Győr Is Once Again the Capital of Dance
The western Hungarian city of Győr will once again be dominated by dance this year from June 13 to...
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Hungary
Legendary Actor Péter Haumann Dies at 81
Péter Haumann, a Kossuth and Jászai Mari Prize-winning actor, a full member of the Hungarian...
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If You See a Dragon Coming, You Pull a Sword: Interview with Robert Wilson
He supports the Freeszfe Association and condemns the curtailment of artistic freedom. We asked...
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New European Drama Repertory for Young People: Surface Chat or Silent Depth
Weöres Sándor Színház (WSSZ) joined the Age of Rage project group within Young Europe III and,...
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New European Drama Repertory for Young People: “Before Tomorrow”
As the generation known by the final letters of the alphabet continues to grow up and become...
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#FreeSzFE: A Photo Journal By Gabriella Csoszó
I am a photographer, teacher, and activist with over twenty years of practice. I live in Budapest....
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A Global, Colorful Community: An Interview with Éva Fodor About the Relationship of CEU and the End of Socialism
The idea of creating the Central European University was conceived in 1989, and its foundation...
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Lasting Friendships: An Interview with Philip Arnoult
When someone speaks about US and Hungarian theatrical relationships, you cannot miss his name....
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VR-adaptations: Faithfulness and Interactions
Mika Johnson is an artist with a background in theatre, but also a film director. Besides this, he...
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Perspectives of Hungarian Creative Producer – Sylvia Huszár
The Perspectives of a Creative Producer Today An interview with Sylvia Huszár – creative producer...
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Live Your Life! : An Interview with Deborah Zoe Laufer
Interviewer: You had said once “My plays are generally about things that perplex me. And worry me…...
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On The Other Side Of “Ant Street”: An Interview With Theatre Director Oliver Micevski
Oliver Micevski (b. Skopje, Macedonia, 1980) is one of the most creative and intelligently...
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Presence Is The Lingua Franca
Chris Salter is an artist and theoretician based in Montreal, Canada. In his artistic work, he...
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“Our Stage: European Bürgerbühne Festival”: Day Four, Tuesday
Hungarian company ‘Lifeboat Unit – STEREO AKT’ bring their enticing and interactive performative...
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“We Understand Our Culture Better Through The Other’s”: Interview With Dramaturg And Theatre Historian Nina Király (1940–2018)
Last year Nina Király, dramaturg, theatre scholar, and regional editor for The Theatre Times...
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“Secondhand” at the Örkény István Theater: Soviet Nostalgia
Every episode of the show called Secondhand is about the ingloriously deceased (?) Soviet Union,...
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We Complement One Another: Gabriela Carrizo, a Founding Member of Peeping Tom
An interview with Gabriela Carrizo, a founding member of Peeping Tom After ten years we had the...
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Where There Is Cowardice, Winking Returns: A Conversation with Hungarian Director Róbert Alföldi
Fear Eats the Soul (Átrium), The Crucible (Szombathely) and Richard III (Radnóti Színház) – these...
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“My Kingdom For A…”–What?! Andrei Şerban’s “Richard III” At The Radnóti Theatre, Budapest
Shakespeare’s history play revolves around a strange creature, the monster of power. Yet it poses...
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Gloster, The Reptile: Andrei Şerban’s “Richard III”
Shakespeare: Richard III / Radnóti Miklós Theatre His face is yellow beneath the high-gloss strap...
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