Participation in European Theatre: An Account of the European Theatre Conference, Dresden 2019
For the most part, theatre can be recognized as the art of the collective. The ETC (European...
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Germany
“Our Stage: European Bürgerbühne Festival”: Day Five, Wednesday
Pending Vote is a fully-interactive performance from Catalan director Roger Bernat, with a text by...
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“Our Stage: European Bürgerbühne Festival”: Day Four, Tuesday
Hungarian company ‘Lifeboat Unit – STEREO AKT’ bring their enticing and interactive performative...
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“Our Stage: European Bürgerbühne Festival”: Day Three, Monday
Heavy rain has restricted the opportunity to take a city walk around Dresden with festival...
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“Our Stage: European Bürgerbühne Festival”: Day Two, Sunday
The second day of the festival brings radiant, early-morning sunshine onto the Kleines Haus. Many...
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“Our Stage: European Bürgerbühne Festival”: Day One, Saturday
Here, at the annual ‘Our Stage Festival’ in Dresden, the average citizen is the center of the...
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“The Modern on Stage / The Dream of the House”: An Interview with Jan Pappelbaum, Set Designer at the Schaubühne, Berlin
Jan Pappelbaum is one of the most inventive and internationally renowned set designers, from the...
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Interview With Sasha Marianna Salzmann: The Playwright
When asked about her background, she tends to respond, “I come from the theatre:” playwright and...
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ETC and Ukrainian Theatre: A Dialogue of Art, Change, and Support
As a mid-December snow fell over the city of Kyiv, Ukraine, the European Theatre Convention...
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Financing Theatre: Public Funding And Freedom Of Art
Public funding and freedom of art–do the two sit well together? There is no right to state arts...
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Complexity Is Beauty: Academy for Digitality and Theatre
Virtual reality, 3D animation, and robotics have long been used by theatre directors in other...
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Brecht In Exile: “Galileo” In Brooklyn
New York’s Irondale Project presents a scrupulously faithful production of Brecht’s The Life Of...
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“New Piece I: Since She”: Tanztheater Wuppertal and The Legacy of Pina Bausch
In the last ten years since the death of Pina Bausch, Tanztheater Wuppertal, the company she...
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Cultural Education: “We Do Not Dispense School Knowledge”
“Politik im Freien Theater” is a free theatre festival where youngsters address...
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“The Factory”: Play Explores Murky Nexus Of Western Business And Syrian War
The play is based on the charges against one of France’s biggest companies, Lafarge, and how...
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Dance Of The Arts
The Folkwang University of the Arts in Essen has just turned ninety. A look back at its creation...
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She She Pop: Politely But Firmly To The Boundary Of Shame
For a second, the man stares aghast. His son is on stage talking about some very personal things,...
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Suzanne Foellmer: Choreography As A Form Of Protest
Politically motivated flash mobs and performances react to current questions of society with...
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The Use Of Children In Milo Rau’s “Five Easy Pieces”: Exploitation, Or Confrontational Theatre?
The re-enactments are a way to examine and reproduce human feelings. —Milo Rau [1] This summer, as...
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How To Breathe Soul Into A Machine! A Plea For More Digital Tenderness
The digital age! (…) Can we turn it off? Real people want to see real people! The voices from...
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