#FreeSzFE: A Photo Journal By Gabriella Csoszó
I am a photographer, teacher, and activist with over twenty years of practice. I live in Budapest....
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Hungary
A Global, Colorful Community: An Interview with Éva Fodor About the Relationship of CEU and the End of Socialism
The idea of creating the Central European University was conceived in 1989, and its foundation...
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Lasting Friendships: An Interview with Philip Arnoult
When someone speaks about US and Hungarian theatrical relationships, you cannot miss his name....
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VR-adaptations: Faithfulness and Interactions
Mika Johnson is an artist with a background in theatre, but also a film director. Besides this, he...
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Perspectives of Hungarian Creative Producer – Sylvia Huszár
The Perspectives of a Creative Producer Today An interview with Sylvia Huszár – creative producer...
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Live Your Life! : An Interview with Deborah Zoe Laufer
Interviewer: You had said once “My plays are generally about things that perplex me. And worry me…...
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On The Other Side Of “Ant Street”: An Interview With Theatre Director Oliver Micevski
Oliver Micevski (b. Skopje, Macedonia, 1980) is one of the most creative and intelligently...
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Presence Is The Lingua Franca
Chris Salter is an artist and theoretician based in Montreal, Canada. In his artistic work, he...
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“Our Stage: European Bürgerbühne Festival”: Day Four, Tuesday
Hungarian company ‘Lifeboat Unit – STEREO AKT’ bring their enticing and interactive performative...
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“We Understand Our Culture Better Through The Other’s”: Interview With Dramaturg And Theatre Historian Nina Király (1940–2018)
Last year Nina Király, dramaturg, theatre scholar, and regional editor for The Theatre Times...
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“Secondhand” at the Örkény István Theater: Soviet Nostalgia
Every episode of the show called Secondhand is about the ingloriously deceased (?) Soviet Union,...
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We Complement One Another: Gabriela Carrizo, a Founding Member of Peeping Tom
An interview with Gabriela Carrizo, a founding member of Peeping Tom After ten years we had the...
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Where There Is Cowardice, Winking Returns: A Conversation with Hungarian Director Róbert Alföldi
Fear Eats the Soul (Átrium), The Crucible (Szombathely) and Richard III (Radnóti Színház) – these...
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“My Kingdom For A…”–What?! Andrei Şerban’s “Richard III” At The Radnóti Theatre, Budapest
Shakespeare’s history play revolves around a strange creature, the monster of power. Yet it poses...
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Gloster, The Reptile: Andrei Şerban’s “Richard III”
Shakespeare: Richard III / Radnóti Miklós Theatre His face is yellow beneath the high-gloss strap...
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Total Eclipse Of The Moon: Viktor Bodó’s “Operation Krakken”
Imre Mózsik–Viktor Bodó: Operation Krakken / Átrium, Kultúrbrigád Good news: Viktor Bodó is back!...
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Hungarian Contemporary Circus Company Returns To The Biggest Arts Festival Of The World
After last year’s success, the popular Hungarian contemporary circus company Recirquel is...
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From Skopje To London Via Hungarian And English: András Visky’s “The Unburied”
In November 2017, a world premiere by one of the Hungarian language’s leading playwrights...
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“Hitler And Hitler” Review
Hitler And Hitler is a surrealistic farce, based on the play by the controversial Russian author...
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“Love And Other Demons” Tells A Haunting Tale Through Magical Realism
The opera, which is based on a short story by Colombian writer Gabriel García Márquez, finally...
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