“The Factory”: Play Explores Murky Nexus Of Western Business And Syrian War
The play is based on the charges against one of France’s biggest companies, Lafarge, and how...
Read MorePosted by Gouri Sharma | 28th Dec 2018 | Germany, Review, Syria, Theatre and Politics
The play is based on the charges against one of France’s biggest companies, Lafarge, and how...
Read MorePosted by Melanie Suchy | 12th Dec 2018 | Essay, Germany, Theatre and Dance
The Folkwang University of the Arts in Essen has just turned ninety. A look back at its creation...
Read MorePosted by Romy König | 9th Dec 2018 | Germany, Immersive Theatre, Review, Theatre and Politics
For a second, the man stares aghast. His son is on stage talking about some very personal things,...
Read MorePosted by Nadine Berghausen | 8th Dec 2018 | Germany, Interview, Theatre and Politics
Politically motivated flash mobs and performances react to current questions of society with...
Read MorePosted by Fjolla Hoxha | 1st Dec 2018 | Directing, Essay, Germany
The re-enactments are a way to examine and reproduce human feelings. —Milo Rau [1] This summer, as...
Read MorePosted by Christian Römer | 23rd Nov 2018 | Germany, News, Transmedia
The digital age! (…) Can we turn it off? Real people want to see real people! The voices from...
Read MorePosted by Friederike Landau | 21st Nov 2018 | Essay, Germany, Producing, Theatre and Politics
Advocacy for the arts has been one of the central topics of the meetings and research activities...
Read MorePosted by Friederike Landau and Christophe Knoch | 20th Nov 2018 | Essay, Germany, Producing, Theatre and Politics
Advocacy for the arts has been one of the central topics of the meetings and research activities...
Read MorePosted by Patrick Wildermann | 9th Nov 2018 | Essay, Festivals, Germany, Transcultural Collaborations
With the Shifting Perspectives platform, the Berlin Theatre Meeting brings a selection of the best...
Read MorePosted by David Hughes | 4th Sep 2018 | Essay, Germany, Theatre and Art
One of the foremost figures in the influential Bauhaus movement, Oskar Schlemmer gained...
Read MorePosted by Clement Lee | 17th Aug 2018 | Design, Germany, Hong Kong, News
It is the second year for West Kowloon Cultural District and Edward Lam Dance Theatre to host the...
Read MorePosted by Katerina Sinadinovska | 9th Jul 2018 | France, Germany, Review, Theatre and Politics, Translation
The thesis that fascism is encountered at all extremes of the political spectrum is a key to the...
Read MorePosted by Christian Rakow | 1st Jul 2018 | Festivals, Germany, News
Thematically or programmatically, curated or judged–the landscape of theatre festivals in Germany...
Read MorePosted by Cássio Diniz Santiago and Till Wyler von Ballmoos | 10th Jun 2018 | Germany, Interview
Each day at 6 pm, performers Till Wyler von Ballmoos and Cássio Diniz Santiago opened the doors to...
Read MorePosted by Carmen Kovacs | 5th Jun 2018 | Dramaturgy, Germany, Interview, Theatre and Disability, Theatre and Opera
Does good dramaturgy, as it was stated by Friedrich Schirmer, really need to be invisible? Jeffrey...
Read MorePosted by Ágnes Bakk | 28th Apr 2018 | Design, Germany, Interview
Mona el Gammal studied scenography, stage design, and exhibition design at Karlsruhe, Hochschule...
Read MorePosted by Pieter Vanhuysse | 6th Apr 2018 | Essay, Germany, Theatre and Opera, Theatre and Politics
In virtually all rich democracies, governments subsidize expensive highbrow culture, such as...
Read MorePosted by Ágnes Bakk | 17th Mar 2018 | Germany, Immersive Theatre, Interview, Transmedia
Interview with Dr. Robin Curtis, professor of media studies at Albert-Ludwigs-Universität...
Read MorePosted by Jonathan Kalb | 21st Feb 2018 | Germany, Review, Theatre and Politics
Plays set in recording studios, in my experience, are usually stories of entrapment. The spaces...
Read MorePosted by Davide Cioffrese | 17th Feb 2018 | Germany, Review, Switzerland
Nachlass: German word composed of “nach” (after) and the verb “lassen” (to leave). “Nachlass”...
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