Dance Of The Arts
The Folkwang University of the Arts in Essen has just turned ninety. A look back at its creation...
Read MoreGermany
She She Pop: Politely But Firmly To The Boundary Of Shame
For a second, the man stares aghast. His son is on stage talking about some very personal things,...
Read More
Suzanne Foellmer: Choreography As A Form Of Protest
Politically motivated flash mobs and performances react to current questions of society with...
Read More
The Use Of Children In Milo Rau’s “Five Easy Pieces”: Exploitation, Or Confrontational Theatre?
The re-enactments are a way to examine and reproduce human feelings. —Milo Rau [1] This summer, as...
Read More
How To Breathe Soul Into A Machine! A Plea For More Digital Tenderness
The digital age! (…) Can we turn it off? Real people want to see real people! The voices from...
Read More
Berlin: Governing A “Creative” City
Advocacy for the arts has been one of the central topics of the meetings and research activities...
Read More
Belonging In A “Creative” City
Advocacy for the arts has been one of the central topics of the meetings and research activities...
Read More
Theatre Meeting 2018: The Sun As The Last Frontier
With the Shifting Perspectives platform, the Berlin Theatre Meeting brings a selection of the best...
Read More
Oskar Schlemmer: Why A Google Doodle Is Marking The German Artist Today
One of the foremost figures in the influential Bauhaus movement, Oskar Schlemmer gained...
Read More
Give Meaning Through Architecture – Jan Pappelbaum And “What Is Stage – From Text to Space”
It is the second year for West Kowloon Cultural District and Edward Lam Dance Theatre to host the...
Read More
“Winter Solstice” At Cannes
The thesis that fascism is encountered at all extremes of the political spectrum is a key to the...
Read More
Theater Festivals In Germany: Art For Coal
Thematically or programmatically, curated or judged–the landscape of theatre festivals in Germany...
Read More
They Left Off Getting Carried Away: An Interview With Cássio Diniz Santiago And Till Wyler Von Ballmoos
Each day at 6 pm, performers Till Wyler von Ballmoos and Cássio Diniz Santiago opened the doors to...
Read More
The Dramaturg Has To Be Seen And Heard: Carmen Kovacs And Jeffrey Döring
Does good dramaturgy, as it was stated by Friedrich Schirmer, really need to be invisible? Jeffrey...
Read More
When The Space Is The Protagonist
Mona el Gammal studied scenography, stage design, and exhibition design at Karlsruhe, Hochschule...
Read More
German Politicians Invest In Opera When Seeking Re-Election–Here’s Why
In virtually all rich democracies, governments subsidize expensive highbrow culture, such as...
Read More
Between Panoramas And VR: What Does It Mean To Be Immersed?
Interview with Dr. Robin Curtis, professor of media studies at Albert-Ludwigs-Universität...
Read More
Thomas Ostermeier’s “Returning To Reims”
Plays set in recording studios, in my experience, are usually stories of entrapment. The spaces...
Read More
Legacy Of Life: Rimini Protokoll’s “Nachlass: Pièces Sans Personnes”
Nachlass: German word composed of “nach” (after) and the verb “lassen” (to leave). “Nachlass”...
Read More
“The Virgin Suicides” Dying In The Age Of Suicide
A Production of the Munich Kammerspiele winner of XIV Europe Prize Theatrical Realities, 2017...
Read MoreLike Us On Facebook
Featured Editors
Popular Posts
How Butoh, The Japanese Dance Of Darkness, Helps Us…
Less Is More Or Less Is Less: The Balancing Act Of…
Eurodram 2018 Honours
The Painter: An Allegory, By Lighting Designer Cory Pattak
Jaclyn Backhaus’ “Men On Boats”…
Russian Theatre On Screen: Yury Butusov’s “The…
Can You Hear Me Now? Dramaturgy: Speaking With Many Voices
Out Of Character: How Acting Puts A Mental Strain On…
