The Dramaturg Has To Be Seen And Heard: Carmen Kovacs And Jeffrey Döring
Does good dramaturgy, as it was stated by Friedrich Schirmer, really need to be invisible? Jeffrey...
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Germany
When The Space Is The Protagonist
Mona el Gammal studied scenography, stage design, and exhibition design at Karlsruhe, Hochschule...
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German Politicians Invest In Opera When Seeking Re-Election–Here’s Why
In virtually all rich democracies, governments subsidize expensive highbrow culture, such as...
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Between Panoramas And VR: What Does It Mean To Be Immersed?
Interview with Dr. Robin Curtis, professor of media studies at Albert-Ludwigs-Universität...
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Thomas Ostermeier’s “Returning To Reims”
Plays set in recording studios, in my experience, are usually stories of entrapment. The spaces...
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Legacy Of Life: Rimini Protokoll’s “Nachlass: Pièces Sans Personnes”
Nachlass: German word composed of “nach” (after) and the verb “lassen” (to leave). “Nachlass”...
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Performing Arts Join Digital Forces To Celebrate Cultural Heritage On Stage
2018 is the European Year of Cultural Heritage. To bring awareness to the wealth and contribution...
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“The Virgin Suicides” Dying In The Age Of Suicide
A Production of the Munich Kammerspiele winner of XIV Europe Prize Theatrical Realities, 2017...
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“Roma Arnee” Doing it Right! Production Of Maxim Gorki Theater, Berlin
Doing It Right! Yael Ronen, an Israeli theatre director working for the Maxim Gorki Theater in...
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Theatre Is Not Happy Any More In Crisis: The Internet and Performing Arts
It’s often stated that performing arts reflect changes in society. But how does this look when we...
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Sometimes I Feel Like I Feel Too Much
Traces of a Water Spirit #2 I think of myself as a highly sensitive person. One day my therapist...
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Homo Digitalis Meets Zigmagora
What’s the digital revolution doing to us? A web series, a book and one of our theatre projects...
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Theatre And Immersion: “You Enter Yourself Into This Space”
Immersion means experiencing. What does this mean for the theatre? Thomas Oberender, Artistic...
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Interview With Heidi Wiley On The Creation Of European Theatre Convention (ETC)
Heidi Wiley: With the creation of ETC, its founders wanted to establish a new form for...
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What Comes After The Flight? Theatre and Migrant Life in Germany
The programmes of the 2017/2018 season are still defined by the theme complex “Migrant Life in...
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Syrian Dancers Perform Show About Refugees and Migration in Berlin
A group of Syrian dancers is going on tour across Germany with a show that tells of the plight...
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Thomas Ostermeier’s “Richard III” at BAM
Richard Crookback is Shakespeare’s dazzling carnival monster, a showoff criminal who charms us...
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The Wuppertal Tanztheater Returns To Its Origins With “Café Müller” And “The Rite Of Spring”
The ghost of Pina Bausch was no doubt fluttering with excitement around the NAC last month as the...
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On Liberation And Progression – “Theatertreffen in Hong Kong”
It was an achievement that West Kowloon Cultural District Authority and Goethe-Institut Hong Kong...
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Theatre Of Remembrance: Geschichtliches Gefuhl
Hardly another art form is better suited for the work of remembrance than the theatre as a medium...
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