She She Pop: Politely But Firmly To The Boundary Of Shame
For a second, the man stares aghast. His son is on stage talking about some very personal things,...
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Germany
Suzanne Foellmer: Choreography As A Form Of Protest
Politically motivated flash mobs and performances react to current questions of society with...
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The Use Of Children In Milo Rau’s “Five Easy Pieces”: Exploitation, Or Confrontational Theatre?
The re-enactments are a way to examine and reproduce human feelings. —Milo Rau [1] This summer, as...
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How To Breathe Soul Into A Machine! A Plea For More Digital Tenderness
The digital age! (…) Can we turn it off? Real people want to see real people! The voices from...
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Berlin: Governing A “Creative” City
Advocacy for the arts has been one of the central topics of the meetings and research activities...
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Belonging In A “Creative” City
Advocacy for the arts has been one of the central topics of the meetings and research activities...
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Theatre Meeting 2018: The Sun As The Last Frontier
With the Shifting Perspectives platform, the Berlin Theatre Meeting brings a selection of the best...
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Oskar Schlemmer: Why A Google Doodle Is Marking The German Artist Today
One of the foremost figures in the influential Bauhaus movement, Oskar Schlemmer gained...
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Give Meaning Through Architecture – Jan Pappelbaum And “What Is Stage – From Text to Space”
It is the second year for West Kowloon Cultural District and Edward Lam Dance Theatre to host the...
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“Winter Solstice” At Cannes
The thesis that fascism is encountered at all extremes of the political spectrum is a key to the...
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Theater Festivals In Germany: Art For Coal
Thematically or programmatically, curated or judged–the landscape of theatre festivals in Germany...
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They Left Off Getting Carried Away: An Interview With Cássio Diniz Santiago And Till Wyler Von Ballmoos
Each day at 6 pm, performers Till Wyler von Ballmoos and Cássio Diniz Santiago opened the doors to...
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The Dramaturg Has To Be Seen And Heard: Carmen Kovacs And Jeffrey Döring
Does good dramaturgy, as it was stated by Friedrich Schirmer, really need to be invisible? Jeffrey...
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When The Space Is The Protagonist
Mona el Gammal studied scenography, stage design, and exhibition design at Karlsruhe, Hochschule...
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German Politicians Invest In Opera When Seeking Re-Election–Here’s Why
In virtually all rich democracies, governments subsidize expensive highbrow culture, such as...
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Between Panoramas And VR: What Does It Mean To Be Immersed?
Interview with Dr. Robin Curtis, professor of media studies at Albert-Ludwigs-Universität...
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Thomas Ostermeier’s “Returning To Reims”
Plays set in recording studios, in my experience, are usually stories of entrapment. The spaces...
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Legacy Of Life: Rimini Protokoll’s “Nachlass: Pièces Sans Personnes”
Nachlass: German word composed of “nach” (after) and the verb “lassen” (to leave). “Nachlass”...
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Performing Arts Join Digital Forces To Celebrate Cultural Heritage On Stage
2018 is the European Year of Cultural Heritage. To bring awareness to the wealth and contribution...
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“The Virgin Suicides” Dying In The Age Of Suicide
A Production of the Munich Kammerspiele winner of XIV Europe Prize Theatrical Realities, 2017...
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