Free Performance: A Response to metaLAB’s futureStage Manifesto
On November 20, 2021, TheTheatreTimes.com published futureStage Manifesto, developed by...
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Germany
“Uncanny Valley” at The Battersea Arts Centre
When Uncanny Valley premiered back in 2018, the idea of artificial intelligence augmenting or...
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“Alles Unter Kontrolle”
Maxim Gorki Theatre, Berlin, premiered on 21st June 2021, streamed on 28th January 2022 Oliver...
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Artist Entrance: Florentina Holzinger
Every month, Etcetera gazes into the soul of a performing artist. We choose artistic interest over...
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“Tanz mit dem Tiger”: A Boundary-breaking Digital Hybrid Dance
Tanz mit dem Tiger (in English: Dance with the Tiger) is a forty-minute hybrid dance performance...
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Interview with Ayham Majid Agha: On Shifting From Interactive Theater at Home into Creating a New Performing Form in Exile
Ayham Majid Agha is a Syrian actor, dramaturge, and director. After studying theater arts at...
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What Will You Do This Summer? On An Interdisciplinary Summer Camp In Warsaw
Krzysztof Warlikowski’s Nowy Theatre in Warsaw together with Komuna/Warszawa, La Comedie de...
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Audience Development – Empowering Youth Through Theatre: Theatre Not Only For, But With the Youth
Youth Theatre – Audience Development A Conversation with the Youth Council of the Deutsches...
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Experimental Forms and Performative Research: When the Classroom Learns to Fly
In his 1993 work A Flying Classroom, the German author Erich Kästner created a vision of a...
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Perspectives on the Internationalization of Theatre: An Interview with Thomas Irmer
Thomas Irmer is a scholar, dramaturg, and critic regularly contributing to Theater der Zeit,...
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Experimental Forms and Performative Research: How to Develop Games in (a) Theatre?
First things first: Be aware of the problems you create for the audience, a.k.a. the player, and...
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“The House of Sorrow” – Jisun Kim
Consciousness, cognition, and perception have fascinated Jisun Kim and The House of Sorrow is a...
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Performing Again: An Interview With Michael Vogel And Familie Flöz At Schiller Theatre
Led by artistic directors Hajo Schüler and Michael Vogel, Berlin-based “Familie Flöz” is one of...
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Listening in Detail – Alma Söderberg
Theatres remain closed, so instead of publishing reviews of new pieces, Etcetera asked artists to...
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Nils Haarmann On The Pandemic And Post-Pandemic Theatre
Nils Haarmann – dramaturg at the Schaubühne – responds to Grzegorz Jarzyna. The discussion focuses...
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Theatre United Against a Shift to the Right
Pressure on the German theatre and cultural landscape has increased significantly since the...
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Stage Design: Tradition of Diversity
Germany has more theatres and concert halls than almost any other country in the world. From its...
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The Crisis Stage
In times of crisis, we see just how closely reality and fiction really are. What seemed like a...
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Alice Birch and Katie Mitchell’s “Orlando” at the Schaubühne Theatre: Queer Desire on the Big Screen
Virginia Woolf’s reputation has closely followed British cultural trends: in the interwar years...
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Simon Stephens’ “Maria:” Aggressive Optimism is Saving the World
“The theatre is a device for empathy – its job is to create better people.” Those are the words of...
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