Germany

Free Performance: A Response to metaLAB’s futureStage Manifesto

Posted by Ilinca Todoruţ | 4th Mar 2022 | Essay, Germany, Theatre and Science, Transmedia, United States of America

On November 20, 2021, TheTheatreTimes.com published futureStage Manifesto, developed by...

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“Uncanny Valley” at The Battersea Arts Centre

Posted by Duška Radosavljević | 2nd Mar 2022 | Germany, London, Review, Theatre and Science, Transmedia, United Kingdom

When Uncanny Valley premiered back in 2018, the idea of artificial intelligence augmenting or...

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“Alles Unter Kontrolle”

Posted by Natasha Tripney | 21st Feb 2022 | Germany, Review, Theatre and Politics

Maxim Gorki Theatre, Berlin, premiered on 21st June 2021, streamed on 28th January 2022 Oliver...

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Artist Entrance: Florentina Holzinger

Posted by Florentina Holzinger | 22nd Dec 2021 | Germany, Interview, Theatre and Dance

Every month, Etcetera gazes into the soul of a performing artist. We choose artistic interest over...

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“Tanz mit dem Tiger”: A Boundary-breaking Digital Hybrid Dance

Posted by Shiya Lu | 24th Oct 2021 | Germany, Review, Transmedia

Tanz mit dem Tiger (in English: Dance with the Tiger) is a forty-minute hybrid dance performance...

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Interview with Ayham Majid Agha: On Shifting From Interactive Theater at Home into Creating a New Performing Form in Exile

Posted by Najwa Kondakji | 11th Aug 2021 | Dramaturgy, Germany, Interview, Syria

Ayham Majid Agha is a Syrian actor, dramaturge, and director. After studying theater arts at...

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What Will You Do This Summer? On An Interdisciplinary Summer Camp In Warsaw

Posted by Kasia Lech | 28th Apr 2021 | France, Germany, Greece, News, Poland

Krzysztof Warlikowski’s Nowy Theatre in Warsaw together with Komuna/Warszawa, La Comedie de...

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Audience Development – Empowering Youth Through Theatre: Theatre Not Only For, But With the Youth

Posted by Lasse Scheiba | 25th Nov 2020 | Germany, Theatre for Young Audiences, Youth Theatre - A Casebook

Youth Theatre – Audience Development A Conversation with the Youth Council of the Deutsches...

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Experimental Forms and Performative Research: When the Classroom Learns to Fly

Posted by Lena Fritschle | 23rd Nov 2020 | Essay, Germany, Theatre for Young Audiences, Youth Theatre - A Casebook

In his 1993 work A Flying Classroom, the German author Erich Kästner created a vision of a...

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Perspectives on the Internationalization of Theatre: An Interview with Thomas Irmer

Posted by Ivanka Apostolova Baskar | 21st Nov 2020 | Festivals, Germany, Interview

Thomas Irmer is a scholar, dramaturg, and critic regularly contributing to Theater der Zeit,...

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Experimental Forms and Performative Research: How to Develop Games in (a) Theatre?

Posted by Anton Kurt Krause | 16th Nov 2020 | Germany, Theatre for Young Audiences, Youth Theatre - A Casebook

First things first: Be aware of the problems you create for the audience, a.k.a. the player, and...

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“The House of Sorrow” – Jisun Kim

Posted by Liam Rees | 28th Sep 2020 | Germany, Review, Transmedia

Consciousness, cognition, and perception have fascinated Jisun Kim and The House of Sorrow is a...

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Performing Again: An Interview With Michael Vogel And Familie Flöz At Schiller Theatre

Posted by Armando Rotondi | 11th Sep 2020 | Devised Theatre, Germany, Interview

Led by artistic directors Hajo Schüler and Michael Vogel, Berlin-based “Familie Flöz” is one of...

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Listening in Detail – Alma Söderberg

Posted by Alma Söderberg | 7th Aug 2020 | Germany, Interview, Transmedia

Theatres remain closed, so instead of publishing reviews of new pieces, Etcetera asked artists to...

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Nils Haarmann On The Pandemic And Post-Pandemic Theatre

Posted by International Online Theatre Festival | 27th Jul 2020 | Covid-19, Germany, Interview, IOTF 2020: Archives, Theatre and Pandemic: Asynchronous Discussion Panel at IOTF2020

Nils Haarmann – dramaturg at the Schaubühne – responds to Grzegorz Jarzyna. The discussion focuses...

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Theatre United Against a Shift to the Right

Posted by Anja Quickert | 16th Jul 2020 | Germany, Interview, Theatre and Politics

Pressure on the German theatre and cultural landscape has increased significantly since the...

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Stage Design: Tradition of Diversity

Posted by Nadine Berghausen | 10th May 2020 | Design, Germany, Interview

Germany has more theatres and concert halls than almost any other country in the world. From its...

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The Crisis Stage

Posted by Lara Staal | 24th Apr 2020 | Essay, Germany, Theatre and Science

In times of crisis, we see just how closely reality and fiction really are. What seemed like a...

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Alice Birch and Katie Mitchell’s “Orlando” at the Schaubühne Theatre: Queer Desire on the Big Screen

Posted by Aleks Sierz | 23rd Apr 2020 | Adaptation, Directing, Germany, Review, Theatre and Film, Theatre and Gender, Transmedia

Virginia Woolf’s reputation has closely followed British cultural trends: in the interwar years...

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Simon Stephens’ “Maria:” Aggressive Optimism is Saving the World

Posted by Mila Bulimbasic Botteri | 1st Apr 2020 | Germany, London, Review, United Kingdom

“The theatre is a device for empathy – its job is to create better people.” Those are the words of...

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