Denying A Harsh Reality in “The History of Violence”
It opens with a manic attempt to clean. The sheets, the floors, the smell of the air, everything...
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Germany
“The Eighth Life (for Brilka)”: Dark Chocolate
The Eighth Life (for Brilka) or Das achte Leben (Für Brilka). Adapted by Julia Lochte and Emilia...
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How to Stage an Opera? Summer Munich Opera Festival as a Role Model
Summer in Europe is the time for performing art festivals. Avignon in France or Edinburgh in...
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What Are You Already Doing In Your Organization Or Community (Related To Digital Technology And Theatre)?
No question about it, the use of digital technology is quite common in everyday theatre life all...
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“The Ugly One:” Re-adaptation Attempts Face-Lift
Marius von Mayenburg, author of The Ugly One, representing the new young German Theatre, is...
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“Stimmen des Kiezes”: A Site-Specific Movement–Text Collage in Berlin-Friedrichshain
In the middle of the vibrant Berlin district Friedrichshain, well-known for party tourism, hipster...
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What Theatres Expect From Digitality And What Digitality Expects From Theatres
Technology is pervasive in today’s society. Code = culture. Algorithms define our way of life. In...
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Sasha Waltz: The Opera Choreographer
Choreographer Sasha Waltz has added a chapter to the history of dance with choreographic opera. It...
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Staging the Political
With its three transformable stages, the “Schaubühne at Lehniner Platz” is the largest theatre in...
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Participation in European Theatre: An Account of the European Theatre Conference, Dresden 2019
For the most part, theatre can be recognized as the art of the collective. The ETC (European...
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“Our Stage: European Bürgerbühne Festival”: Day Five, Wednesday
Pending Vote is a fully-interactive performance from Catalan director Roger Bernat, with a text by...
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“Our Stage: European Bürgerbühne Festival”: Day Four, Tuesday
Hungarian company ‘Lifeboat Unit – STEREO AKT’ bring their enticing and interactive performative...
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“Our Stage: European Bürgerbühne Festival”: Day Three, Monday
Heavy rain has restricted the opportunity to take a city walk around Dresden with festival...
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“Our Stage: European Bürgerbühne Festival”: Day Two, Sunday
The second day of the festival brings radiant, early-morning sunshine onto the Kleines Haus. Many...
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“Our Stage: European Bürgerbühne Festival”: Day One, Saturday
Here, at the annual ‘Our Stage Festival’ in Dresden, the average citizen is the center of the...
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“The Modern on Stage / The Dream of the House”: An Interview with Jan Pappelbaum, Set Designer at the Schaubühne, Berlin
Jan Pappelbaum is one of the most inventive and internationally renowned set designers, from the...
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Interview With Sasha Marianna Salzmann: The Playwright
When asked about her background, she tends to respond, “I come from the theatre:” playwright and...
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ETC and Ukrainian Theatre: A Dialogue of Art, Change, and Support
As a mid-December snow fell over the city of Kyiv, Ukraine, the European Theatre Convention...
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Financing Theatre: Public Funding And Freedom Of Art
Public funding and freedom of art–do the two sit well together? There is no right to state arts...
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Complexity Is Beauty: Academy for Digitality and Theatre
Virtual reality, 3D animation, and robotics have long been used by theatre directors in other...
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