“Women Get F*ed”: The Place Of Women In French Theatre
In an article from 2014 and published by TheTheatreTimes.com, American playwright, translator, and...
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Arab Arts Focus To Be Featured In Festival Off Avignon
Managed by Ahmed El-Attar, the Arab Arts Focus program features artists from across the Arab...
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“Winter Solstice” At Cannes
The thesis that fascism is encountered at all extremes of the political spectrum is a key to the...
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Brainteasing Play “25” Offers A Puzzling Meditation On Being 25 That You’ll Have To Think About
One of the more difficult plays at Fringe to understand, 25 is the type of work where you can see...
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“Hopefully We Can Collaborate Soon” – On Reciprocity Between Artists and Curators
Veridiana Zurita pleads for more reciprocity between artists and curators. The relationship...
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“25” 1919 France: Pure Performance Cycle That Continues Through Eternity!
25–1919 Paris France is billed as a “performance event”–even a play if you wish, by Elliot...
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2018 Summer Festivals In France: Dance And Theater
Summer returns with its numerous performing art festivals in France. From long-running and...
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Interview With Thierry Thieû Niang on Theatre for Children
On June 16 and 17, Invisible Dog Art Center in Brooklyn will present To The Heart, a performance...
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Performance As An Act Of Civil Disobedience. Forbidden To Forbid
The latest performance of the series The Politics of Movement: On Reinterpretation of Power by...
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Ballet For Everyone: A French Classic Updated For The 21st Century
This article is brought to you by Le French May. Long before movie theatres were widespread,...
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La Reprise–Histoire(s) Du Théâtre (I)–Milo Rau/IIPM
Between re-enactment and appropriation: the as-if strategy of Milo Rau Acclaimed director Milo Rau...
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American Actors Give New Voice To French Theater
As a young French director visiting New York with his theater troupe, Paul Desveaux hardly...
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“Pollock” A Play By Fabrice Melquiot: Conversation with French Director Paul Desveaux
A production from Compagnie L’Héliotrope, and co-presented by the Cultural Services of the...
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Jerome Bel and His Amateurs Test the Limits of Contemporary Dance in Saitama Show
Is the French choreographer Jerome Bel a trailblazer or an enfant terrible of the contemporary...
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‘Les Incorrigibles’: The Publishing House Championing Spanish Theatre in France
Despite Spain being a near neighbor, Spanish theatre has enjoyed relatively little exposure in...
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Interview with Performance Artist Camille Boitel
Camille Boitel trained at an early age at Ecole de Cirque with Annie Fratellini, and then...
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“Human Landscapes–The Migration Of Beings” – Choreographer Germana Civera In Atlanta
Germana Civera, choreographer and performance artist from Spain based in Montpellier, France, just...
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Room to Dream: The Théâtre du Soleil at the Park Avenue Armory
If theater could save the world, it would no doubt do so under the exacting direction of Arianne...
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Review Of Albert Camus’ “State Of Siege” By Théâtre De La Ville
“[It] is utterly useless to accuse my characters of being symbolical,” wrote Albert Camus...
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“The State Of Siege” (L’état De Siège): A Political Warning
Albert Camus’ 1948 play The State of Siege (L’État de Siège) is presently touring the U.S. in a...
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