“The Bald Soprano,” French Absurd Theater Becomes a German Contemporary Opera Buffa
There are some myths about the opera that are not true. Firstly, that young people do not like...
Read MorePosted by Antonio Hernández Nieto | 18th Mar 2024 | Germany, Review, Theatre and Opera
There are some myths about the opera that are not true. Firstly, that young people do not like...
Read MorePosted by Aleks Sierz | 4th Mar 2024 | Germany, London, Review, Theatre and Politics, United Kingdom
We’ve all heard of the metaphorical madwoman in the attic, but what about the symbolic unexploded...
Read MorePosted by Jeune Théâtre Européen Jeunes Publics | 29th Feb 2024 | Essay, France, Germany, Greece, Ireland, Producing, Serbia, Tunisia
The Jeune Théâtre Européen Jeunes Publics (Young European Theatre for Young Audiences) (JTEJP)...
Read MorePosted by Kasia Lech | 28th Feb 2024 | Essay, France, Germany, Greece, Ireland, Theatre and Politics, Theatre for Young Audiences, Tunisia
The growing levels of migration results in an increasing number of children across Europe growing...
Read MorePosted by Ivanka Apostolova Baskar | 26th Jan 2024 | Germany, Interview, Theatre and Art, Theatre and Gender
Christian Tschirner aka Soeren Voima (he/him – author, theater maker, Schauspielhaus...
Read MorePosted by Emiliia Dementsova | 11th Oct 2023 | Adaptation, Festivals, Germany, Review, Theatre and Film, Theatre Olympics 2023
These two people are separated by history, geography, language, maths, and other school subjects...
Read MoreThe second Novi Sad Theater Festival again provided an exciting seven-day festival repertoire for...
Read MorePosted by The Theatre Times | 28th Nov 2022 | Education, Germany, News, Transcultural Collaborations
The University of Göttingen would like to invite you to The 1st International Symposium on...
Read MorePosted by Dmitry Troyanovsky | 11th Nov 2022 | Essay, Germany, Theatre and Politics, Ukraine
Dmitry Troyanovsky is a theatre and opera director living in Boston, MA. Born in Kyiv, Ukraine...
Read MorePosted by Ilinca Todoruţ | 4th Mar 2022 | Essay, Germany, Theatre and Science, Transmedia, United States of America
On November 20, 2021, TheTheatreTimes.com published futureStage Manifesto, developed by...
Read MorePosted by Duška Radosavljević | 2nd Mar 2022 | Germany, London, Review, Theatre and Science, Transmedia, United Kingdom
When Uncanny Valley premiered back in 2018, the idea of artificial intelligence augmenting or...
Read MorePosted by Natasha Tripney | 21st Feb 2022 | Germany, Review, Theatre and Politics
Maxim Gorki Theatre, Berlin, premiered on 21st June 2021, streamed on 28th January 2022 Oliver...
Read MorePosted by Etcetera | 22nd Dec 2021 | Germany, Interview, Theatre and Dance
Every month, Etcetera gazes into the soul of a performing artist. We choose artistic interest over...
Read MorePosted by Shiya Lu | 24th Oct 2021 | Germany, Review, Transmedia
Tanz mit dem Tiger (in English: Dance with the Tiger) is a forty-minute hybrid dance performance...
Read MorePosted by Najwa Kondakji | 11th Aug 2021 | Dramaturgy, Germany, Interview, Syria
Ayham Majid Agha is a Syrian actor, dramaturge, and director. After studying theater arts at...
Read MoreKrzysztof Warlikowski’s Nowy Theatre in Warsaw together with Komuna/Warszawa, La Comedie de...
Read MorePosted by Lasse Scheiba | 25th Nov 2020 | Germany, Theatre for Young Audiences, Youth Theatre - A Casebook
Youth Theatre – Audience Development A Conversation with the Youth Council of the Deutsches...
Read MorePosted by Lena Fritschle | 23rd Nov 2020 | Essay, Germany, Theatre for Young Audiences, Youth Theatre - A Casebook
In his 1993 work A Flying Classroom, the German author Erich Kästner created a vision of a...
Read MorePosted by Ivanka Apostolova Baskar | 21st Nov 2020 | Festivals, Germany, Interview
Thomas Irmer is a scholar, dramaturg, and critic regularly contributing to Theater der Zeit,...
Read MorePosted by The Theatre Times | 16th Nov 2020 | Germany, Theatre for Young Audiences, Youth Theatre - A Casebook
First things first: Be aware of the problems you create for the audience, a.k.a. the player, and...
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