Polish People Deserve Better From Irish Theatre…
In 2004, Ireland, as one of the first countries in the EU, invited Polish people to live and work...
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Ireland
Brian Friel’s Dancing At Lughnasa At The National Theatre London
The recent production of Brian Friel’s Dancing at Lughnasa at London’s National Theatre offers its...
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Brian Friel’s “Dancing at Lughnasa” at the National Theatre: Josie Rourke’s Spirited Revival of This 1990 Classic Is More Fun than Subtle
Brian Friel’s classic play about the blending of Paganism and Christianity in 1930s Ireland is...
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Art, Dance, and Film of Ingrid Nachstern and Cate McNider
It was a chance meeting at MoMA’s dance series “Some sweet day” that brought Ingrid Nachstern and...
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Clowning “On Beckett,” Irwin Delights at the Emerson Paramount Center
Bill Irwin greets the audience by conveying that the performance will be around 90 minutes (by way...
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To Be a Machine: Is Hong Kong the Last Place Where Lockdown Theatre Has a Place?
This article is brought to you by Hong Kong Arts Festival. We know that what separates humans from...
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Guide to the Classics: Samuel Beckett’s “Waiting for Godot,” a Tragicomedy for Our Times
Vladimir: Well? Shall we go? Estragon: Yes, let’s go. [They do not move.] Samuel Beckett...
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Guide to the Classics: Samuel Beckett’s “Waiting for Godot,” a Tragicomedy for Our Times
Vladimir: Well? Shall we go? Estragon: Yes, let’s go. [They do not move.] Samuel Beckett...
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Spotlight on “Pale Sister”: On Lighting in Digital Theatre
Pale Sister is the latest adaptation of the Sophoclean tragedy, Antigone (c. 441 BC), written by...
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“UnRavelled” – A New Play by Jake Broder
The thing about UnRavelled is that it’s one of those plays that even a week after seeing it random...
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5 Reasons Why Verse Is the Language for Theatre in 2020s
While theatre in its early days existed in a strong relationship with verse, the social, cultural,...
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“Comfort and Joy” Just When We Need it the Most: A Conversation with Director Aoife Spillane-Hinks
Director Aoife Spillane-Hinks has quite the origin story for her entry into theatre. As the story...
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It’s Okay Not To Be Okay: A Conversation with Irish Playwright Lee Coffey
It’s been six years since Leper and Chip played to sold-out Dublin audiences with critical...
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Adapting Tarots in Performance: LipZinc’s “Talking Tarots”
In his very famous book The Castle of the Crossed Destinies (Il castello dei destini incrociati,...
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Theatre is What You Say: An Interview with Ali Hardiman, Dublin Actor, Writer, Producer and Theatre-Make
It’s been a busy twelve months for Dublin actor, writer, producer and theatre-maker Ali Hardiman....
Read MoreDublin Fringe Festival 2019: Women in Flux
The Dublin Fringe Festival celebrates its 25th year this year and duly provided the Irish capital its characteristic combination of artistry, controlled chaos and thought-provoking content. The stated theme of Dublin Fringe 25,...
Read More“Skin Tight” Stays Tense
Irish theatre company Restless Ecstasy’s production of New Zealand modern classic Skin Tight retains its tension in Dublin showing.
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Samuel Beckett’s “Waiting for Godot” Is Brought into the Reiwa Era
Why are thespians the world over so drawn to Waiting for Godot, that for many older actors playing...
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“Citysong” (The Abbey Theatre, Dublin) at Soho Theatre
Irish playwright Dylan Coburn Gray’s new play won the Verity Bargate Award in 2017, and his reward...
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Riddled With Vivid Snapshots of The Human Condition: “Waiting for Godot” in New Zealand
Vladimir and Estragon, who nickname each other Didi and Gogo, languish nowhere in particular and...
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