If You See a Dragon Coming, You Pull a Sword: Interview with Robert Wilson
He supports the Freeszfe Association and condemns the curtailment of artistic freedom. We asked...
Read More
Hungary
New European Drama Repertory for Young People: Surface Chat or Silent Depth
Weöres Sándor Színház (WSSZ) joined the Age of Rage project group within Young Europe III and,...
Read More
New European Drama Repertory for Young People: “Before Tomorrow”
As the generation known by the final letters of the alphabet continues to grow up and become...
Read More
#FreeSzFE: A Photo Journal By Gabriella Csoszó
I am a photographer, teacher, and activist with over twenty years of practice. I live in Budapest....
Read More
A Global, Colorful Community: An Interview with Éva Fodor About the Relationship of CEU and the End of Socialism
The idea of creating the Central European University was conceived in 1989, and its foundation...
Read More
Lasting Friendships: An Interview with Philip Arnoult
When someone speaks about US and Hungarian theatrical relationships, you cannot miss his name....
Read More
VR-adaptations: Faithfulness and Interactions
Mika Johnson is an artist with a background in theatre, but also a film director. Besides this, he...
Read More
Perspectives of Hungarian Creative Producer – Sylvia Huszár
The Perspectives of a Creative Producer Today An interview with Sylvia Huszár – creative producer...
Read More
Live Your Life! : An Interview with Deborah Zoe Laufer
Interviewer: You had said once “My plays are generally about things that perplex me. And worry me…...
Read More
On The Other Side Of “Ant Street”: An Interview With Theatre Director Oliver Micevski
Oliver Micevski (b. Skopje, Macedonia, 1980) is one of the most creative and intelligently...
Read More
Presence Is The Lingua Franca
Chris Salter is an artist and theoretician based in Montreal, Canada. In his artistic work, he...
Read More
“Our Stage: European Bürgerbühne Festival”: Day Four, Tuesday
Hungarian company ‘Lifeboat Unit – STEREO AKT’ bring their enticing and interactive performative...
Read More
“We Understand Our Culture Better Through The Other’s”: Interview With Dramaturg And Theatre Historian Nina Király (1940–2018)
Last year Nina Király, dramaturg, theatre scholar, and regional editor for The Theatre Times...
Read More
“Secondhand” at the Örkény István Theater: Soviet Nostalgia
Every episode of the show called Secondhand is about the ingloriously deceased (?) Soviet Union,...
Read More
We Complement One Another: Gabriela Carrizo, a Founding Member of Peeping Tom
An interview with Gabriela Carrizo, a founding member of Peeping Tom After ten years we had the...
Read More
Where There Is Cowardice, Winking Returns: A Conversation with Hungarian Director Róbert Alföldi
Fear Eats the Soul (Átrium), The Crucible (Szombathely) and Richard III (Radnóti Színház) – these...
Read More
“My Kingdom For A…”–What?! Andrei Şerban’s “Richard III” At The Radnóti Theatre, Budapest
Shakespeare’s history play revolves around a strange creature, the monster of power. Yet it poses...
Read More
Gloster, The Reptile: Andrei Şerban’s “Richard III”
Shakespeare: Richard III / Radnóti Miklós Theatre His face is yellow beneath the high-gloss strap...
Read More
Total Eclipse Of The Moon: Viktor Bodó’s “Operation Krakken”
Imre Mózsik–Viktor Bodó: Operation Krakken / Átrium, Kultúrbrigád Good news: Viktor Bodó is back!...
Read More
Hungarian Contemporary Circus Company Returns To The Biggest Arts Festival Of The World
After last year’s success, the popular Hungarian contemporary circus company Recirquel is...
Read More- 1
- 2
Like Us On Facebook
Most Popular Posts
Towards Fairer Contractual Practices for Freelance… 16th October 2021 
“The Last Trial” Musical: There Once Was… 3rd October 2021 
Ken Reynolds: 1938–2021. A Personal and Professional… 25th September 2021 
Mikhail Baryshnikov: A Dancer Whose Flight to… 8th February 2021 
Kenya’s New Theatre Awards 22nd September 2021 
Online Acting Classes? Here Are the Pros and Cons 22nd May 2021 
Afro-Latinidad And The Greater Good Of The Latinx… 12th December 2020 
Ten Ableist Tropes to Jettison in 2021 28th January 2021 
How COVID-19 Is Reshaping The Performing Arts 10th April 2021 
“Hamlet”: A Play That Speaks to… 3rd August 2021