramaturgy, Review, Romania
The talented Romanian director Mihaela Panainte adapts Nobel laureate Herta Müller’s visceral...
Read MorePosted by Cristina Modreanu | 24th May 2019 | Interview, Playwriting, Romania, United States of America
A well-known poet and journalist, Saviana Stănescu left Romania for the US thanks to a Fulbright...
Read MorePosted by Maria Pia Pagani | 27th Nov 2018 | Italy, Review, Romania, Theatre and Opera
In 2018, the Nae Leonard Teatrul Muzical in Galati, Romania, was declared the National Opera...
Read MorePosted by Jonathan Thonon | 11th Nov 2018 | Essay, Romania, Theatre and Science, Translation
“Pour bien faire, il faudrait un film qui tournerait la traduction intégrale (de la pièce) à la...
Read MorePosted by Cristina Modreanu | 11th Aug 2018 | Review, Romania, Theatre and Film, Theatre and Politics
In a very recent film awarded the Crystal Globe at the Karlovy Vary Film Festival, the Romanian...
Read MorePosted by Sarah Kornfeld | 26th Jul 2018 | Review, Romania, Translation
Hamlet And Us was developed by Laboratorul de Arta, a collective within Bucharest of dancers,...
Read MorePosted by Cristina Modreanu | 18th May 2018 | Essay, Immersive Theatre, Romania
The very moment I step into the building, great expectations surround me. If a measuring device...
Read MorePosted by Cristina Modreanu | 14th May 2018 | Interview, New York, Romania, United States of America
Interview by Cristina Modreanu with the occasion of the first edition of Bonnie Marranca’s essays...
Read MorePosted by Jozefina Komporaly | 20th Jan 2018 | Essay, Hungary, London, Romania, Translation, United Kingdom
In November 2017, a world premiere by one of the Hungarian language’s leading playwrights...
Read MorePosted by European Theatre Lab | 10th Jan 2018 | Belgium, Dramaturgy, France, News, Romania, Transcultural Collaborations
Finding poetry in technology: theatre = yet tears Shall we take it as a bad omen that Siri is...
Read MorePosted by Maria Pia Pagani | 23rd Dec 2017 | Festivals, Italy, Review, Romania, Theatre and Opera
Year after year, the Galati Theatre Festival commands a prestigious position for opera theatre in...
Read MorePosted by Oltița Cîntec | 11th Nov 2017 | Acting, Directing, Essay, Romania
Each year, the Romanian higher education system supplies, through its art universities with their...
Read MorePosted by William Gregory | 5th Oct 2017 | France, Romania, Translation, United Kingdom
Currently performing with the Royal Shakespeare Company, Lucy Phelps is an actor and translator...
Read MorePosted by Andreea Scridon | 21st May 2017 | Review, Romania, Theatre and Politics
Marin Sorescu’s Jonah was originally published in 1968 and is considered the playwright’s...
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