#CzechVelvet Review: “Velvet Havel” At Rich Mix
“The great funeral of Havel, a grey-haired Casanova who smoked too much,” says Uncle...
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Czech Republic
Czech Centre London Presents: “Velvet Havel”
To commemorate the 30th anniversary of the 1989 Velvet revolution the Czech Centre brings to...
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Probing Tom Stoppard on Russia: Part of The Legacy of Theater Critic and Educator J. Cooper Robb
Cooper Robb, an immensely knowledgeable and prolific American theater critic, who recently passed...
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“Stimmen des Kiezes”: A Site-Specific Movement–Text Collage in Berlin-Friedrichshain
In the middle of the vibrant Berlin district Friedrichshain, well-known for party tourism, hipster...
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PQ 2019: Noise Music
The Rudolfinum is the main classical music performance hall in Prague. The house of the Czech...
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PQ 2019: Puppet Masters
On the final day of the Prague Quadrennial, I decided to explore the roots of the Czech theatre...
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PQ 2019: An A+ B-Movie
I didn’t know what to expect from the Telekinetic Assault Group. The name was aggressive and the...
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PQ 2019: Paradise City
Today’s Prague Quadrennial adventures took me further away from the Exhibition Grounds than any...
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PQ 2019: A Dove is a Pigeon
One of my guiding principles in life is that the list of things I find beautiful should always be...
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PQ 2019: The Golden Triga
“Comrades,” said the woman in a loose zebra print dress and bright red lipstick, “this is not a...
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PQ 2019: The Nation Unto Itself
When a work of art has the word “nation” in its title, it invites you to look for the “essential”...
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PQ 2019: A Taboo Collection From Budapest
This week, the New York Times posted an ad for a new fashion correspondent. The job ad reads, in...
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PQ 2019: Chaos and Kindness
The headquarters of the PQ is the Exhibition Grounds, but that’s not its boundaries. Between the...
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PQ 2019: A New Reality
The fourteenth installment of the Prague Quadrennial of Performance Design and Space (PQ) kicked...
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Prague Quadrennial 2019: Imagination, Transformation, Memory
This summer, a wonderful artistic tradition will return to the city of Prague, as the Czech...
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“The Petty Bourgeois‘” And “The Gambler‘s” Warnings About Anthropocentrism And Capitalism
For the first article about Czech theatre, I’ve selected works by two young directors, who belong...
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“Yemaya–The Queen Of Seas” At The Wrocław Puppet Theatre
“A long, long time ago…or maybe not so long ago…in fact, quite recently, there was a...
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Changing The Landscape Of Puppetry Theatre In Poland: Jakub Krofta And The Wrocław Puppet Theatre
Jakub Krofta is currently the Artistic Director of the Wrocław Puppet Theatre (Wrocławski Teatr...
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Czech Puppetry Practitioners in Poland; or, a Parable on the Importance of Internationalisation in Theatre Training
‘In theatre the national differences, instead of dividing, are now connecting,’ says Polish...
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“The Vanek Trilogy”–Revisiting The Czech Living Room Theatre Tradition–An Interview With Renata Clark
With two more dates left (October 7th and November 25th) the Vanek Trilogy: Living Room Soirees–an...
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