Audience Development – Empowering Youth Through Theatre: Theatre Not Only For, But With the Youth
Youth Theatre – Audience Development A Conversation with the Youth Council of the Deutsches...
Read MorePosted by Lasse Scheiba | 25th Nov 2020 | Germany, Theatre for Young Audiences, Youth Theatre - A Casebook
Youth Theatre – Audience Development A Conversation with the Youth Council of the Deutsches...
Read MorePosted by Lena Fritschle | 23rd Nov 2020 | Essay, Germany, Theatre for Young Audiences, Youth Theatre - A Casebook
In his 1993 work A Flying Classroom, the German author Erich Kästner created a vision of a...
Read MorePosted by Ivanka Apostolova Baskar | 21st Nov 2020 | Festivals, Germany, Interview
Thomas Irmer is a scholar, dramaturg, and critic regularly contributing to Theater der Zeit,...
Read MorePosted by Anton Kurt Krause | 16th Nov 2020 | Germany, Theatre for Young Audiences, Youth Theatre - A Casebook
First things first: Be aware of the problems you create for the audience, a.k.a. the player, and...
Read MorePosted by Liam Rees | 28th Sep 2020 | Germany, Review, Transmedia
Consciousness, cognition, and perception have fascinated Jisun Kim and The House of Sorrow is a...
Read MorePosted by Armando Rotondi | 11th Sep 2020 | Devised Theatre, Germany, Interview
Led by artistic directors Hajo Schüler and Michael Vogel, Berlin-based “Familie Flöz” is one of...
Read MorePosted by Alma Söderberg | 7th Aug 2020 | Germany, Interview, Transmedia
Theatres remain closed, so instead of publishing reviews of new pieces, Etcetera asked artists to...
Read MorePosted by International Online Theatre Festival | 27th Jul 2020 | Covid-19, Germany, Interview, IOTF 2020: Archives, Theatre and Pandemic: Asynchronous Discussion Panel at IOTF2020
Nils Haarmann – dramaturg at the Schaubühne – responds to Grzegorz Jarzyna. The discussion focuses...
Read MorePosted by Anja Quickert | 16th Jul 2020 | Germany, Interview, Theatre and Politics
Pressure on the German theatre and cultural landscape has increased significantly since the...
Read MorePosted by Nadine Berghausen | 10th May 2020 | Design, Germany, Interview
Germany has more theatres and concert halls than almost any other country in the world. From its...
Read MorePosted by Lara Staal | 24th Apr 2020 | Essay, Germany, Theatre and Science
In times of crisis, we see just how closely reality and fiction really are. What seemed like a...
Read MorePosted by Aleks Sierz | 23rd Apr 2020 | Adaptation, Directing, Germany, Review, Theatre and Film, Theatre and Gender, Transmedia
Virginia Woolf’s reputation has closely followed British cultural trends: in the interwar years...
Read MorePosted by Mila Bulimbasic Botteri | 1st Apr 2020 | Germany, London, Review, United Kingdom
“The theatre is a device for empathy – its job is to create better people.” Those are the words of...
Read MorePosted by Ivanka Apostolova Baskar | 7th Mar 2020 | Germany, Interview, Playwriting
Ulrike Syha was born in 1976 in Wiesbaden, Germany. She studied Dramaturgy at the Hochschule für...
Read MorePosted by Jonathan Kalb | 22nd Dec 2019 | Germany, Review, United Kingdom, United States of America
Two years ago, the British director Richard Jones brought a stunning production of Eugene...
Read MorePosted by Lisa Moravec | 20th Dec 2019 | Austria, Festivals, Germany, Theatre and Dance
Researcher and critic Lisa Moravec explores how two performances of this year’s ImPulsTanz,...
Read MorePosted by Jonathan Kalb | 12th Dec 2019 | France, Germany, LGBTQ Theatre, New York, Review, Theatre and Politics, United States of America
First of all, don’t be put off by the pompous, academic title. Thomas Ostermeier’s...
Read MorePosted by John Brunner | 26th Nov 2019 | France, Germany, Review, Translation
It opens with a manic attempt to clean. The sheets, the floors, the smell of the air, everything...
Read MorePosted by Emiliia Dementsova | 31st Oct 2019 | Festivals, Germany, Review, Russia, Theatre Olympics 2019
The Eighth Life (for Brilka) or Das achte Leben (Für Brilka). Adapted by Julia Lochte and Emilia...
Read MorePosted by Antonio Hernández | 22nd Oct 2019 | Germany, Review, Theatre and Opera
Summer in Europe is the time for performing art festivals. Avignon in France or Edinburgh in...
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